Johannes Ciconia Le ray au soleyl Videos
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2024-03-28
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Alarm Will Sound Benedict Mason Shakespeare Michael Gordon György Ligeti Johannes Ciconia Conlon Nancarrow Harrison Birtwistle 1253 1822
www.alarmwillsound.com www.YouTube.com/AlarmWillSound TRACKLIST: 00:00 1 - JITTERBURG MÉCANIQUE (BENEDICT MASON) 01:35 2 - YO SHAKESPEARE (MICHAEL GORDON) 12:53 3 - CAMOUFLAGE DES AGRÉMENTS (BENEDICT MASON) 14:28 4 - MOVIMENTO PRECISO E MECCANICO (GYÖRGY LIGETI) 18:22 5 - DESSERT SEARCH FOR TECHNO BAKLAVA (MOCHIPET) 21:16 6 - LE RAY AU SOLEYL (JOHANNES CICONIA) 24:05 7 - HIGHLAND BALLS AND VILLAGE HALLS (BENEDICT MASON) 25:41 8 - STUDY NO.6 FOR PLAYER PIANO (CONLON NANCARROW) 29:26 9 - CARMEN ARCADIAE MACHANICAE PERPETUUM (HARRISON BIRTWISTLE) 38:28 10 - DÉGRINGOLADE DES PINGOUINS (BENEDICT MASON) 40:08 11 - AGNUS DEI II (JOSQUIN DES PREZ) 42:00 12 - CFERN (AUTECHRE) 47:46 13 - DISGRACEFUL BOSSANOVA WITH LEMURS (BENEDICT MASON) 49:19 14 - STUDY NO.3A FOR PLAYER PIANO (CONLON NANCARROW)
Johannes Ciconia Steve Reich Alarm Will Sound 1370 1412
Johannes Ciconia (c. 1370 - 1412): Prolation Canon, " Le ray au soleyl" Transcription by: Jordan Alexander Key (http•••) Performance by: Alarm Will Sound (album: "a/rhythmia") (http•••) A Prolation Canon for three voices by Johannes Ciconia (c. 1370 – 1412). this piece is a unique example of irregular prolation from the French Ars Subtilior. Utilizing a 4:3:1 proportion, this piece creates an interesting rhythmic phasing effect between the triplum and the cantus (top two voices) nearly 600 years before the 20th century composer Steve Reich popularized such musical textures. For more information on Ciconia, the Lucca Codex, and/or this piece as well as a rhythmic structural analysis of "Le ray au soleyl" visit my site at (http•••) / Text: Le ray au soleyl qui dret som karmeyne En soy braçant la douce tortorelle, Laquel compangnon onques renovelle, A bon droit sembla qeu en toy perfect regne. The ray of sunlight, in whose true enchantment sleeps the sweet turtledove – in his embrace – ever rejuvenating that beloved one faithfully makes his appearance in your perfect kingdom. (Trans. John Fleagle)
Johannes Ciconia 1350 1372 1373 1401 1403 1412
Johannes Ciconia (b Liège, c 1335 or c 1373; d Padua, 10 June-13 July 1412). Liégeois composer and theorist. Two men of the name are known. The elder was in service in Avignon in 1350, accompanied Cardinal Albornoz on an Italian campaign, 1358-67, and returned to Liège in 1372 as a priest at St John the Evangelist. A Liège document of 1385 however refers also to a choirboy called Johannes Ciconia, and recent opinion favours the younger Ciconia as the composer, which is more plausible on grounds of musical style. In 1401 this Ciconia received a benefice for a small Paduan church and from 1403 was custos and cantor at Padua Cathedral. His music combines elements of the French Ars Nova with the Italian 14th-century style and strongly influenced other early 15th-century composers. His Italian songs, which include four madrigals and at least seven ballate, betray aspects of the French style then current in northern Italy, chansons, of which only two virelais and a canon survive, exploit the rhythmic complexities of the Ars Subtilior. Of his 11 motets, four are isorhythmic but others are closer in style to the Italian songs; most were written to celebrate important events or as eulogies. His mass music consists of 11 or 12 settings of the Gloria or Credo. He also wrote three theoretical treatises.
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