Maurice Ravel Toccata, Op. 68 Nr. 6 Videos
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2024-04-18
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Clara Haskil Bach Busoni Scarlatti Beethoven Schumann Debussy Ravel Heiden Pablo Casals Wolfgang Amadeus Mozart 1950 1953 1960
Dédié à Pianopera et à Morinoroba !! Ludwigsburg Castle, 0:00 : Bach/Busoni - Choral Non komm, der Heiden Heiland 3:54 : Bach - Toccata in E minor, BWV 914 11:04 : Scarlatti - Sonata. Dédié à Pianopera et à Morinoroba !! Ludwigsburg Castle, 0:00 : Bach/Busoni - Choral Non komm, der Heiden Heiland 3:54 : Bach - Toccata in E minor, BWV . Clara Haskil +••.••(...)), piano Prades Festival Orchestra / Pablo Casals Rec. 1950 00:00 1. Allegro 03:34 2. Largo 06:42 3. Presto. Piano Concerto No 19 in F Major KV 459 by Wolfgang Amadeus Mozart, Clara Haskil, piano Orchestre national de la Radiodiffusion française Constantin .
Theo Bruins Willem Pijper Beinum Ravel Debussy Mahler Toscanini Boulez Lark Leeuw Visser Johan Wagenaar Concertgebouw Orchestra 1456 1912 1916 1921 1931 1934 1937 1938 1940 1941 1943 1944 1945 1946 1947 1948 1955 1957 1958 1959 1960 1961 1964 1966 1967 1968 1969 1971 1977 1980
Rudolf Escher +••.••(...)) Arcana : suite for piano solo, Op. 9 (1944) 1. Preludio (Largo) - 00:00 2. Toccata (Presto) - 04:26 3. Ciaccona (Lento Con Grazia) - 08:48 4. Finale (Moderato Molto - Allegro Risoluto) - 14:56 Theo Bruins, piano dedicated to Luctor Ponse Rudolf Escher was a Dutch composer. From 1916 to 1921 he lived with his parents on Java, where his father worked as a geologist and mineralogist. Back in the Netherlands he studied the piano, the violin and harmony privately. At the Rotterdam Conservatory he studied the piano +••.••(...)) and composition (with Pijper, 1934--1937). Until 1940 he lived in Rotterdam, where most of his scores were destroyed during the bombing by the Germans in May of that year. During World War II Escher composed Musique pour l'esprit en deuil +••.••(...)), which was first performed in 1947 by the Concertgebouw Orchestra under van Beinum and which made him overnight the most important composer in the Netherlands. From 1945 until his death he lived in Amsterdam. After a short study at the Electronic Studio of the Delft Technical University he taught +••.••(...)) at the Amsterdam Conservatory. From 1964 to 1977 he taught theory of contemporary music at the University of Utrecht. The result of his teaching is to be found in many studies in the field of music theory and audiology. He was also a talented writer and painter, continuing to publish poetry in literary magazines until well into the 1950s. From 1945--1946 he wrote on music and art for the Groene Amsterdammer. Escher's music is lyrical, expressive and elegiac, with a great propulsive force, more French then German in its orientation (the main influences being Ravel, Debussy and Mahler). It is always basically tonal, and mostly cast in a strictly contrapuntal frame with chains of variations. Everything he wrote can be clearly discerned by the ear. In 1938 he wrote: 'The miracles of a piece of music will never be revealed, unless in a natural way, through sounding and hearing. That means sounding well and hearing well. The latter condition is a priori impossible if the former one cannot be fulfilled'. (Toscanini en Debussy). Apart from this technical aspect of composing, Escher discerned a psychic one: 'The technique of a composer is intimately related to his spiritual and intellectual self, his psyche'. This can be seen in his war compositions, such as Musique pour l'esprit en deuil, the Sonate concertante (1943) for cello and piano, Arcana (1944) for piano (originally called Arcana Musae Dona), and the first two movements of the Sonata for cello solo (1945; the third movement was completed in 1948). Each of these compositions is in a way an impressive 'document humain'. The works written immediately after 1945 do not reflect the war in the same way, but Escher's longing for peace is reflected in the 'Arcadian' choral works such as Songs of Love and Eternity (1955) and Ciel, air et vents (1957). As a theorist, Escher analysed many 20th-century scores from Debussy to Boulez, explaining the latter on the basis of Escher's own analysis of the former's music. As a composer, however, he preferred to remain true to the music of Debussy and Ravel without denying the technical implications of the music of the serialists, as in his Second Symphony (1958, revised in 1980), Wind Quintet (1967) and Monologue for flute solo (1969). In the early sixties Escher tried to extend his technique towards electronic music and serialism, but after several crises he was unable to find a technique which would allow him at the same time to remain true to his psyche. The results of this search are nevertheless interesting, and the brilliant Wind Quintet (1967) and Summer Rites at Noon for two orchestras (1971) are examples of Escher's technical and emotional powers. The sound of the Wind Quintet is dominated by the timbres of alto flute, oboe d'amore and bass clarinet. Only at the end is the alto flute replaced by a normal flute for a brilliant and exciting 'lark solo'. Here Escher combines Debussian intervallic manipulations with Boulezian structural formulae. Kernels of intervals grow into motifs and melodies through rhythmical development. The main structure consists of three movements (A1--B--A2), which are linked by two short bridges (Z1 and Z2). Each movement consists again of three segments (a--x--a), which results in six 'a' segments accelerating from Largo to Prestissimo, while at the same time the 'x' segments slow down from Moderato to Largo. The Prestissimo combines the flute's 'lark solo' with the other instruments playing Largo underneath. Escher received several prizes for his compositions, including the van der Leeuw Prize (1959) for Le tombeau de Ravel, the Visser-Neerlandia Prize (1961 and 1968) for Nostalgies and the Wind Quintet, the Willem Pijper prize (1966) for the Sonata concertante for cello and piano and the Johan Wagenaar prize for his total output.
Francis Poulenc Benjamin Britten Claude Debussy Padova Luigi Piovano Ravel Martha Argerich Lilya Zilberstein Mario Brunello Aldo Ciccolini Earl Wild Leslie Howard Liszt Bach Satie Tchaikovsky Beethoven Chopin Haydn Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff Orchestra Padova Veneto Carnegie Hall 1932 1941 2008
Three 20th-century masters, painting glittering rainbows of colours with two pianos. Composer: Benjamin Britten, Claude Debussy, Francis Poulenc Artists: Mattia Ometto (piano), Leonora Armellini (piano), Orchestra di Padova e del Veneto, Luigi Piovano (conductor) Online purchase and streaming: (http•••) For more information: (http•••) From Javanese gamelan to Mozart, from nursery rhymes to passionate outbursts, from primitive percussion to the café chantant, Francis Poulenc gathered up almost all the formative influences on his style in his Concerto for Two Pianos of 1932. Aside from Mozart, there is also an evident allusion to Ravel, in particular to the two piano concertos, which were published and performed in the same year. Yet the originality of the concerto is never in doubt; the deep feeling and light touch of the central Larghetto bear Poulenc’s fingerprints as clearly as the final gallop home. Much less familiar is the Scottish Ballad composed in 1941 by Benjamin Britten as a free fantasy for two pianos and orchestra based on a number of Scottish tunes, including 'Dundee', 'Turn Ye to Me' and 'Flowers of the Forest'. A lamenting funeral march is followed by a flamboyant Highland fling, in which Britten parodies ‘Scottish’ music in a display piece of great wit and vitality. This unique compilation concludes with a two-piano piece in which the orchestra is ‘silent’: the Premiere Suite written with orchestra in mind by Debussy in his early 20s. However, the orchestral score was lost for many years – even this two-piano version was only published in 2008 – and its four movements show Debussy’s language in the act of formation: unmistakably French, and harmonically novel for its time, but still working in self-contained forms – a toccata, a ballet, a shimmering nocturne and a tumultuous final bacchanale. The soloists here are a pair of experienced performers and teachers. Having won several Italian piano competitions, Leonora Armellini appeared at the Projetto Martha Argerich in Lugano and has played chamber music with the likes of Lilya Zilberstein and the cellist Mario Brunello. The author of a popular book introducing classical music to younger audiences, she is joined here by the Padovan born Mattia Ometto, a pupil of Aldo Ciccolini and Earl Wild who has given concerts at Carnegie Hall and recorded with Leslie Howard: a Brilliant Classics album of the symphonic poems in transcription (95748) which attracted enthusiastic reviews: ‘Leslie Howard and Mattia Ometto navigate Liszt’s technical challenges with fluency and ease, but they also treat the scores seriously, playing for effect only when necessary, achieving impressive unanimity and long-lined shape.’ (Classics Today) Track list: 00:00:00 Francis Poulenc: Concerto in D Minor, FP 61: I. Allegro ma non troppo - Très calme 00:08:32 Francis Poulenc: Concerto in D Minor, FP 61: II. Larghetto - Beaucoup plus allant - Tempo I 00:14:35 Francis Poulenc: Concerto in D Minor, FP 61: III. Allegro molto - Agité - Plus calme - Tempo I subito 00:20:59 Benjamin Britten: Scottish Ballad, Op. 26 00:36:12 Claude Debussy: Première suite d’orchestre: I. Fête 00:42:15 Claude Debussy: Première suite d’orchestre: II. Ballet 00:46:30 Claude Debussy: Première suite d’orchestre: III. Rêve 00:53:50 Claude Debussy: Première suite d’orchestre: IV. Cortège et bacchanale Social media: Facebook: (http•••) Instagram: (http•••) Twitter: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: (http•••) And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #BrilliantClassics #Poulenc #Debussy #Piano #Conductor #Classical #Music #Suite #Suites #Orchestra
Mascagni Gounod Bach Bizet Schubert Mund Debussy Mussorgsky Ravel Holst Elgar Anh Schumann Respighi Mendelssohn Chopin Rachmaninov Paganini Satie Pachelbel Tchaikovsky Brahms Johann Strauss Liszt Beethoven Handel Krieger Caccini Sarasate Bruckner Arthur Pryor Rossini
ピュアな感じのクラシック名曲を集めてみました。 長時間作業用クラシックBGMです。 This is a Pure feeling Classical Music Collection, BGM for a long time work and study. <収録曲:Track List> マスカーニ:歌劇 《カヴァレリア・ルスティカーナ》 間奏曲 Mascagni:Cavalleria Rusticana :Intermezzo Sinfonico グノー/J.S.バッハ:アヴェ・マリア Gounod/J.S.Bach:Ave Maria ドヴォルザーク:《ユーモレスク》 変ト長調 Op.101 第7番 Dvorak:Humoresque Op.101 ビゼー:組曲《アルルの女》 第2番から 「メヌエット」 Bizet:L'Arlesienne Suite No.2 2. Menuet シューベルト:歌曲集《冬の旅》から 「菩提樹」 D.911-5 Schubert:Winterreise "Der Lindenbaum" D.911-5 J.S.バッハ:カンタータ 第147番 BWV.147より コラール「主よ、人の望みの喜びよ」 J.S.Bach:Herz und Mund und Tat und Leben BWV.147 ドビュッシー:《ベルガマスク組曲》より 3. 月の光 Debussy:Suite Bergamasque 3. Clair de Lune ムソルグスキー:組曲《展覧会の絵》から 「プロムナード」 (ラヴェル編曲) Mussorgsky: Pictures at An Exhibition 1. Promenade (Ravel ver.) ホルスト:組曲 《惑星》 Op.32 から 第4曲「ジュピター」 Holst:The Planets Op.32 4.Jupiter エルガー:愛のあいさつ Op.12sgr Elgar:Salut d'amour, for Violin and Piano Op.12sgr J.S.バッハ:メヌエット ト長調 BWV.Anh.114、ト短調 BWV.Anh.115 J.S.Bach:Menuet in G major BWV.Anh.114, in G minor BWV.Anh.115 シューマン:《子供の情景》 Op.15 第7曲 『トロイメライ』 Schumann:Kinderszenen Op.15 7. Traumerei レスピーギ:《リュートのための古風な舞曲とアリア》 第3組曲より "シチリアーナ" Respighi:Antiche danze ed arie per liuto No.3 3. Siciliana ヘンデル:《水上の音楽》 第2組曲から 「ホーンパイプ」 Hendel:Water Music Suite No.2 "Alla Hornpipe" モーツァルト:ホルン協奏曲 第1番 ニ長調 第1楽章 K.412+K.514 (386b) Mozart:Horn Concerto No.1 in D major K.412 1. Allegro チャイコフスキー:「なつかしい土地の思い出」Op.42-3 《メロディ 》 Tchikovsky:Melodie Op.42 No.3 from "Souvenir dun lieu cher" メンデルスゾーン:無言歌集 Op.62-6 「春の歌」 Mendelssohn:Lieder ohne Worte Op.62-6 "Fruhlingslied" ベートーヴェン:ヴァイオリンソナタ 第5番 ヘ長調 Op.24 「春」 第1楽章 Beethoven:Sonata for Violin and Piano No.5 in F major Op.24 "Spring" 1. Allegro ドヴォルザーク:「スラヴ舞曲」 第2集 Op.72 第2番 Dvorak:Slovanske tance Op.72-2 ショパン:ワルツ 第6番 変ニ長調 Op.64-1 《子犬のワルツ》 Chopin:Waltz Op.64 No.1 アンゲラー (L.モーツァルト):おもちゃの交響曲 第1楽章 Edmund Angerer(L.Mozart):Toy Symphony 1st movement モーツァルト:アイネ・クライネ・ナハトムジーク ト長調 K.525 第2楽章 Mozart:Serenade in G major K.525 Eine kleine Nachtmusik 2. Romance ラフマニノフ:パガニーニの主題による狂詩曲 Op.43より 第18変奏 Rachmaninov:Rhapsody on a theme by Paganini Op.43 Variation 18. Andante Cantabiler ビゼー:《カルメン》 第1組曲から 「間奏曲」 Bizet:Carmen Suite No.1 "Intermezzo" ドヴォルザーク:交響曲 第9番 ホ短調 Op.95 「新世界より」 第2楽章 Dvorak:Symphony No.9 in E minor Op.95 "From the New World" 2. Largo シューベルト:《アヴェ・マリア》 ~エレンの歌 第3番 D.839 Op.52-6 Schubert:Ave Maria D.839 0p.52-6 サティ:ジムノペディ No.1 (ドビュッシー編曲) Satie:Gymnopedies No.1 (arranged by Debussy) パッヘルベル:カノン ニ長調 Pachelbel:Canon in D major チャイコフスキー:バレエ組曲《くるみ割り人形》 Op.71a から 「花のワルツ」 Tchaikovsky:The Nutcracker Ballet suite Op.71a 8. Waltz of the Flowers モーツァルト:ピアノソナタ 第11番 イ長調 K.331 第3楽章 「トルコ行進曲」 Mozart:Piano Sonata No.11 in A major K.331 3. Allegretto "Alla Turca" メンデルスゾーン:歌の翼に -6つの歌曲- Op.34-2 Mendelssohn:Auf Flugeln des Gesanges Op.34-2 ランゲ:《花の歌》 Op.39 Lange:Blumenlied Op.39 ブラームス:主題と変奏 ニ短調 Op.18b (弦楽六重奏曲 第1番 第2楽章) Brahms:Theme and Variations Op.18b モーツァルト:歌劇《フィガロの結婚》から 「恋とはどんなものかしら」 K.492 Mozart:Voi che sapete from "The Marriage of Figaro" K.492 ヨハン・シュトラウス2世:ワルツ《美しく青きドナウ》 Op.314 Johann Strauss 2:The Blue Danube Op.314 チャイコフスキー:バレエ音楽《白鳥の湖》 第2幕 「情景」 Tchaikovsky:SwanLake act2 "Seane" J.S.バッハ:インヴェンション 第1番 ハ長調 BWV.772 J.S.Bach:Invention No.1 in C major BWV.772 ドビュッシー:月の光 (ベルガマスク組曲 第3曲) [管弦楽版] Debussy:Clair de Lune (Suite bergamasque) [Orchestral] ショパン:幻想即興曲 嬰ハ短調 Op.66 Chopin:Fantaisie-Impromptu Op.66 シューベルト:《軍隊行進曲》 Op.51 第1番 Schubert:March Military Op.51 No.1 モーツァルト:歌劇 《フィガロの結婚》序曲 K.492 Mozart:The Marriage of Figaro Overture リスト:《愛の夢》~3つの夜想曲~ 第3番 変イ長調 S.541 Liszt:Liebestraume No.3 ショパン:ノクターン 第2番 変ホ長調 Op.9-2 Chopin:Nocturn No.2 in E-flat major Op.9-2 ベートーヴェン:エリーゼのために Beethoven:Fur Elise ヘンデル:歌劇《クセルクセス》から アリア「オンブラ・マイ・フ」 Handel:"Ombra mai fu" from Serse, Xerxes ドビュッシー:《前奏曲集 第1巻》 第8曲 「亜麻色の髪の乙女」 Debussy:The Girl with the Flaxen Hair シューベルト:鱒 Op.32 D.550 [リスト編曲] Schubert:"Die Forelle" ("The Trout") Op.32 D.550 (arranged by Liszt) クリーガー:メヌエット Krieger:Menuet カッチーニ:アヴェ・マリア Caccini:Ave Maria サラサーテ:《ツィゴイネルワイゼン》 Op.20 Sarasate:"Zigeunerweisen" Op.20 モーツァルト:歌劇 《魔笛》K.620より "夜の女王のアリア" Mozart:The Magic Flute K.620 Qeen Of The Night J.S.バッハ:《トッカータとフーガ》 ニ短調 BWV.565 J.S.Bach: Toccata and Fugue in D minor BWV.565 メンデルスゾーン:ヴァイオリン協奏曲 ホ短調 Op.64 第1楽章 Mendelssohn:Violin Concerto in E minor Op.64 1. Allegro molto appassionato ショパン:エチュード Op.10-3 ホ長調 「別れの曲」 Chopin:Etuden Op.10-3 Edur Sadness ブルックナー:アヴェ・マリア ヘ長調 WAB.6 (第2曲) Bruckner:Ave Maria in F major WAB.6 シューマン:《子供のためのアルバム》から 「楽しき農夫」 Op.68-10 Schumann:Frohlicher Landmann from "Album fur die Jugend" Op.68-10 アーサー・プライヤー:口笛吹きと犬 Arthur Pryor:The Whistler and His Dog ロッシーニ:歌劇《ウィリアム・テル》序曲 Rossini:William Tell Overture ブラームス:ハンガリー舞曲 第5番 Brahms:Hungarian Dances No.5 チャイコフスキー:バレエ組曲《くるみ割り人形》 Op.71a -2.「行進曲」 Tchaikovsky:Ballet suite "The Nutcracker" Op.71a 2. March ベートーヴェン:交響曲 第5番 ハ短調 Op.67 「運命」 第1楽章 Beethoven:Symphony No.5 in C minor Op.67 1. Allegro con brio ショパン:前奏曲 第15番 変ニ長調 Op.28 「雨だれ」 スッペ:喜歌劇《軽騎兵》序曲 ワーグナー:楽劇 《ワルキューレ》 第3幕への前奏曲 「ワルキューレの騎行」
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