Darius Milhaud Sinfonie Nr. 4, Op. 281, „Composée á l'occasion de Centenaire de la Révolution de 1848“ Videos
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2024-04-17
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Adler Debussy Ravel Chevalet Brahms Berg Hindemith Mendelssohn Filler Berlioz Beethoven Scriabin Stravinsky Meyerbeer Rossini Barber Milhaud Salzedo Britten Crumb 1230 1307 1418 1445 1455 1514 1524 1636 1649 1709 1720 1808 1848 1925 2010
11. Divided Strings. Debussy Nuages 0:00 13. Divided Strings. Strauss Also Sprach Zarathustra 0:56 14. Violin Glissando. Ravel. La Valse / 2-15. Bartok 1:24 16. Glissando On Two Strings 1:49 17. Violin. Fingered Glissando 2:08 18. Violin. Non Legato 2:21 19. Strings Legato 2:49 20. Violin Up And Down Bows 3:32 21. Violins - Many Notes In Slurred Bowing At Fast Tempo 3:55 22. Violas. 6 Notes Slurred On A Bow 4:11 24. Divided Bowing Of The Strings, To Produce A Long Legato 4:21 26. Strings Détaché Bowing 5:00 27. Violins A Punto D'arco 5:12 28. Strings At The Frog, Al Tallone 5:25 29. Strings. Down Bows 6:01 30. Strings. Louré, Portato 6:14 31. Strings. Separate Bow Staccato. 6:37 33. Strings Slurred Staccato 6:50 34. Violins And Viola. Staccato On Single Bow Strokes 7:00 35. Viola. Slurred Staccato 7:18 36. Double Bass. Staccato With Up And Down Bowing 7:32 37. Strings. Martelato Or Marcato 8:07 38. Violin. Conscious Spiccato 8:19 39. Violin. Spontaneous Spiccato 8:32 40. Violins And Cellos. Slurred Spiccato 8:50 41. Violin. Jeté, Ricochet 9:03 42. Violins And Viola. Jeté 9:14 43. Violin. Arpeggiando. 2-44. Fast Arpeggiando 9:27 45. Strings Using Trills 9:56 46. Violin. Bowed Tremolo 10:37 47. Violins. Fingered Tremolo 11:02 49. Violins. Measured Effects 11:18 50. Violin. Undulation Of Two Notes 11:34 51. Cello. Sul Tasto, Sur La Touche, Am Griffbrett 11:52 52. Sul Ponticello, Au Chevalet, Am Steg 12:16 53. Violins. Col Legno, Avec Le Bois, Mit Holz 12:30 54. Strings. Col Legno Battuto 12:49 55. Strings. Pizzicato 13:07 57. String Quartet. Left Hand Pizzicato 14:18 58. String Quartet. Snap Pizzicato 14:28 60. Pizzicato Chords 14:45 61. Strings. Pizzicato 14:55 62. Strings. Pizzicato, Let Vibrate 15:14 63. Strings. Con Sordino, Avec Sourdine, Mit Dämpfer 15:24 64. Violin. Scordatura 16:36 65. Violin. Scordatura 16:49 77. Violin. Harmonics 17:09 78. Violin. Harmonics 17:20 79. Violin. Harmonics 18:08 4. Violin G String 18:48 5. Violin G String 19:25 6. Violin D String 20:10 7. Violin A String 20:44 8. Violin E String 21:07 9. Violin E String (Soft Dynamic) 21:29 18. Violins. Harmonics 23:28 21. Violin Solo With Orchestra. Brahms. Symphony No.1 / Strauss. Don Juan 22:06 23. Violin. Wide Skips On The Same String. Wagner. Die Meistersinger. Prelude 25:11 24. Violin. Wide Skips Between Extreme Ranges. Bartok. Divertimento 25:29 25. Violin. Wide Skips Played Legato. Berg. Lyric Suite 25:47 31. Viola. C String. Hindemith. Sonata, Op.11, No.4 26:20 32. Viola. G And D Strings. Bartok. Concerto For Orchestra 26:53 33. Viola. A String. Hindemith. Der Schwanendreher 27:23 37. Viola. Functioning As The Bass In The String Section. Mendelssohn 27:58 38. Viola. Typical Orchestral Role (Filler Passage). Wagner. Lohengrin 28:13 39. Viola And Violins Coupled In Octaves. Berlioz. Symphonie Fantastique 28:36 40. Viola And Cello Coupled In Octaves. Beethoven. Symphony No.5 28:52 41. Viola In Solo Concertante. Scriabin. Poem Of Ecstasy 29:27 42. Viola. Strauss. Don Quixote, Variation 2 29:48 43. Viola. Stravinsky. Le Sacre Du Printemps 30:49 51. Viola d'Amore. Meyerbeer. Les Huguenots 31:11 52. Viola s'Amore. Hindemith. Kleine Sonate 32:12 57. Cello. Wagner. Tristan Un Isolde, Prelude / Harris. Symphony No.3 33:48 59. Cellos. Divisi (5 Cellos). Rossini, William Tell, Overture 36:34 64. Cello Solo. Strauss. Don Quixote 37:25 65. Cello Doubling The First Viola. Barber. Essay For Orchestra No.1 38:12 69. Double Bass. Beethoven. Symphony No.4 39:13 72. Double Bass. Wagner. Die Meistersinger, Overture 39:43 74. Double Bass Solo. Stravinsky, Pulcinella / Milhaud. La Création Du Monde 40:28 80 2. Harp. Debussy. Prelude A l'Apres-midi D'un Faune 41:26 81 6. Harp. Mozart. Concerto For Flute And Harp, K.299 41:43 82 7. Harp. The Nutcracker Alternative Performance Of The Same Piece. 42:18 83 8. Harp. Block Chords. 43:07 84 9. Harp. Chords Rolled. Bartok. Violin Concerto 43:32 85 10. Harp. Chords Arpeggiated. Brahms. German Requiem 44:13 86 11. Harp Arpeggiated, Combined With Flute. Debussy 45:01 87 12. Harp Harmonics. Debussy. Nocturnes, "Nuages" 45:24 88 13. Harp Harmonics. Rsvel. Daphnis Et Chloe 45:59 89 14. Harp Harmonics. Salzedo 46:26 90 15. Harp. Près E La Table. Britten 46:58 91 16. Harp. Sons Étouffés 47:11 92 17. Harp Glissando. 4-18. Multiple Glissandi. 47:26 93 20. Harp. Bisbigliando 48:02 94 23. Guitar With Orchestra. Stravinsky 48:19 95 26. Mandolin. Mozart. Don Giovanni 48:50 96 27. Mandolin. Crumb 49:25 97 30. Banjo With Wind Instruments 49:54 98 34. Zither Accompanying Strings. Strauss 50:35
Provided to YouTube by Warner Classics UK Milhaud: Symphony No.4 Op.281: II Aux morts de la République · Darius Milhaud Milhaud : Symphonies Nos 4 & 8 & Piano Concerto No.4 ℗ 1969 Erato Classics S.N.C. Conductor: Darius Milhaud Orchestra: Orchestre Philharmonique de lO.R.T.F. Composer: Darius Milhaud Auto-generated by YouTube.
Provided to YouTube by Warner Music Group - X5 Music Group Symphony No. 4, Op. 281: II. Aux morts de la République · Darius Milhaud & Orchestre Philharmonique de lO.R.T.F. Autumn In Paris ℗ 2018 Warner Music Group - X5 Music Group Released on: 2018-11-02 Conductor: Darius Milhaud Orchestra: Orchestre Philharmonique de lO.R.T.F. Composer: Darius Milhaud Auto-generated by YouTube.
Oscar Arthur Honegger Christian Ferras Charles Marie Widor Vincent Indy Indy Claire Croiza David King Claudel Jacques Ibert Bach Benjamin Britten Darius Milhaud Francis Poulenc Britten Sinfonia 1892 1911 1916 1918 1921 1923 1926 1927 1932 1935 1936 1937 1940 1946 1955 2003
Arthur Honegger - Sonata for Solo Violin Violin - Christian Ferras ————————————————————————— Arthur Honegger (French: [aʁtyʁ ɔnɛɡɛːʁ]; 10 March 1892 – 27 November 1955) was a Swiss composer, who was born in France and lived a large part of his life in Paris. He was a member of Les Six. His most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive. Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony and violin in Le Havre. After studying for two years at the Zurich Conservatory he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Charles-Marie Widor and Vincent d'Indy. He made his Paris compositional debut in 1916 and in 1918 wrote the ballet Le dit des jeux du monde, generally considered to be his first characteristic work. In 1926 he married Andrée Vaurabourg, a pianist and fellow student at the Paris Conservatoire, on the condition that they live in separate apartments because he required solitude for composing. Andrée lived with her mother, and Honegger visited them for lunch every day. They lived apart for the duration of their marriage, with the exceptions of one year from 1935 to 1936 following Vaurabourg's injury in a car accident, and the last year of Honegger's life, when he was not well enough to live alone. They had one daughter, Pascale, born in 1932. Honegger also had a son, Jean-Claude (1926–2003), with the singer Claire Croiza. In the early 1920s, Honegger shot to fame with his "dramatic psalm" Le Roi David (King David), which is still in the choral repertoire. Between World War I and World War II, Honegger was very prolific. He composed the music for Abel Gance's epic 1927 film, Napoléon. He composed nine ballets and three vocal stage works, amongst other works. One of those stage works, Jeanne d'Arc au bûcher (1935), a "dramatic oratorio" (to words by Paul Claudel), is thought of[by whom?] as one of his finest works. In addition to his pieces written alone, he collaborated with Jacques Ibert on both an opera, L'Aiglon (1937), and an operetta. During this time period he also wrote Danse de la chèvre (1921), an essential piece of flute repertoire. Dedicated to René Le Roy and written for solo flute, this piece is lively and charming, but with the same directness of all Honegger's work. Honegger always remained in touch with Switzerland, his parents' country of origin, until the outbreak of the war and the invasion of the Nazis made it impossible for him to leave Paris. He joined the French Resistance and was generally unaffected by the Nazis themselves, who allowed him to continue his work without too much interference. He also taught composition at the École Normale de Musique de Paris, where his students included Yves Ramette. However, he was greatly depressed by the war. Between its outbreak and his death, he wrote his last four symphonies (numbers two to five) which are among the most powerful symphonic works of the 20th century. Of these, the second, for strings, featuring a solo trumpet which plays a chorale tune in the style of Bach in the final movement, and the third, subtitled Symphonie Liturgique with three movements that evoke the Requiem Mass (Dies irae, De profundis clamavi and Dona nobis pacem), are probably the best known. Written in 1946 just after the end of the war, it has parallels with Benjamin Britten's Sinfonia da Requiem of 1940. In contrast with this work is the lyrical, nostalgic Symphony No. 4, subtitled "Deliciae Basilienses" ("The Delights of Basel"), written as a tribute to days of relaxation spent in that Swiss city during the war. Honegger was widely known as a train enthusiast, and once notably said: "I have always loved locomotives passionately. For me they are living creatures and I love them as others love women or horses." His "mouvement symphonique" Pacific 231 (a depiction of a steam locomotive) gained him early notoriety in 1923. The principal elements of Honegger's style are: Bachian counterpoint, driving rhythms, melodic amplitude, highly coloristic harmonies, an impressionistic use of orchestral sonorities, and a concern for formal architecture. His style is weightier and more solemn than that of his colleagues in Les Six. Far from reacting against German romanticism as the other members of Les Six did, Honegger's mature works show evidence of a distinct influence by it. Despite the differences in their styles, he and fellow Les Six member Darius Milhaud were close friends, having studied together at the Paris Conservatoire. Milhaud dedicated his fourth string quintet to Honegger's memory, while Francis Poulenc similarly dedicated his Clarinet Sonata. ————————————————————————— I, in no way, mean to make any money via my videos. I make them to allow others to discover classical music, and help them by (sometimes) providing sheet music.
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