Felix Mendelssohn Bartholdy Sinfonie Nr. 3 in a-Moll, Op. 56, „Scottish“ Videos
- Premiere am 1842-03-03 (Sinfonie Nr. 3 in a-Moll, „Scottish“, Mendelssohn Bartholdy)
- gewidmet Victoria
Letzte Aktualisierung
2024-04-16
Aktualisieren
Johannes Brahms Alban Berg Christian Tetzlaff Robin Ticciati Bartók Mendelssohn Schumann Bach Suk Borne Ferenc Fricsay Lorin Maazel Riccardo Chailly Kent Nagano Ingo Metzmacher Tugan Sokhiev Berlioz Haydn Dvořák Bruckner Duparc Ravel Sir Colin Davis Sir Simon Rattle Deutsches Symphonie Orchester Berlin Scottish Chamber Orchestra National Youth Orchestra Great Britain Glyndebourne Festival Opera 1946 1956 1993 2005 2009 2011 2014 2015 2016 2017 2019 2022
In this new concerto album one of the greatest violinist of his generation, Christian Tetzlaff, offers profound interpretations of two deeply dramatic and lyrical concertos – those of Brahms and Berg – together with the Deutsches Symphonie-Orchester Berlin conducted by Robin Ticciati. “Reasons of substance justify the recording of the Violin Concertos of Johannes Brahms and Alban Berg on a single album: both works concern existential human states of being. For me, the concerto by Johannes Brahms is a work that in a violin concerto dares to address very dangerous, abysmal, and profound states of the soul. Here an enormous contrast between ecstasy and total lonely isolation is in evidence. (...) Brahms also has a lot to say about pain. That’s rare in violin concertos – and links the Brahms concerto to the one by Alban Berg. I’ve been playing both concertos for 40 years – and I’ve played both of them, taken together, much more than 300 times. Here it seems to me as though the experience of these pieces changes one’s own life.” (Christian Tetzlaff’s liner notes) Christian Tetzlaff is considered one of the world’s leading international violinists and maintains a most extensive performing schedule. Musical America named him ‘Instrumentalist of the Year’ in 2005. His recording of the Bartók Violin Concertos (ODE 1317-2) received both Gramophone and ICMA Awards, and the recording was also a finalist for the BBC Music Award in 2019. His recording of the Violin Concertos by Mendelssohn and Schumann, released on Ondine in 2011 (ODE 1195-2), and Bach Sonatas and Partitas released in 2017 (ODE 1299-2D) received the ‘Preis der deutschen Schallplattenkritik’. In addition, in 2015 ICMA awarded Christian Tetzlaff as the ‘Artist of the Year’, and he also received ECHO ‘Instrumentalist of the Year’ award in 2017. His recordings on Ondine with Brahms’ Trios (ODE 1271-2D) and Violin Concertos by Dvorák and Suk +••.••(...)), released in 2015 and 2016, earned GRAMMY nominations. For more than 70 years the Deutsches Symphonie-Orchester Berlin (DSO Berlin) has distinguished itself as one of Germany’s leading orchestras. Founded as the RIAS Symphony Orchestra in 1946, it was renamed the Radio Symphony Orchestra Berlin in 1956 and has borne its current name since 1993. Robin Ticciati has led the DSO as its music director since the 2017–18 season. Since its inception, the orchestra has been able to retain outstanding artist personalities, including Ferenc Fricsay, Lorin Maazel, Riccardo Chailly, Vladimir Askenazy, Kent Nagano, Ingo Metzmacher, and Tugan Sokhiev. Robin Ticciati has been Music Director of the Deutsches Symphonie-Orchester Berlin since 2017 and Music Director of Glyndebourne Festival Opera since 2014. He was Principal Conductor of the Scottish Chamber Orchestra from 2009–18. His highly acclaimed discography includes recordings of works by Berlioz, Haydn, Schumann, Brahms, Dvořák, Bruckner, Duparc and Ravel. Born in London, Robin Ticciati is a violinist, pianist and percussionist by training. He was a member of the National Youth Orchestra of Great Britain when, aged fifteen, he turned to conducting under the guidance of Sir Colin Davis and Sir Simon Rattle. He holds the position of ‘Sir Colin Davis Fellow of Conducting’ at the Royal Academy of Music. Facebook: (http•••) Instagram: (http•••) Twitter: (http•••)
Francis Poulenc Benjamin Britten Claude Debussy Padova Luigi Piovano Ravel Martha Argerich Lilya Zilberstein Mario Brunello Aldo Ciccolini Earl Wild Leslie Howard Liszt Bach Satie Tchaikovsky Beethoven Chopin Haydn Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff Orchestra Padova Veneto Carnegie Hall 1932 1941 2008
Three 20th-century masters, painting glittering rainbows of colours with two pianos. Composer: Benjamin Britten, Claude Debussy, Francis Poulenc Artists: Mattia Ometto (piano), Leonora Armellini (piano), Orchestra di Padova e del Veneto, Luigi Piovano (conductor) Online purchase and streaming: (http•••) For more information: (http•••) From Javanese gamelan to Mozart, from nursery rhymes to passionate outbursts, from primitive percussion to the café chantant, Francis Poulenc gathered up almost all the formative influences on his style in his Concerto for Two Pianos of 1932. Aside from Mozart, there is also an evident allusion to Ravel, in particular to the two piano concertos, which were published and performed in the same year. Yet the originality of the concerto is never in doubt; the deep feeling and light touch of the central Larghetto bear Poulenc’s fingerprints as clearly as the final gallop home. Much less familiar is the Scottish Ballad composed in 1941 by Benjamin Britten as a free fantasy for two pianos and orchestra based on a number of Scottish tunes, including 'Dundee', 'Turn Ye to Me' and 'Flowers of the Forest'. A lamenting funeral march is followed by a flamboyant Highland fling, in which Britten parodies ‘Scottish’ music in a display piece of great wit and vitality. This unique compilation concludes with a two-piano piece in which the orchestra is ‘silent’: the Premiere Suite written with orchestra in mind by Debussy in his early 20s. However, the orchestral score was lost for many years – even this two-piano version was only published in 2008 – and its four movements show Debussy’s language in the act of formation: unmistakably French, and harmonically novel for its time, but still working in self-contained forms – a toccata, a ballet, a shimmering nocturne and a tumultuous final bacchanale. The soloists here are a pair of experienced performers and teachers. Having won several Italian piano competitions, Leonora Armellini appeared at the Projetto Martha Argerich in Lugano and has played chamber music with the likes of Lilya Zilberstein and the cellist Mario Brunello. The author of a popular book introducing classical music to younger audiences, she is joined here by the Padovan born Mattia Ometto, a pupil of Aldo Ciccolini and Earl Wild who has given concerts at Carnegie Hall and recorded with Leslie Howard: a Brilliant Classics album of the symphonic poems in transcription (95748) which attracted enthusiastic reviews: ‘Leslie Howard and Mattia Ometto navigate Liszt’s technical challenges with fluency and ease, but they also treat the scores seriously, playing for effect only when necessary, achieving impressive unanimity and long-lined shape.’ (Classics Today) Track list: 00:00:00 Francis Poulenc: Concerto in D Minor, FP 61: I. Allegro ma non troppo - Très calme 00:08:32 Francis Poulenc: Concerto in D Minor, FP 61: II. Larghetto - Beaucoup plus allant - Tempo I 00:14:35 Francis Poulenc: Concerto in D Minor, FP 61: III. Allegro molto - Agité - Plus calme - Tempo I subito 00:20:59 Benjamin Britten: Scottish Ballad, Op. 26 00:36:12 Claude Debussy: Première suite d’orchestre: I. Fête 00:42:15 Claude Debussy: Première suite d’orchestre: II. Ballet 00:46:30 Claude Debussy: Première suite d’orchestre: III. Rêve 00:53:50 Claude Debussy: Première suite d’orchestre: IV. Cortège et bacchanale Social media: Facebook: (http•••) Instagram: (http•••) Twitter: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: (http•••) And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #BrilliantClassics #Poulenc #Debussy #Piano #Conductor #Classical #Music #Suite #Suites #Orchestra
Felix Mendelssohn Bartholdy David Miller Paul Constantinescu 1809 1847
Felix Mendelssohn-Bartholdy +••.••(...)) Symphony no. 3 in A minor op. 56 "Scottish" Filarmonica "Paul Constantinescu" Ploiesti Conductor - David Miller
Park Avenue Chamber Symphony Felix Mendelssohn 2017
Provided to YouTube by NAXOS of America Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish": II. Vivace non troppo · Park Avenue Chamber Symphony Mendelssohn: Symphonies Nos. 3 & 4 ℗ 2017 Recursive Classics Released on: 2017-02-03 Conductor: David Bernard Orchestra: Park Avenue Chamber Symphony Composer: Felix Mendelssohn Auto-generated by YouTube.
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