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Lenneke Ruiten Henriette Bonde Hansen Hansen Handel Rameau Debussy Meyerbeer Shepherd Salzburg Festival Scala 1775 1963 1977 1993 2004 2013 2014 2015
SOPRANO DUET SONGBIRDS: Lenneke Ruiten is a Dutch soprano who was born in Velsen in 1977. She sang regularly in regional houses until breakthrough in 2013 when she jumped in as Zerbinetta in Munich. Major debuts that followed included the Salzburg Festival (Donna Anna in 2014), La Scala (Giunia in 2015), the Aix-en-Provence and Edinburgh Festivals (Fiordiligi). Ruiten is a regular in Stuttgart, where she has sung Zerbinetta, Sophie, Gilda, and Pamina. Other roles so far include lots of Mozart (Konstanze, Aspasia, Elettra, Madame Herz, Susanna, Despina, and Donna Elvira) and Handel (Alcina, Almirena, Armida, Angelica), as well as Lucia, Ophelia, Marguerite de Valois, Marzelline, Agathe, and Rameau's La Folie. Henriette Bonde-Hansen was born on the island of Funen in Denmark in 1963. She trained in Copenhagen and made her debut in 1993 as Adele in "Die Fledermaus." She appeared regularly at the Royal Danish Opera (Susanna, Zerlina, Gilda, Marzelline, Juliette) and has sung Mozart and works by bel canto composers all over Europe, as well as operas by Debussy, Handel, and Meyerbeer. THE MUSIC: Mozart's 1775 pastoral opera seria "Il re pastore" K.208 was commissioned for a visit by the Archduke of Austria to Salzburg, where it had its premiere. The small cast has three sopranos (Elisa, Tamiri, and the leading role of Aminta, written for a castrato) and two tenors. The plot revolves around Aminta's discovery that he is more than a simple shepherd, but in fact the heir to the throne of Sidon, and how he is torn between fulfilling that royal duty and his love for the shepherdess Elisa. Act One ends with a spectacular duet between the two characters — the soprano voices interweave elaborately and conclude with an intricate double cadenza.
Verdi Puccini Rossini Donizetti Amato Handel Massenet Vergin Leoncavallo Holder 1155 1707
Enjoy 6 Hours Classical Music with the biggest Opera Areas of all time. 00:00 Turandot;Nessun dorma;Puccini 03:00 Carmen;Habanera;Bizet 07:25 Il Trovatore;Miserere d'un'alma;Verdi 11:55 La Boheme;Si mi chiamano Mimi;Puccini 17:07 Fedora;Amor ti vieta;Giordano 19:00;Faust;Soldiers Chorus Faust;Gounot 25:20;Rigoletto;Gualtier Malde! ... Caro nome;Verdi 31:30;Madama Butterfly;Vogliatemi bene;Puccini 39:24;Il Barbiere di Siviglia;Largo al factotum ;Rossini 44:15;Carmen;Je dis que rien ne m'epouvante;Bizet 49:55;Lucia di Lammermoor;Chi mi frena in tal momento;Donizetti 53:37;Louise;Depuis le Jour;Charpentier 57:40;Eugene Onegin;Lyubvi Vsye Vozrasti Pokomi;Tchaikovsky 1:03:15;Faust;Alerte, Alerte!... Anges Purs ;Gounot 1:08:32;Gianni Schicchi;O mio babbino caro;Puccini 1:10:39;Nabucco;Va, pensiero, sull'ali dorate;Verdi 1:15:20;Rodelinda;Dove sei, amato bene;Handel 1:22:09;L'elisir d'amore;Una furtiva lagrima;Donizetti 1:26:53;Lakme;The bell song;Delibes 1:34:42;Tosca;E lucevan le stelle;Puccini 1:37:48;Cavalleria Rusticana;Beato voi, comprar Alfio;Mascagni 1:43:08;Rusalka;Mesicku na nebi hlubokem;Dvořák 1:49:13;Cavalleria Rusticana;Intermezzo;Mascagni 1:53:05;La Favorita;Spirto gentil;Donizetti 1:58:32;Orfeo ed Euridice;Che faro senza Euridice;Gluck 2:02:17;Tosca;Recondita armonia;Puccini 2:05:01;Rigoletto;Un di, se ben rammentomi;Verdi 2:10:30;La Filglia del Reggimiento;Amici Miei;Donizetti 2:17:20;La Boheme;Che gelida manina;Puccini 2:21:57;Lakme;Viens, Mallika, .. (Flower Duet);Delibes 2:27:56;Le Nozze di Figaro;Non piu andrai farfallone amoroso;Mozart 2:31:45;Così fan tutte;Soave sia il vento;Mozart 2:38:51;Les Pêcheurs de Perles;C'est toi… Au fond du temple saint;Bizet 2:47:39;La Wally;Ebben? Ne andro lontana;Catalani 2:52:25;Luisa Miller;Oh! Fede Negar Potessi;Verdi 2:57:17;Pagliacci;I Zampognari!...Don Din Don;Leoncavallo 3:01:18;Werther;Toute mom âme est là;Massenet 3:04:17;I Puritani;Son vergin vezzosa;Bellini 3:07:16;Pagliacci;Prelude…Si può;Leoncavallo 3:12:38;Tosca;Vissi d'arte, vissi d'amore;Puccini 3:15:55;La Traviata;Un di felice, eterea;Verdi 3:19:20;La Gioconda;Cielo e Mar;Ponchielli 3:24:11;Tosca;Te Deum;Puccini 3:29:10;Die Walküre;Hojotoho! Hojotoho! (Ride of the Valkyries);Wagner 3:35:28;Tannhäuser;O du, mein holder Abendstern;Wagner 3:40:59;Orfeo ed Euridice;Che puro ciel, che chiaro sol;Gluck 3:45:33;Don Giovanni;Là ci darem la mano;Mozart 3:48:50;Il Trovadore;Ah si ben mio;Verdi 3:51:46;Aida;Ritorna vincitor;Verdi 3:59:14;Carmen;La fleur que tu m'avais jetée;Bizet 4:03:06;Madama Butterfly;Coro a Bocca Chiusa (Humming Chorus);Puccini 4:06:02;Carmen;L'amour est un oiseau rebelle;Bizet 4:12:25;Faust;Vous qui faites l'endormie;Gounot 4:15:17;Don Carlo;O don fatale;Verdi 4:20:10;Turandot;Signore, ascolta;Puccini 4:22:40;Un Ballo in Maschera;Morrò, ma prima in grazia;Verdi 4:27:20;Rigoletto;La donna è mobile;Verdi 4:29:40;Il Barbiere di Siviglia;Una voce poco fa;Rossini 4:35:40;Don Giovanni;Deh! Vieni alla finestra;Mozart 4:37:38;Il Trovatore;Vedi! Le fosche notturne spoglie (Anvil Chorus);Verdi 4:40:29;Le Nozze di Figaro;E Susanna non vien…Dove sono i biei mom;Mozart 4:45:20;Die Zauberflöte;Der Vogelfänger bin ich ja (Papageno);Mozart 4:48:00;Norma;Casta Diva;Bellini 4:54:20;Il Trovadore;Stride la vampa!...Mesta e la tua canzon;Verdi 4:57:08;Pagliacci ;Recitar!...Vesti la giubba;Leoncavallo 5:00:40;Don Giovanni;Finch'han dal vino;Mozart 5:02:05;Turandot;In questa Reggia;Puccini 5:08:37;Carmen;Habanera & Seguidille;Bizet 5:12:33;L'Africaine;Mi batte il cor…O paradiso!;Meyerbeer 5:15:17;La Gioconda;Suicidio!;Ponchielli 5:19:33;La Forza del Destino;Solenne in quest'ora;Verdi 5:23:40;Tristan und Isolde;Mild und leise wie er Lächelt;Wagner 5:30:25;Die Walküre;Loge, hör!;Wagner 5:35:23;Turandot;Tu che di gel sei cinta;Puccini 5:37:50;Il Trovadore;Squilli, echeggi la tromba;Verdi 5:39:50;Manon Lescaut;Donna non vidi mai;Puccini 5:42:20;I Vespri Siciliani;Merce, dilette amiche;Verdi 5:45:51;Faust;Le veau d'or;Gounot 5:47:54;Andrea Chénier;Colpito qui M'avete…un di all'azzura spazio;Giordano 5:52:47;Otello;Fuoco di gioia;Verdi 5:55:26;L'Arlesiana;E la solita storia;Cilèa 6:00:14;Aida;Qui Radamès verra!... O patria mia;Verdi 6:06:36;La Traviata;Di Provenza il mar, il suol;Verdi 6:11:09;Cavalleria Rusticana;Voi lo sapete, o mama;Mascagni 6:14:49;Il Trovadore;Ah si ben mio;Verdi 6:18:17;Madama Butterfly;Un bel dì, vedremo;Puccini 6:22:48;Aida;Celeste Aida;Verdi 6:27:30;La Traviata;Prelude;Verdi 6:31:05;La Traviata;Libiamo ne' lieti calici;Verdi 6:34:03;Rigoletto;Questa o quella;Verdi 6:38:35;La Favorita;O Mio Fernando, Della Terra il Trono;Donizetti 6:42:08;La Fanciulla del West;Ch'ella mi creda;Puccini Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief (http•••) (http•••) #classicalmusic #opera #verdi
Scottish Opera Garsington Opera Opera Young Opera Holland Park British Youth Opera New World Symphony Glen Cunningham Cunningham Gioachino Rossini Handel Nicola Francesco Haym Pyotr Ilyich Tchaikovsky Engelbert Humperdinck Maurice Ravel Charles Gounod Jules Barbier Jules Massenet Georges Hartmann Hartmann Igor Stravinsky Ponte Sir Arthur Sullivan William Walton Dehn Johann Strauss II Russell Smythe Palmieri Ferrando Georg Solti Wallis Wallis Giunta Drummond Dima Coburn Peters Kathleen Ferrier Loveday 1685 1756 1759 1791 1792 1818 1825 1840 1842 1854 1868 1875 1882 1893 1899 1900 1902 1912 1921 1937 1971 1983 2017 2018 2019 2020 2021
Please help us continue to provide a digital platform for our performances. To make a donation, please scan the QR code on the screen, or visit www.saintsfunder.st-andrews.ac.uk/p/ LaidlawLiveMusicfromStAndrews Catriona Hewitson (soprano) Lea Shaw (mezzo soprano) Glen Cunningham (tenor) Toby Hession (répétiteur) Programme Lea Shaw Aria: “Cruda sorte” from L’Italiana in Algeri Gioachino Rossini +••.••(...)) Text: Angel Anelli Catriona Hewitson Aria: Piangerò la sorte mia from Giulio Cesare G.F. Handel +••.••(...)) Text: Nicola Francesco Haym Glen Cunningham Aria: Kuda, kuda, kuda viy udalilis from Eugene Onegin Pyotr Ilyich Tchaikovsky +••.••(...)) Text: Pyotr Ilyich Tchaikovsky, Konstantin Shilovsky Catriona Hewitson and Lea Shaw Duet: “Evening Prayer” from Hansel and Gretel Engelbert Humperdinck +••.••(...)) Text: Adelheid Wette (performed in a translation by David Pountney) Lea Shaw Aria: Ah, la pitoyable aventure from L’heure espagnole Maurice Ravel +••.••(...)) Text: Franc-Nohain Glen Cunningham Aria: “Ah! lève-toi, soleil” from Roméo et Juliette Charles Gounod +••.••(...)) Text: Jules Barbier, Michel Carré Catriona Hewitson Aria: “Frère! voyez!” from Werther Jules Massenet +••.••(...)) Text: Édouard Blau, Paul Milliet, Georges Hartmann Catriona Hewitson, Lea Shaw, Glen Cunningham Trio: “Could it be?” from The Rake’s Progress. Igor Stravinsky +••.••(...)) Text: W. H. Auden, Chester Kallman Catriona Hewitson Aria: Deh vieni non tardar from Le nozze di Figaro W.A. Mozart +••.••(...)) Text: Lorenzo Da Ponte Glen Cunningham Aria: Take a pair of sparkling eyes from The Gondoliers Sir Arthur Sullivan +••.••(...)) Text: W. S. Gilbert Lea Shaw Aria: “I was a constant, faithful wife” from The Bear Sir William Walton +••.••(...)) Text: Paul Dehn, William Walton Catriona Hewitson, Glenn Cunningham Duet: “She is lovely” (Watch Duet) from Die Fledermaus Johann Strauss II +••.••(...)) Text: Karl Haffner and Richard Gené (performed in a translation by David Pountney) Scottish tenor Glen Cunningham is a recent graduate from the Royal College of Music’s Opera Studio where he studied with Russell Smythe. He previously completed a one-year Masters at the RCM and a Bachelor of Music degree with First class honours at The Royal Conservatoire of Scotland. Scottish Opera engagements: Opera Highlights Autumn 2021, Lord Dramaleigh Utopia, Limited, Cover Marco Palmieri The Gondoliers, Francis The Cabinet of Dr Caligari, Adam The Walk from the Garden (Connect Company). Operatic engagements include: Italian Tenor and Faninals Haushofmeister Der Rosenkavalier (Garsington Opera); Gonzalve L’heure espagnole (Royal College of Music); Ecclitico Il mondo della luna (Royal College of Music); cover Don Ottavio Don Giovanni (Garsington Opera); title role Robinson Crusoe (Royal College of Music); Basilio The Marriage of Figaro (Royal College of Music); La Couf and Le Fils Les Mamelles de Tirésias (Les Azuriales Opera Young Artists Programme); cover Ferrando Così fan tutte (Opera Holland Park); Francis Flute A Midsummer Night’s Dream (Royal College of Music); Youngest Son The Vanishing Bridegroom (British Youth Opera). Toby Hession is a British collaborative pianist, conductor, and composer. He studied at the Guildhall School of Music and Drama and is a prize-winning graduate of Clare College, Cambridge, where he held a Choral Scholarship. He is also an alumnus of the Georg Solti Accademia. As an accompanist, Toby has played in venues including The Barbican, St. Martin-in-the-Fields, and St. Giles’ Cathedral for artists including Wallis Giunta, Zoe Drummond, Dima Bawab, Isabel Pfefferkorn, Aidan Coburn, and Adam Maxey. He was awarded the Accompanist Prize in the 2019 Clare Song Competition, and in 2017 was part of the winning duo with soprano Olivia Brett. As a composer, Toby has had works commissioned and/or recorded by The King’s Singers (Master of Music), Voces8 (She Walks in Beauty), The New World Symphony, and Ensemble Perspectives. His music has been performed around the world and broadcast by ClassicFM, BBC Radio3, and other European media channels. Toby’s music is published exclusively by Edition Peters. Scottish Opera appearances: répétiteur Falstaff, Così fan tutte, The Gondoliers, Utopia, Limited Operatic engagements include: répétiteur Il Segreto di Susanna, Zanetto, Rita, Dido & Aeneas, The Angel Esmeralda (world premiere), Opera Makers 2020 (world premiere) (Guildhall School of Music and Drama). Edinburgh-born soprano Catriona Hewitson won the 2018 Kathleen Ferrier Loveday Song Prize and is a Scottish Opera Emerging Artist for their 2020/21 and 2021/22 seasons. She is a Samling Artist and Making Music’s Philip and Dorothy Green Young Artist 2018-2020. Having previously studied at the Royal No…
Bayo Wolfgang Amadeus Mozart Pablo Sarasate Gayarre Viñas Maria Callas Handel Bizet Tales Hoffmann Teresa Berganza Pergolesi Pleyel Barber Cavalli Debussy Mahler Giuseppe Sinopoli Rossini Richard Strauss Stevenson Opéra Bastille Teatro Colón Salle Pleyel Scala Schwetzingen Festival Metropolitan Opera 1988 1990 1991 1997
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Maria Bayo--soprano Bayo Orquesta Sinfon Victor Pablo Pérez--conductor 1997 / "Maria Bayo is a Spanish soprano who established her career in the 1990s and quickly made a transition from being a young light soprano to being (in her own words) a "lyric soprano with coloratura facility." She has been singing and dancing for as long as she can remember. She had her first singing lessons with the nuns of the Cistercian abbey in the small town of Fitero, her birthplace. She sang in her church as part of a group with guitars and in a choral ensemble in Cintruenigo. She studied at the Pablo Sarasate Conservatoire of Pamplona with Edure Aguerri, then at the Hochschule für Musik in Detmold, Germany, where her teacher was Arthur Janzen. She entered Spanish competitions in Logrono, the Julian Gayarre competition of Pamplona, and the Viñas Competition of Barcelona, and, in Italy, the Maria Callas Competition of Naples. In 1988, she won eleven prizes in the Belvedere Competition in Vienna, including the First Prize. In 1991, she won the First Prize in the Spanish Radio Classical Music Awards by unanimous vote of the judges. She made her debut as a professional singer while in Germany, then sang The Pearl Fishers in Pisa, Italy, and La Sonnambula in St. Gallen. In the spring of 1990, she debuted in Madrid as Susanna in Mozart's The Marriage of Figaro to unanimous critical acclaim and wide public favor. She has also sung the role at Marsella, Montpellier, the Opéra-Bastille in Paris, and Teatro Colón in Buenos Aires. Other of her early roles included Almirena in Handel's Rinaldo, which she sang in Lisbon, Madrid, and Reggio Emelia; and Micaëla in Bizet's Carmen at Monte Carlo, Madrid, and Bologna, and she frequently sings Zerlina in Don Giovanni, Antonio in The Tales of Hoffmann, and Lauretta in Gianni Schichi. Spanish soprano Teresa Berganza is a mentor to Bayo; the two have sung on the same stage in Rinaldo and in Pergolesi's Stabat Mater at the Salle Pleyel in Paris. It was at Berganza's suggestion that Bayo made an unusual decision to sing Rosina in The Barber of Seville in the original lower key. Bayo has sung this part widely, including Marseilles, Montpellier, and Strasbourg. Also at Berganza's suggestion, Bayo made the unusual decision to sing the part of Fiordiligi (usually considered the lower role) rather than Despina in Così fan tutte. She has also sung at the Metropolitan Opera in New York, La Scala in Milan, and La Monnaie in Brussels. At the last-named house, she received a rapturous reception for her performance in the title role of Cavalli's La Calisto, and returned there for a remarkable portrayal of Mélisande in Debussy's Pélleas et Mélisande with stage direction by Herbert Wernicke which took the unusual view that Mélisande, beginning in the usual passive manner, progressively becomes mad in the course of the opera. On the concert stage, she has sung Mahler's Second Symphony in London under the direction of Giuseppe Sinopoli, and the Stabat Mater of Rossini at the Schwetzingen Festival, the Aix-en-Provence Festival, and the International Religious Week in Cuenca, Spain. She sings Lieder recitals, but not with great frequency. (She is particularly fond of Richard Strauss' Four Last Songs.) She has a few contemporary works to her credit, but so far has mainly remained in the Baroque through Romantic eras. She is also highly regarded in Spain as a zarzuela singer. As of the end of the twentieth century, she began to branch out into German operatic repertoire, accepting engagements to sing Pamina in Die Zauberflöte and Sophie in Der Rosenkavalier."; Joseph Stevenson allmusic
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