Giuseppe Verdi Falstaff Videos
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2024-04-17
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Oper Graz Giuseppe Verdi Arrigo Boito Bürger Matheson Shakespeare Reich James Rutherford Stolz Johannes Fritzsch Janson Andrè Schuen Fenton Fournier Margareta Klobučar Klobučar Dshamilja Kaiser 1893
Giuseppe Verdi Commedia lirica in drei Akten Libretto von Arrigo Boito Um seine finanziell prekäre Lage zu entspannen, macht Sir John Falstaff zwei wohlsituierten, lustigen Weibern von Windsor Avancen. Da er auf den bürgerlichen Ehrbegriff pfeift, kümmert es ihn nicht, dass Alice Ford und Meg Page verheiratet sind. Nicht so sehr der Annäherungsversuch des dicken und trinkfesten Ritters stört die beiden Freundinnen, sondern vielmehr die Tatsache, dass er ihnen gleichlautende Briefe geschickt hat. So beschließen sie, Sir John nach Kräften zu foppen. Mrs Quickly überbringt die Einladung zum Stelldichein im Hause Ford, doch Sir John landet nicht in den Armen der Angebeteten, sondern erst im Wäschekorb, um dann in die Themse gekippt zu werden. Da wird Sir John abermals zu einem Treffen mit Alice geladen / dieses Mal um Mitternacht im Schlosspark von Windsor. Die Bürger von Windsor drangsalieren und piesacken Sir John, bis er den grausamen Schabernack mit der verblüffenden Erkenntnis beendet: „Alles auf Erden ist Spaß." Sowohl als Schauspieler wie auch als Regisseur hat der junge Australier Tama Matheson vielfältige Erfahrung mit dem Werk William Shakespeares. Den künstlerischen Leiter des Brisbane Shakespeare Festivals fasziniert an Giuseppe Verdis letzter, 1893 in Mailand uraufgeführter Oper, wie sich dem Mikrokosmos der Bürger von Windsor durch Falstaffs Zutun das Reich der Phantasie eröffnet. Für die Titelrolle sowohl physisch als auch stimmlich perfekt disponiert ist der englische Bariton James Rutherford, der hier sein Rollendebut als Falstaff gibt. Und einen weiteren Rollendebutanten darf die Oper Graz stolz verkünden: Ensemblemitglied David McShane wird erstmals in seiner beeindruckenden Karriere die Titelpartie verkörpern. BESETZUNG: Musikalische Leitung: Johannes Fritzsch • Florian Erdl Inszenierung: Tama Matheson Ausstattung: Peter Corrigan Licht: Rainer Janson Dramaturgie: Bernd Krispin Sir John Falstaff: David McShane • James Rutherford Ford: Andrè Schuen Fenton: Abdellah Lasri Dr. Cajus: Manuel von Senden • Taylan Reinhard Bardolfo: Martin Fournier Pistola: Wilfried Zelinka Mrs Alice Ford: Margareta Klobučar Nannetta: Nazanin Ezazi • Tatjana Miyus Mrs Meg Page: Xiaoyi Xu • Dshamilja Kaiser Mrs Quickly: Silvia Beltrami
FALSTAFF G.VERDI Act 1, Scene 2 Meg Page : Özay GÜNAY Conductor : Ercan YENAL Stage Director : Mehmet ERGÜVEN Alice Ford : Ayşe Tek Ninetta : Aytül Büyüksaraç Mrs.Quickly : Tanju Nebol Falstaff : Gökhan Koç Francis Ford : Gökhan Varkan Fenton : Fırat Yalçınkaya Costume Designer : Sevda Aksakoğlu Decor Designer : Hakan Atak Lighting Designer : Oktay Kanca Izmir State Opera and Ballet Production
Verdi Arrigo Boito Shakespeare Sir John Eliot Gardiner Nicola Alaimo Alaimo Simone Piazzola Piazzola Fenton Matthew Swensen Swensen Gianluca Buratto Buratto Ailyn Pérez Sara Mingardo Maggio Musicale Fiorentino Teatro Maggio Musicale Fiorentino 2021
Falstaff was composed to a libretto fashioned by Arrigo Boito largely from Shakespeare’s play The Merry Wives of Windsor. Superficially the work is an opera buffa in its depiction of the travails of the penniless knight, Sir John Falstaff, but goes beyond the operatic tradition of the time. The vocal line is integrated into the orchestral texture, and with self-quotations and parodic elements, the opera is saturated with as much irony as comedy, forming the fitting culmination of Verdi’s entire operatic life. Sir John Eliot Gardiner conducts this acclaimed staging of Verdi’s final masterpiece. Available in DVD (37951)/ Blu-ray (57951) / Digital exclusive ???????????? ????????????/????????????-????????????: (http•••) ???????????????????????? ???????? ???????????? ????????????????????: (http•••) Recording place: Teatro del Maggio Musicale Fiorentino, Florence Recording date: November 23rd, 2021 Conductor: Sir John Eliot Gardiner Orchestra: Orchestra e Coro del Maggio Musicale Fiorentino Chorus Master: Lorenzo Fratini Director: Sven-Eric Bechtolf Set designer: Julian Crouch Lights designer: Alex Brok Costumes designer: Kevin Pollard Video: Josh Higgason Cast: Sir John Falstaff, Nicola Alaimo, baritone Ford, marito di Alice, Simone Piazzola, baritone Fenton, Matthew Swensen, tenor Dr. Cajus, Christian Collia, tenor Bardolfo, seguace di Falstaff, Antonio Garés, tenor Pistola, seguace di Falstaff, Gianluca Buratto, bass Mrs. Alice Ford, Ailyn Pérez, soprano Nannetta, figlia di Alice e Ford, Francesca Boncompagni, soprano Mrs. Quickly, Sara Mingardo, alto Mrs. Meg Page, Caterina Piva, mezzo-soprano ► Subscribe to Dynamic YOUTUBE Channel: (http•••) ► Follow Dynamic FACEBOOK Page: (http•••) ► Follow Dynamic on INSTAGRAM:(http•••) ► Follow Dynamic on TWITTER:(http•••) ► Learn more about Dynamic: (http•••)
Tichina Vaughn Verdi Angel Blue Eric Owens Woodcock Metropolitan Opera Seattle Opera Greek National Opera Staatstheater Stuttgart Opera Budapest Opera Graz Arena Verona Semperoper Theater Wien 1989 1990 1992 1996 1998 2003 2006 2010 2018 2019 2020 2021
Tichina Vaughn Interview on The Jim Masters Show LIVE as host Jim Masters welcomes the renowned mezzo-soprano to the show as his special guest. Tichina Vaughn has built a standout international reputation. Her formal vocal study began shortly after high school at Georgia State University, but her early years were steeped in musical activity: studying clarinet, playing in marching and concert bands, and singing as a choir member and soloist. Tichina received her Bachelor’s degree in Vocal Performance from the University of North Carolina School of the Arts in 1989. Even before her graduation, Tichina’s unmistakable voice drew attention from some of the world’s foremost opera houses – and after winning the 1989 Metropolitan Opera National Council Auditions, she joined the Met’s Young Artist Development program and made her stage debut there as Lily in the Gershwins’ Porgy and Bess in 1990. Tichina’s first leading role on a major opera stage, Amneris in a Seattle Opera production of Verdi’s Aida, arrived just two years later in 1992. Her interpretation sparked immediate attention from the opera community, and invitations to reprise the role began to pour in from companies around the globe. Soon, Tichina was recognized as an emerging Verdian mezzo-soprano, regularly taking on leading roles such as Princess Eboli in Don Carlos and the mezzo-soprano soloist in Verdi’s Requiem throughout the early 1990s. In 1996, Tichina made her European debut as Mistress Quickly in Staatstheater Stuttgart’s production of Falstaff, which marked the beginning of both her long relationship with the company and her robust European career. From 1998 to 2006, she continued to perform with the Staatstheater Stuttgart as a principal artist, eventually earning the distinction of Kammersängerin, the German honorific title for opera singers of the highest merit. Throughout her years in Stuttgart, Tichina’s list of signature roles blossomed as her aptitude for the works of Wagner became evident, culminating with her appearances as Fricka (Die Walküre) and Waltraute (Götterdämmerung) in the Staatstheater Stuttgart’s full recording of Wagner’s Ring cycle via Naxos in 2006. Now one of opera’s most sought-after mezzo-sopranos, Tichina has quite literally performed around the globe, with previous engagements on international stages including the National Opera Hong Kong, Greek National Opera, Budapest National Opera, Hamburg Opera, Opera Graz, and countless others. She made numerous appearances with the Arena di Verona summer festival in Italy starting in 2003, and from 2010 to 2018, she was engaged as a principal artist at Semperoper Dresden. In addition to her 1989 Metropolitan Opera National Council Auditions award, Tichina is the recipient of the Opera Index Vocal Award, Living Heritage Foundation Award, the Consul General’s Award for Cultural Diplomacy from the Consulate General Milan, and many other prestigious accolades.. Tichina returned to the Metropolitan Opera to reprise the role of Lily for the first time at the Met since her 1990 debut. She can be heard on the 2020 recording of the same production with Angel Blue and Eric Owens, which won Best Opera Recording at the 2021 GRAMMY Awards. An active voice teacher and mentor, Tichina returned to North Carolina in October 2019 and February 2020 as an artist-in-residence at her alma mater, the University of North Carolina School of the Arts. At UNCSA, Tichina led a series of master classes and mentored fellows of the A.J. Fletcher Opera Institute one on one, offering private vocal coaching and individualized career counseling. UNCSA School of Music interim dean Tony Woodcock described the residency as “a real plus for our graduate students as they transition to roles as entrepreneurial professional artists… and all of our voice students (are) inspired by her wisdom and her artistry.” Tichina has continued to perform,including an October 2020 production of Porgy and Bess with Austria’s Theater an der Wien. The current season includes role debuts at the Metropolitan Opera as the Innkeeper in Boris Gudonov and Maria in Porgy and Bess as well as house debuts in Boston (Champion), Cincinnati (Aida), and Utah (The Flying Dutchman). Subscribe to our YouTube channel and click the notification bell so you never miss any of our series episodes. If you enjoyed this video episode, please give it a thumbs up like and leave a comment for us! Thank you! Like! Follow! Subscribe! Facebook: www.facebook.com/jimmasterstv Instagram: www.instagram.com/jimmasterstv Twitter: www.twitter.com/jimmasterstv #TichinaVaughn #TichinaVaughInterview #TichinaVaughnsoprano #thejimmastersshow #thejimmastersshowlive #jimmasterstv
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