Arnold Schönberg Die Jakobsleiter Videos
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2024-03-28
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Pierre Boulez Arnold Schoenberg John Shirley Quirk Bbc Symphony Orchestra 1982 2013
Provided to YouTube by Sony Classical Die Jakobsleiter: "Ich sollte nicht näher, denn ich verliere dabei" · Pierre Boulez · Arnold Schoenberg · Siegmund Nimsgren · BBC Symphony Orchestra Pierre Boulez conducts Schoenberg ℗ 1982 Sony Music Entertainment Released on: 2013-03-01 Baritone: John Shirley-Quirk Producer: Georges Kadar Auto-generated by YouTube.
Arnold Schoenberg Strickland Claudio Abbado Simon Rattle Aron Schoenberg Hall Lucerne Festival Orchestra Berlin Philharmonic 1874 1933 1934 1937 1941 1951 2013
Organ Sonata (fragments) ~ Schoenberg Iain Farrington, Organ August 22, 2013 Los Angeles In early August 1941, seven years after his arrival in Los Angeles, Schoenberg was commissioned by William Strickland of the publisher H.W. Gray to write a work for organ. Writing in a twelve-tone idiom for the first time since the completion of his fourth string quartet in 1937, Schoenberg began composing a five-movement sonata. However, after significant work on the first two movements, Schoenberg realized that the composition was too large for the publisher, and set aside the work, leaving it an unfinished fragment. Instead, he submitted to the publisher the largely tonal Variations on a Recitative for Organ, op. 40. Some of the musical material from the two-movement fragment made its way into Schoenberg's Concerto for Piano and Orchestra, op. 42. The sonata fragment itself is quite performable and very beautiful until it breaks off suddenly, leaving one only to wonder what might have come next. Arnold Schoenberg +••.••(...)) was born in Vienna, Austria. Although self-taught, he became the leading composer of his era, and perhaps the greatest Jewish composer of all time. In the first decade of the twentieth century he became the first composer to explore well beyond the boundaries of conventional tonality. Later, he developed his method of composing with twelve tones as a way to organize and provide coherence to modern music. His works and writings became widely influential, and his pupils attained great success as well. In 1933, Schoenberg was forced to abandon his teaching post in Berlin and fled Nazi Germany. By 1934 he arrived in Los Angeles, where he taught at both USC and UCLA and lived for the remaining 27 years of his life. After his death, the music building at UCLA was named Schoenberg Hall in his honor. Schoenberg's compositions continue to be performed on a regular basis by the leading orchestras of the world. Just this month during the summer festival season major works are being performed in Auckland (New Zealand), Lucerne (Switzerland), Edinburgh (Scotland) and Salzburg (Austria), with the world's most prominent conductors (Claudio Abbado and Simon Rattle) and orchestras (Berlin Philharmonic, Lucerne Festival Orchestra). Schoenberg's large-scale Jewish-themed works include his Jakobsleiter (Jacob's Ladder) oratorio, the opera Moses und Aron, and the orchestral works Kol Nidre, op. 39, Prelude to Genesis, op. 44 and A Survivor from Warsaw, op. 46. See www.schoenberg.at.
Arnold Schoenberg Dietrich Henschel Henschel Jonas Kaufmann Stephan Rügamer Michael Volle Kurt Azesberger Seele Kent Nagano Rundfunkchor Berlin Deutsches Symphonie Orchester Berlin 1914 1915 1922 1944 2003
»Die Jakobsleiter« +••.••(...)), ein unvollendetes Oratorium nach einer Dichtung +••.••(...)) vom Komponisten für Soli, Chor und Orchester. Dietrich Henschel – Gabriel Jonas Kaufmann – Ein Berufener Stephan Rügamer – Ein Aufrührerischer Michael Volle – Ein Ringender James Johnson – Der Auserwählte Kurt Azesberger – Der Mönch Salomé Kammer – Der Sterbende Heidi Meier – Die Seele Rundfunkchor Berlin Deutsches Symphonie-Orchester Berlin Kent Nagano, 2003 - - - - - The music published here is exclusively dedicated to divulgation purposes and not commercial. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
Arnold Schoenberg Burden 1915 1993
Jakobsleiter, opening scene (Arnold SchoenbergI love you too Ryan Villaverde, soloist Iain Farrington, Piano Los Angeles Zimriyah Chorale Nick Strimple, Conductor Jakobsleiter, opening scene — Schoenberg Schoenberg began work on the oratorio Jakobsleiter (Jacob’s Ladder) in 1915 by writing his own text inspired by the biblical Jacob’s dream of a lad- der joining Heaven and Earth. The main character is the angel Gabriel who observes and comments as various souls attempt to justify their ascent to heaven. The opening line: “Whether right or left, forwards or backwards, upward or downward, one has to go on, without asking what lies ahead or behind,” represents Schoenberg’s philosophical and religious motto. Schoenberg’s work on the ambitious score for orchestra, soloists and chorus was interrupted by World War I, when Schoenberg was called into service (age 42). The score was left unfinished and was completed posthumously from his sketches. In today’s concert we will hear just the opening section, with a keyboard accompaniment in lieu of the orchestra. The last local performance of Jakobsleiter was in 1993 by the Long Beach Opera. Jakobsleiter, opening scene Gabriel: Whether right or left, Forward or backward, Uphill or downhill, You must go on, Without asking what lies before or behind you. It shall be hidden; You may, you shall forget it, To accomplish your task. Choir: The unbearable pressure! The heavy burden! What terrible pains! Burning longing! Hot lusts! Illusions of fulfillment! Inconsolable loneliness! Compulsion by formulae! Annihilation of the will! Lies for the sake of happiness! Murder, robbery, blood, wounds! Possession, beauty, enjoyment! Pleasure is vanity, self-confidence! Intimate hours, sweet contentment! Sanguine vigor, felicitous action! A work is achieved, a child is born, a woman kisses, a man exults, And is blunted, and sinks back; And goes onward, groaning; And dies, is buried, forgotten.
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