Dmitri Dmitrijewitsch Schostakowitsch 7 Gesänge, Opp. 127 Videos
Dmitri Dmitrijewitsch Schostakowitsch
Zusammengestellt und veröffentlicht in 1967 (7 Gesänge, Schostakowitsch)
- Texte von Alexander Blok
Letzte Aktualisierung
2024-04-16
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Varvara Adrianovna Gaigerova Shostakovich 1903 1920 1944 1969 2010
- Composer: Varvara Adrianovna Gaigerova (4 October 1903 / 6 April 1944) - Performers: Eliesha Nelson (viola), Glen Inanga (piano) - Year of recording: 2010 Suite for viola & piano, Op. 8, probably written somewhere between 1920-1944. 00:00 - I. Allegro agitato 02:41 - II. Andantino 05:52 - III. Scherzo: Presto 10:20 - IV. Moderato The Suite for Viola and Piano, Op. 8 by Varvara Adrianovna Gaigerova reflects a very dramatic Russian style in classical music, and on top of that it embodies Soviet and Russian folk idioms. It’s highly chromatic but expressive, and the short movements require an exact character established from the beginning in order to come across musically. Gaigerova was fascinated by the minority nationalities of the Soviet Union, and transcribed songs from groups such as the Uzbek, Tatar, Bashkir, Buryat, Kazakh, and Kirghiz, as well as composing music for orchestras of traditional instruments. Although the movements of the suites do not have names outside the tempo markings, the musical picture painted in each is well suited for a title. - The first movement is marked Allegro agitato, and has the feel of fleeing from desolation. It is highly chromatic with sudden dynamic and subtle tempo changes. - The second movement is an Andantino with a much less tragic character. It feels like a walk in the summer sun with a good friend or loved one. - The third movement is a brisk Scherzo that sounds like hunting music and galloping horses. The Trio interrupts the hunt with a slower, heartfelt interlude. - The fourth movement, Moderato, returns to the desolation of the first movement, this time more resigned to its fate, unable to escape the final tragedy. The Suite was published posthumously in 1969, the composition year is unknown. This passionate, beautiful piece stands very much on its own feet, and is a welcome addition to the relatively few Russian (Shostakovich...) sonata pieces for viola that are played or recorded today.
Mussorgsky Shostakovich Xian Zhang Kuznetsova Concertgebouw Amsterdam 2019
M. Mussorgsky “Songs and Dances Of Death”. Vocal cycle in orchestra edition by D. Shostakovich / М. Мусоргский «Песни и пляски смерти». Вокальный цикл в оркестровой редакции Д. Шостаковича. Conductor – Xian Zhang / Дирижер - Сиань Чжан Soloist - Dmitry Ulyanov, bass / Солист - Дмитрий Ульянов, бас Netherlands Radio Philharmonic Orchestra / Голландский Филармонический Оркестр Радио Concertgebouw, Amsterdam, 16 February 2019 / Концертгебау, Амстердам, 16 февраля 2019 The concert was broadcast on NPO Radio 4 / Концерт транслировался по радио NPO Radio 4, запись с трансляции Illustrations in the graphics for this video editing by Diana Kuznetsova / В данном видео используются иллюстрации в графике Дианы Кузнецовой.
Aušrinė Stundytė Irena Milkevičiūtė Prokofiev Korngold Richard Strauss Shostakovich Berg Asmik Grigorian Oper Köln Salzburg Festival 1976 1994 2000 2020
The celebrated and widely acclaimed for the combination of acting and vocalism Lithuanian soprano Aušrinė Stundytė (b. 1976) studied singing from 1994 to 2000 at the Lithuanian Academy of Music and Theatre with Irena Milkevičiūtė and then for long 11 years she dissapeared from the Lithuanian operatic scene. At first, Stundytė continued her vocal training with Helga Forner at the Academy of Music and Theatre in Leipzig and then made her debut in the Oper Köln, guested in Lübeck, Essen, Lisbon or - as Sieglinde in Die Valkyrie - in Palermo. She sang many classical soprano roles but only recently, having performed the roles of Renata in Prokofiev‘s “The Fiery Angel“ and Marietta in Korngold‘s “Die tote Stadt“ and, especially, the passionate and destructive Elektra in Richard Strauss‘ “Elektra“, Salome in Richard Strauss “Salome“ and, above all, Katerina in Shostakovich‘s “Lady Macbeth of the Mtsensk District“, Stundytė gained the inner freedom in her dramatic artistic world. She has worked with many famous conductors and stage directors, including Dmitry Tcherniakov, Krzystof Warlikowski, and Calixto Bieito. Her extensive repertoire of songs and concerts also includes the song cycles of Strauss, Berg, and Wagner. This video presents an excerpt from the Richard Strauss’ opera “Elektra” under direction of Krzystof Warlikowski shown in the Salzburg Festival in 2020 with Aušrinė Stundytė in the title role. The fact that the role of her sister Crysothemis was performed by another famous Lithuanian soprano Asmik Grigorian is another reason to single out this staging. The whole opera is available at (http•••)
Ewa Biegas Mussorgsky Jakubowski Lublin Shostakovich Kreutzer Henryk Wieniawski 1757 2021
Koncert inauguracyjny Festiwalu Fonie Lublina 2021 Wykonawcy: Ewa Biegas - sopran Grzegorz Biegas - fortepian słowo o muzyce - Karol Furtak Program: M. Musorgski - Pieśni i tańce śmierci: Kołysanka [06:06] Serenada [11:40] Trepak [17:57] Marszałek polowy [22:54] D. Szostakowicz - Satyry. Obrazki z przeszłości op. 109: Do krytyka [34:06] Przebudzenie wiosny [35:19] Potomkowie [38:19] Nieporozumienie [40:40] Sonata kreutzerowska [45:25] _ Organizator: Stowarzyszenie Polskich Artystów Muzyków Oddział Lubelski Partnerzy: Towarzystwo Muzyczne im. H. Wieniawskiego w Lublinie, Związek Artystów Wykonawców STOART Realizacja: nagranie i reżyseria dźwięku - Łukasz Jakubowski / Manufaktura Nagrań; nagranie i montaż video - Paweł Giergisiewicz Patroni medialni: TVP 3 Lublin, Polskie Radio Lublina S.A., Radio Centrum, Kurier Lubelski, Dziennik Wschodni, Gość Niedzielny ENG: Opening concert of the Fonie Lublina 2021 Festival Ewa Biegas - soprano Grzegorz Biegas - piano lecturer - Karol Furtak Program: M. Mussorgsky - Songs and Dances of Death: Lullaby [06:06] Serenade [11:40] Trepak [17:57] Field marshal [22:54] D. Shostakovich - Satires. Pictures from the Past op. 109: To the critic [34:06] Spring awakening [35:19] Descendants [38:19] Misunderstanding [40:40] Kreutzer Sonata [45:25] _ Organizer: Stowarzyszenie Polskich Artystów Muzyków Oddział Lubelski Partners: Henryk Wieniawski Musical Society of Lublin, STOART Realization: sound recording and direction - Łukasz Jakubowski / Manufaktura Nagrani; video recording and editing - Paweł Giergisiewicz Media patrons: TVP 3 Lublin, Polskie Radio Lublin S.A., Radio Centrum, Kurier Lubelski, Dziennik Wschodni, Gość Niedzielny
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