Manuel de Falla El retablo de maese Pedro Videos
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Paco Lucía Manuel Falla Sánchez Joaquín Turina Joaquín Rodrigo Enrique Granados Halffter Bellas Artes 1876 1909 1913 1915 1919 1923 1924 1926 1939 1946 1947 1988 1990 1992 2002 2004 2007 2010 2014
1990. Paco de Lucía, acompañado por José Mª Banderas, interpreta la Danza española de Manuel de Falla en la Clausura de la Bienal de Arte Flamenco de 1990. [Programa "Puerta del Cante" 011, 14 de diciembre de 1990. Canal Sur Televisión] Francisco Sánchez Gómez, de nombre artístico Paco de Lucía, (Algeciras, Cádiz, 21 de diciembre de 1947 - México, 2014), guitarrista flamenco español. Ha recibido, entre otros muchos galardones, la Medalla de Andalucía (1988), el Premio Nacional de Guitarra de Arte Flamenco, la Medalla de Oro al Mérito en las Bellas Artes (1992), la Distinción Honorífica de los Premios de la Música (2002), el Premio Príncipe de Asturias de las Artes (2004). Es Doctor Honoris Causa por la Universidad de Cádiz (2007) y por el Berklee College of Music (2010). Aunque casi toda su obra se desarrolla en el flamenco, ha grabado algunos trabajos en otros estilos, como la música clásica, la fusión de flamenco con el jazz y otros estilos musicales. 1876: 23 de noviembre. Nace Manuel de Falla en Cádiz. El compositor español Manuel de Falla (Cádiz, 23 de noviembre de 1876 - Alta Gracia, Argentina, 14 de noviembre de 1946), junto a Joaquín Turina, Joaquín Rodrigo y Enrique Granados forma parte de los músicos españoles más destacados de los primeros años del siglo XX. Entre sus composiciones destacan Noches en los jardines de España +••.••(...)) para orquesta y piano, la ópera La vida breve (1913), sobre texto de Fernández Shaw, los ballets El amor brujo (1915) y El sombrero de tres picos (1919), la Fantasía bética para piano (1919), la fantasía escénica El retablo de Maese Pedro (1924), el Concierto para clave y 7 instrumentos +••.••(...)) y música para guitarra. Dejó sin concluir el oratorio La Atlántida, que terminó su discípulo Ernesto Halffter. El 18 de octubre de 1939 comienza el exilio en Buenos Aires (Argentina) del músico gaditano. 1990: 6 de octubre. Paco de Lucía, acompañado por José Mª Banderas, interpreta la Danza española de Manuel de Falla en la Clausura de la Bienal de Arte Flamenco de 1990. 1947: 21 de diciembre: Nace Paco de Lucía en Algeciras (Cádiz). Blog Memoranda: memoranda.canalsur.es También en @ArchivoCanalSur 14/12/1990 Seis de octubre Dieciocho de octubre Veintitrés de noviembre Veintiuno de diciembre
Hector Dufranne Demest Charles Gounod Vincent Indy Indy Richard Wagner Jan Blockx Christoph Willibald Gluck Engelbert Humperdinck Ermanno Wolf Ferrari Alfred Bruneau Henri Rabaud Gustave Doret Xavier Leroux André Messager Raoul Laparra Maurice Ravel Giacomo Puccini Richard Strauss Jules Massenet Léandre Sergei Prokofiev Manuel Falla Edmond Polignac Polignac Sachs Opéra Comique Opéra Monte Carlo Covent Garden Notre Dame Théâtre Champs Élysées Manhattan Opera Company Chicago Grand Opera Company 1870 1896 1897 1898 1900 1901 1902 1904 1906 1907 1908 1909 1910 1911 1912 1913 1914 1921 1922 1923 1924 1935 1939 1951
Hector Dufranne Manon A quoi bon l'économie Pre dog 3 32767 enregistré en 1907 Hector Dufranne (25 October 1870 – 4 May 1951) was a Belgian operatic bass-baritone Dufranne was born in Mons. He studied at the Brussels Conservatory with Désirée Demest before making his professional opera debut in 1896 at La Monnaie as Valentin in Charles Gounod's Faust. He returned to that opera house several times to sing such roles as Grymping in Vincent d'Indy's Fervaal (1897), Alberich in Richard Wagner's Das Rheingold (1898), Thomas in Jan Blockx's Thyl Uylenspiegel (1900), Thoas in Christoph Willibald Gluck's Iphigénie en Tauride (1902), the Innkeeper in Engelbert Humperdinck's Königskinder (1912), and Rocco in Ermanno Wolf-Ferrari's I gioielli della Madonna (1913). Dufranne sang at the Opéra-Comique in Paris from 1900 to 1912, making his first appearance as Thoas. He appeared in several world premieres with the company including creating the roles of Saluces in Griselidis (1901), the title role in Alfred Bruneau's L' Ouragan (1901), Golaud in Pelléas et Mélisande (1902), Amaury-Ganelon in La Fille de Roland by Henri Rabaud (1904), Koebi in Gustave Doret's Les Armaillis (1906), the title role in Xavier Leroux's Le Chemineau, Clavaroche in Fortunio by André Messager (1907), the fiancé in Raoul Laparra's La Habanéra (1908), and Don Iñigo Gomez in Maurice Ravel's L'Heure espagnole (1911). He also sang Scarpia in the Opéra-Comique’s first production of Giacomo Puccini's Tosca (1909). Dufranne also appeared periodically at the Paris Opera beginning in 1907. He notably portrayed the role of John the Baptist in their first production of Richard Strauss's Salome (1910). He also sang at the Opéra de Monte-Carlo in 1907 where he took part in the creation of two world premieres, the role of André Thorel in Jules Massenet's Thérèse and the title role in Bruneau's Naïs Micoulin. In 1914 he sang the role of Golaud in his only appearance at the Royal Opera, Covent Garden in London. In 1908 Dufranne went to the United States for the first time to sing with the Manhattan Opera Company in the American premiere of Pelléas et Mélisande. He returned for several more productions through 1910, appearing as le Prieur in Le jongleur de Notre-Dame (1909), Caoudal in Sapho (1909), Rabo in Jan Blockx's Herbergprinses (performed in Italian as La Princesse d'Auberge, 1909), John the Baptist in Richard Strauss's Salome (1910), and Saluces in Massenet's Griselidis (1910). He also sang with the Chicago Grand Opera Company and the Chicago Opera Association from 1910 to 1922, creating there Léandre in The Love for Three Oranges (in French) by Sergei Prokofiev, in 1921. In 1922, Dufranne returned to Paris where he continued to appear in operas in all the major houses in addition to appearing in other opera houses in France. He also spent a brief time performing in Amsterdam in 1935. In 1923 he created the part of Don Quixote in the stage première of El retablo de maese Pedro under the baton of the composer, Manuel de Falla. The performance was for a private audience and was held in the private theatre of Winnaretta Singer, Princess Edmond de Polignac. In 1924, he appeared at the Théâtre des Champs-Élysées in the world premiere of Léon Sachs's Les Burgraves. With the outbreak of World War II in 1939, Dufranne retired from the stage, with his last performance being the role of Golaud at the opera house in Vichy. He lived in Paris where he taught singing for many years before his death in 1951. Source Wikipedia
Manuel Falla Ismael Pons Tena Pons Nancy Fabiola Herrera
Manuel de Falla Cameristi, I, Diego Dini-Ciacci, Ismael Pons-Tena, Nancy Fabiola Herrera, Natacha Valladares, El amor brujo (Love, the Magician) Falla: Amor Brujo (El) / El Retablo De Maese Pedro 8.553499 (http•••) (http•••)
Manuel Falla Sir Simon Rattle London Sinfonietta 1980
Provided to YouTube by Universal Music Group Falla: Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin, and Cello - 3. Vivace · John Constable · London Sinfonietta · Sir Simon Rattle Falla: El Retablo de Maese Pedro; Harpsichord Concerto; Psyche ℗ 1980 Decca Music Group Limited Released on: 1980-01-01 Producer: Stanley Goodall Studio Personnel, Engineer: Peter Cook Composer: Manuel de Falla Auto-generated by YouTube.
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