Gioachino Rossini Ivanhoé Videos
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2024-04-17
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Edwards Gioachino Rossini Kang Deyneka Cordella Amato Paolo Arrivabeni 2001 2002
Provided to YouTube by NAXOS of America Ivanhoe: Overture · Simon Edwards Rossini, G.: Ivanhoe (Opera) (Festival Della Valle D'Itria Di Martina Franca, 2001) ℗ 2002 Dynamic Released on: 2002-01-01 Artist: Simon Edwards Artist: Inga Balabanova Artist: Soon-Won Kang Artist: Filippo Morace Artist: Massimiliano Chiarolla Artist: Volodymyr Deyneka Artist: Salvatore Cordella Artist: Cosimo D'Amato Choir: Bratislava Chamber Choir Conductor: Paolo Arrivabeni Orchestra: Orchestra Internazionale d'Italia Composer: Gioachino Rossini Auto-generated by YouTube.
Gioachino Rossini Donato Renzetti Antonelli 2018
Provided to YouTube by Universal Music Group Rossini: Ivanhoe · Donato Renzetti · Orchestra Filarmonica Gioachino Rossini Rossini: Complete Overtures ℗ 2018 Universal Music Italia Srl Released on: 2018-04-27 Conductor: Donato Renzetti Orchestra: Orchestra Filarmonica Gioachino Rossini Producer: Michele Vagnini Producer: Michele Antonelli Composer: Gioachino Rossini Auto-generated by YouTube.
Rossini Antonio Pacini Pacini Louis Niedermeyer Edwards Dickson Cecilia Gasdia William Matteuzzi Charles Workman Workman Ferruccio Furlanetto 1826 1846
As a curiosity, I uploaded the original version of the stretta intended for the quartet from "Armida" but was also used, to my knowledge, in three other works attributed to Rossini: the already presented quartet from the cantata for Pius IX and two pastiches, "Ivanhoe" (1826) and "Robert Bruce" (1846), whose existence is due, respectively, to Antonio Pacini, Rossini's French publicist, and the composer, Louis Niedermeyer who have answered the desire of the French audience for Rossini, despite the composer's self-appointed retirement. Basically, the works are formed out of Rossini's earlier works: the former - "La Cenerentola", "La gazza ladra", "Semiramide", "Mose in Egitto", "Armida", "Maometto II"; the latter - "Zelmira", "La donna del lago", "Bianca e Falliero" and "Armida". Both are based upon English literary and historical opuses: "Ivanhoe" by Walter Scott and the story of Robert I of Scotland - and both are rather... uneven, to say the least. Their dramatic credibility, though, is completely beside the point, their merits lie in the interesting process of matching the pieces and their respective origins. The first version is that from "Robert Bruce" where the stretta is used to end a lengthy sextet (the andante of which is formed from the quartet from "Bianca e Falliero") which comes just before the end of the opera and which pits the lovers of the opera, Marie and Arturo against Eduardo II, the King of England, who seems to love Marie. The interesting thing is that only the main verses of the stretta themselves are used, while the tempo di mezzo and the coda are formed from the quartet of "Bianca" (a rather unsettling decision and one that does not work as well as it could have). Here is the cast involved in the piece: Iano Tamar - Marie (soprano), Inga Balabanova - Nelly (soprano), Davide Cicchetti - Edouard II (tenor), Simon Edwards - Arthur (tenor), Ramaz Chikviladze - Morton (bass), Piero Naviglio - Dickson (bass). P.S. If such a need will arise, I'd be happy to upload the andante which works quite well as a sextet. The second version appears in a quartet from "Ivanhoe" which involves the appeal of Leila to Ivanhoe to save her. Unusually, the stretta itself is sung mostly as a duet for Leila and Ivanhoe, while Ismael and Cedric, their respective fathers, join the chorus, rather than state, with Ivanhoe, the echo of Leila's words. Still, the piece, treated as a call-to-arms, works surprisingly well. Here is the cast involved in the piece: Simon Edwards - Ivanhoe (tenor), Massimiliano Chiarolla - Cedric (bass), Filippo Morace - Ismael (bass), Inga Balabanova - Leila (soprano). Finally, the original version and place of the stretta makes an appearance, just to give the listener the idea where Rossini (and his collaborators) began :). Here is the cast involved in the piece: Cecilia Gasdia - Armida (soprano), William Matteuzzi - Goffredo (tenor), Charles Workman - Eustazio (tenor), Ferruccio Furlanetto - Idradote (bass). Hope you'll enjoy comparing the different versions of just one stretta :). P.S. The pastiches are available from the Dynamic group, if anyone is interested in obtaining them ;).
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