Arnold Schönberg Streichquartett Nr. 1 in d-Moll, Op. 7 Videos
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Arnold Schönberg Schönberg Gustav Mahler Wagner Rosé Rosé Quartet 1874 1904 1905 1907 1934 1951 1967
- Composer: Arnold Schönberg {Schoenberg after 1934} (13 September 1874 / 13 July 1951) - Performers: Kohon Quartet - Year of recording: 1967 String Quartet No. 1 in D minor Op. 7, written between 1904-1905. This quartet consists of one movement, and was Schönbergs first assured masterpiece as it was the real beginning of his reputation as a composer. The quartet is remarkable for its density and intensity of orchestration with only four instruments. Unlike his later works, this work is tonal, bearing the key of D minor, though it stretches this to its limit with the thoroughly extended tonality of late Romantic music, such as moments of quartal harmony. It also carries a small collection of themes which appear again and again in many different guises. Besides his extension of tonality and tight motivic structure, Schönberg makes use of another innovation, which he called "musical prose." Instead of balanced phrase structures typical of string quartet writing up to that period, he favored asymmetrical phrases that build themselves into larger cohesive groups called "sentences." According to Schönberg, when he showed the score to Gustav Mahler, the composer exclaimed: "I have conducted the most difficult scores of Wagner; I have written complicated music myself in scores of up to thirty staves and more; yet here is a score of not more than four staves, and I am unable to read them." The first performance was given in Vienna on 5 February 1907 by the Rosé Quartet after extensive rehearsal.
Arnold Schoenberg Alexander Zemlinsky Brahms Bach Beethoven
...I abandoned program music and turned in the direction that was much more my own than all the preceding. It was the First String Quartet, Opus 7, in which I combined all the achievements of my time (including my own) such as: the construction of extremely large forms; greatly emancipated melodies based on a richly moving harmony and new chord progressions; and a contrapuntal technique that solved problems offered by superimposed, individual parts which moved freely in more remote regions of tonality and met frequently in vagrant harmonies. In accommodation to the faith of the time, this large form was to include all the four characters of the sonata type in one single, uninterrupted movement. Durchführungen (development) should not be missing and there should be a certain degree of thematic unity within the contrasting sections. The great expansion of this work required careful organization. It might perhaps interest an analyst to learn that I received and took advantage of the tremendous amount of advice suggested to me by a model I had chosen for this task: the first movement of the Eroica Symphony. Alexander von Zemlinsky told me that Brahms had said that every time he faced difficult problems he would consult a significant work of Bach and one of Beethoven, both of which he always used to keep near his standing-desk (Stehpult]. How did they handle a similar problem? Of course the model was not copied mechanically, but its mental essence was applied accordingly. In the same manner I learned, from the Eroica, solutions to my problems: how to avoid monotony and emptiness; how to create variety out of unity; how to create new forms out of basic material; how much can be achieved by slight modifications if not by developing variation out of often rather insignificant little formulations. From this masterpiece I learned also much of the creation of harmonic contrasts and their application. Brahms' advice was excellent and I wish this story would persuade young composers that they must not forget what our musical forefathers have done for us. Arnold Schoenberg
Quatuor Diotima Arnold Schoenberg Alban Berg Anton Webern Peng Zhao Franck Chevalier Sandrine Piau Marie Nicole Lemieux 1874 1883 1885 1897 1905 1935 1945 1951 2016
5-CD set - naïve Release on 26 February 2016 / Arnold Schoenberg +••.••(...)) Presto in C major Scherzo in F major String quartet, in D major (1897) String quartet no.1 in D minor, op.7 String quartet no.2 in F sharp minor, with soprano, op.10* String quartet no.3, op.30 String quartet no.4, op.37 / Alban Berg +••.••(...)) String quartet, op.3 Lyric suite for string quartet, version with voice** / Anton Webern +••.••(...)) Langsamer Satz String quartet (1905) Rondo for string quartet Five movements for string quartet, op.5 Six bagatelles for string quartet, op.9 String quartet, op.28 QUATUOR DIOTIMA Yun-Peng Zhao (violin I) Constance ronzatti (violin II) Franck Chevalier (viola) Pierre Morlet (cello) Sandrine Piau (soprano*) Marie-Nicole Lemieux (contralto**) ////////// Quatuor Diotima celebrates its 20th anniversary in 2016! This boxset dedicated to the Viennese School of Music is the first of the two recording events that have been planned to mark that special year - along with the release of a new series of contemporary composer portraits. This Schoenberg | Berg | Webern set gathers the complete works for string quartet composed by those three iconic composers. This is a major achievement and the result of years of concerts and research by the quartet, which is now consi- dered as a leading performer of this repertoire. ////////// web www.quatuordiotima.fr facebook quatuor-diotima
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