Franz Liszt Sinfonische Dichtung Nr. 9, „Hungaria“ Videos
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2024-04-16
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Dezső Ránki & Edit Klukon play Liszt IV./3. part Dezső Ránki - piano Edit Klukon - piano 1. Dezső Ránki - Edit Klukon - Franz Liszt: Festklänge S. 101. 0:00 2. Dezső Ránki - Edit Klukon - Franz Liszt: Héroide funebre 9:49 3. Dezső Ránki - Edit Klukon - Franz Liszt: Hungaria 27:27 Old Liszt Academy, Budapest, Hungary 16/10/2021
Gábor Gabos András Kórodi Franz Liszt 1999
Provided to YouTube by Hungaroton Piano Concerto No. 1 in E Flat Major: I. Allegro maestoso. Tempo giusto · Hungarian State Orchestra · Gábor Gabos · András Kórodi · Franz Liszt Liszt: Piano Concerto in E Flat Major - Mazeppa - Hungaria ℗ 1999 HUNGAROTON RECORDS LTD. Released on: 1999-12-08 Auto-generated by YouTube.
Franz Liszt Beethoven Schubert Conradi Raff Leslie Howard 1840 1994
Many thanks to Schroender who helped me with the audio :) Liszt’s marches have not so much had an unfair press as no press at all. Like Beethoven and Schubert before him, Liszt wrote many occasional pieces which he prepared both for piano and for orchestra, and the majority of his marches exist in both instrumentations, and often for piano duet as well. It is impossible to say whether the Heroischer Marsch in ungarischem Stil was written first for the piano or for orchestra. (The excellent orchestral score, one of Liszt’s earliest, remains unpublished, and is usually omitted from catalogues, but it adds to the destruction of the myth that he needed Conradi or Raff to teach him to orchestrate rather than to help him to prepare fair copies of scores from his instructions.) Written for the King of Portugal in 1840, this effective work later became the basis for the symphonic poem Hungaria. from notes by Leslie Howard 1994
Franz Liszt Hörmann Márk Brahms
Franz Liszt: Magyar Rapszódiák No.19, S.242 (1st version of Hungarian Rhapsody No.8, S.242). Artwork: Hungarian Landscape with Vines by Theodor von Hörmann ((http•••) The nineteenth piece of the S.242 collection is obviously the later 8th Hungarian Rhapsody's forerunner, but Liszt's extensive use of several improvisational passages, with imitations of the traditional instruments (cimbalom immediately comes to mind) makes for a somewhat intriguing comparison to the well-known S.244 version (which is about two-thirds the length of this). The first theme collected for this work is from a Hungarian folk song entitled "Káka töven költ" - a ruca which Liszt introduces in the Lassan. The work then moves to a F-sharp major them based in a csárdás by Márk Rószsavölg. A 3rd theme, which makes for a rousing finale and which Liszt reused for his 9th Symphonic Poem "Hungaria" and Brahms for his 3rd Hungarian Dance, is of unknown origins. Magyar Dalok and Magyar Rapszódiák playlist: (http•••) Discord Server: (http•••)
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