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2024-04-16
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Béla Bartók Franz Liszt Hans Koessler Max Reger Johannes Brahms István Thomán David Popper Dittrich Stravinsky Malipiero Milhaud Debussy Franz Liszt Academy Music 1885 1895 1903 1904 1905 1908 1958
Samuel Michalec - Piano 00:00 Allegro Appasionato 08:56 Tempo di minuetto - Poco piu lento - Andante con motto - Allegro molto moderato Alexander Albrecht +••.••(...)) was a Slovak composer and an important exponent of the Slovak music in the first half of the 20th century. From 1895 to 1903 he attended the Royal Catholic Gymnasium in Bratislava, where he met and befriended Béla Bartók. From 1904 to 1908 he studied at the Franz Liszt Academy of Music in Budapest. He studied composition as a pupil of Hans Koessler (a cousin of Max Reger and a great admirer of Johannes Brahms), and piano with István Thomán. Among his other teachers were Ferencz Szandtner, with whom he studied conducting, and David Popper (a chamber music teacher). During his studies Albrecht asserted himself as a successful pianist. Following his return to Bratislava in 1908, he accepted the post of organist at the St. Martin's Cathedral. Simultaneously he perfected his organ playing technique with Rudolph Dittrich in Vienna. He began his composing career at the Budapest Academy. His teacher Hans Koessler attempted to instill the classical composing principles in his pupils, but Albrecht found an inspiration also in modern compositions of his contemporaries. He studied works of Stravinsky, Malipiero, Milhaud, Reger, Debussy and others. He commited suicide.
Leokadiya Kashperova Levi Igor Stravinsky Glazounov Scriabine Tchaïkovski 1899 1902 2020
Kashperova, une compositrice russe à découvrir – un projet d’offrir pour la première fois, un enregistrement de sa sonate pour piano et violoncelle en sol majeur au grand public. Discovering Kashperova – A project to create the first internationally available recording of her sonata for piano and cello in G major. Ces derniers temps nous permettent (nous obligent même) de sortir de nos habitudes et nos emplois de temps habituels—ce qui a conduit David Levi et Susan Edward à se lancer dans la recherche du répertoire pour violoncelle et piano. These past months have permitted or rather obliged us all to modify our lives and our daily routines. For David Levi and Susan Edward, an unexpected benefit of this period has been the chance to spend time exploring the repertoire for cello and piano duos. Trouvaille extraordinaire ! Une sonate en sol majeur par Leokadiya Kashperova, compositrice russe peu connue tant en France qu’à l’étranger. En juillet 2020 Susan et David ont présenté le 1èr mouvement dans un concert. Suite à la réaction enthousiaste du public, Susan et David ont senti l’importance de faire découvrir cette œuvre à une audience plus grande : le projet d’enregistrement est né. One of the fruits of their research was the extraordinary discovery of the Sonata in G Major by Leokadiya Kashperova, a Russian composer, virtually unknown both in her own country and abroad. In July 2020 Susan and David performed the first movement in concert. Inspired by the enthusiastic response of the audience, Susan and David decided to commit themselves to bringing this work to a larger public. And thus the idea of a recording project was born. Comment mettre en lumière cette musique de chambre—mélodique, élégante et passionnée à la fois, et tellement bien construite ? Quelques recherches sur la vie de Leokadiya Kashperova ont suffi à révéler qu'à l’époque elle était loin d’être invisible, même si maintenant son nom n’est pas connu. Professeur de piano d’Igor Stravinsky de 1899 – 1902 (elle avait 27 ans, lui 17 ans), elle lui a transmis une technique virtuose et solide. Il en a fait hommage dans sa biographie, sans penser de préciser son nom. En plus d’enseigner au Conservatoire de St Pétersbourg, elle était appréciée en tant que soliste, renommée pour son jeu sonore, avec des concerts à Berlin et Londres. Elle était l’interprète préférée de Glazounov. Although now her name is hard to find in the history books, during her lifetime Leokadiya Kashperova was a well known soloist and piano teacher. Igor Stravinsky was among her students at the St Petersburg Conservatory when she was 27 and he was 17. He recognised her excellent teaching in his biography and credited her with creating his piano technique, all the while failing to mention her by name. She also composed several orchestral works (symphonies and concertos) and performed as a soloist as far afield as Berlin and London, where critics remarked on the quality of her sound. Glazunov would always try to have her give the premieres of his compositions. Pour mieux illuminer la musique de Kashperova, Susan et David se sont mis à explorer l’univers musical de la Russie à la fin du 19ème siècle et les compositeurs qui auraient pu se croiser dans les salons musique de chambre à Saint Pétersbourg et Moscou. En plus de l’Elégie de Glazounov, ils vont enregistrer la Romance de Scriabine, et un arrangement de leur propre main de l’air de Tatiana, de l’opéra Eugène Onéguine de Tchaïkovski. Wishing to illuminate Kashperova’s melodic, elegant, passionate and well constructed chamber music, Susan and David began to explore the Russian musical universe of the 1890s and the composers who could have been present in the chamber music salons in St Petersburg and Moscow. Knowing that Glazunov admired Kashperova, they will record his Elegy, as well as a Romance by Scriabin. They will include their own arrangement of Tatiana’s Letter Aria from Tchaikovsky’s Eugène Onegin. Afin de réaliser ce projet, Susan et David disposent de la magnifique salle de concert à Caillavet dans le Gers, endroit propice à enregistrer leur programme. Néanmoins un bon ingénieur du son ainsi qu'un matériel d'enregistrement de qualité sont nécessaires pour rendre à Kashperova l’honneur qu'elle mérite. In order to bring this project to fruition, Susan and David are lucky to have at their disposal the lovely concert hall in Caillavet in Gascony, which has perfect acoustics for recording. However, they will require the services of a good sound engineer/artistic director, well versed in classical music, and are therefore asking for financial support to cover the cost of this expert as well as for his or her high quality technical equipment. Nous serions ravis de votre participation et de votre soutien ! We would be thrilled and delighted to have your participation and support ! (http•••) Vidéo : Brian Edward
Leokadiya Kashperova Igor Stravinsky Glazunov Levi 1872 1940
Leokadiya Kashperova +••.••(...)) was a well known soloist and piano teacher in her time. Igor Stravinsky was among her students at the St Petersburg Conservatory when she was 27 and he was 17. He recognised her excellent teaching in his biography and credited her with creating his piano technique, all the while failing to mention her by name. She also composed several orchestral works (symphonies and concertos) and performed as a soloist as far afield as Berlin and London, where critics remarked on the quality of her sound. Glazunov would always try to have her give the premieres of his compositions. This recording features on the album "Leokadiya Kashperova Cello and Piano Sonata No.1". Wishing to illuminate Kashperova’s melodic, elegant, passionate and well constructed chamber music, this album explores the Russian musical universe of the 1890s and the composers who could have been present in the chamber music salons in St Petersburg and Moscow. Cello Susan Edward Piano David Levi Sound engineer Ananda Cherer
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