Ludwig van Beethoven Klaviersonate Nr. 14 in cis-Moll, Op. 27 Nr. 2, „Mondschein“ Videos
- Veröffentlicht in 1802 (Klaviersonate Nr. 14 in cis-Moll, „Mondschein“, Beethoven)
- gewidmet Giulietta Guicciardi
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2024-03-25
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Beethoven Bach Brahms 1770 1809 1810 1975 2017
Ludwig van Beethoven - Sonata No. 26 in E Flat Major Op. 81a [HQ] Piano Ludwig van Beethoven was a German composer and pianist. He was born in 1770 in Vienna. Beethoven is acknowledged as one of the giants of classical music; he is occasionally referred to as one of the "three B’s” (along with Bach and Brahms) who epitomise that tradition. One of his masterpieces was “Moonlight Sonata” which consist of three parts. The full version of Moonlight Sonata is also available on this channel. Piano Sonata No. 26 in E-flat major, Op. 81a, known as the Les Adieux sonata, was written during the years 1809 and 1810. The title Les Adieux implies a programmatic nature. The French attack on Vienna, led by Napoléon Bonaparte in 1809, forced Beethoven's patron, Archduke Rudolph, to leave the city. Yet, there is some uncertainty about this nature of the piece — or at least, about the degree to which Beethoven wished this programmatic nature would be known. He titled the three movements "Lebewohl," "Abwesenheit," and "Wiedersehen," and reportedly regarded the French "Adieux" (said to whole assemblies or cities) as a poor translation of the feeling of the German "Lebewohl" (said heartfully to a single person) (Kolodin, 1975). Indeed, Beethoven wrote the syllables "Le-be-wohl" over the first three chords. Piano Classics was founded on February 1st 2017. This channel is created to provide free piano classics in highest quality available. Our mission is to preserve old piano classics and make it accessible for everyone. Feel free to subscribe or check out our social media channels to stay updated on releases and more: ►Twitter: (http•••) ►Facebook: (http•••) ►Instagram: (http•••) ►Youtube: (http•••) ►Google+: (http•••)
Beethoven Eder Franz Liszt Rellstab Alessandro Simonetto 1748 1799 1800 1804 1806 1835 1838
Beethoven: Piano Sonatas Opp. 13, 27, 57 / Gala Chistiakova 00:00 Sonata No. 8 in C Minor, Op. 13 'Pathètique' - I. Grave - Allegro di molto e con brio 12:26 Sonata No. 8 in C Minor, Op. 13 'Pathètique' - II. Adagio cantabile 17:48 Sonata No. 8 in C Minor, Op. 13 'Pathètique' - III. Rondo. Allegro 22:58 Piano Sonata No. 13 in E-flat major, Op. 27 'Quasi una fantasia' - I. Andante - Allegro - Andante 28:40 Piano Sonata No. 13 in E-flat major, Op. 27 'Quasi una fantasia' - II. Allegro molto e vivace 30:52 Piano Sonata No. 13 in E-flat major, Op. 27 'Quasi una fantasia' - III. Adagio con espressione 39:35 Piano Sonata No. 14 in C sharp minor, Op. 27 'Quasi una fantasia' - I. Adagio sostenuto 45:14 Piano Sonata No. 14 in C sharp minor, Op. 27 'Quasi una fantasia' - II. Allegretto 47:43 Piano Sonata No. 14 in C sharp minor, Op. 27 'Quasi una fantasia' - III. Presto agitato 55:52 Piano Sonata No. 23 in F minor, Op. 57 - I. Allegro assai 1:06:30 Piano Sonata No. 23 in F minor, Op. 57 - II. Andante con moto 1:14:26 Piano Sonata No. 23 in F minor, Op. 57 - III. Allegro ma non troppo. Presto Gala Chistiakova, Piano In the first decade of his career as a published composer, Ludwig van Beethoven completed an enormous amount of music. Some of the most beloved sonatas for piano belong to this prolific period, marked not only by the desire to be acknowledged as an emerging composer of his time, but also by wonderfully creative inspiration and innovation. All of these sonatas are crucial in the way Beethoven understood both musical forms and the possibilities of the piano as the new household instrument. The Sonata in C Minor, Op. 13 was published in 1799 by Eder as “Grande sonate pathétique” – a title not by Beethoven but by the publisher, and which the composer nonetheless liked (Eder found the piece’s dramatic sonorities greatly affecting). The frontispiece indicates that the work is composed for harpsichord or piano - to increase sales, since many people in Vienna still owned harpsichords (all the sonatas for piano that Beethoven published until then were sold as works written for both instruments). Here Beethoven experiments with novel ideas about form in the outer movements - innovations which will influence contemporaneous and future composers. The Two Sonatas, Op. 27, composed in the year 1800, were subtitled by Beethoven “Sonata quasi una fantasia” for the freedom with which their structures were conceived. Both sonatas present unusual features – the first, in E-flat major, almost cyclical, structurally evokes a fantasy wherein different movements are played without interruption. The structure is made more complex by the return of slow movement at the end of the work, before the closing coda. The second sonata, in C-sharp minor, presents two movements in sonata form - the first an Adagio, and the second featuring unusual harmonic relations between the two main thematic blocks. Franz Liszt aptly proclaimed that the second movement, a simple minuet in the key of D-flat major in ABA form, is “a flower between two abysses.” The second sonata from Op. 27 was nicknamed Mondschein (“Moonlight”) by the German critic Ludwig Rellstab in 1835, as its first movement evoked in his mind the silvery moon reflecting on the placid Lake Lucerne. Composed between 1804 and 1806, the Sonata in F Minor, Op. 57 was posthumously nicknamed “Appassionata” – a title given by the publisher of a four-hand version of the work in 1838, a title which still remains today. At the time of its composition, it was one of Beethoven’s most impressive works for the piano, perhaps matched in difficulty only by the Sonata Op. 53. Its nickname perfectly portrays the highly charged emotional content of the sonata’s framework. Dramatic dynamic contrasts in the outer movements create a compelling narrative, ending in a tragic, virtuosic coda. The andante movement is a series of variants based on the exponential development of rhythmic figurations. Gala Chistiakova, a rising talent on the world scene, offers an original reading of these famous Beethoven works, with great refinement and riveting control. The recordings was made by producer Alessandro Simonetto using two historical pairs of Brüel & Kjær microphones matched with more modern Prism Sound pres and converters equipments. Original album may be found here: (http•••) Don't forget to share our music and to subscribe to our channel: (http•••) Want to license our music? Check this: (http•••)
Sachiko Furuhata Kersting Beethoven Schumann 2014
Provided to YouTube by NAXOS of America Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": III. Presto agitato · Sachiko Furuhata-Kersting Beethoven & Schumann: Piano Works ℗ 2014 Oehms Classics Released on: 2014-07-01 Artist: Sachiko Furuhata-Kersting Composer: Ludwig van Beethoven Auto-generated by YouTube.
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