Olivier Messiaen Quatre Études de rythme Videos
Letzte Aktualisierung
2024-03-27
Aktualisieren
Boulez Bach Olivier Messiaen Suzuki Stadler Xenakis Takemitsu Schumann 1951 2018
瀬川裕美子segaway-projectピアノリサイタルvol.6 《ドゥルカマラ島~時間の泡は如何に?d→d~》 2018年1月21日(日) @トッパンホール Yumiko Segawa---Piano Recital vol.6 Jan. 21.2018 @ Toppan Hall (Tokyo) / all program--- J.S.Bach : 「Die Kunst der Fuge」BWV1080 ~Contrapunctus Ⅰ. P.Boulez : Troisième Sonate ~Trope~ O.Messiaen : 《Quatre études de rythme》~Île de feu Ⅰ,Ⅱ P.Boulez: Troisième Sonate ~Constellation-Miroir~ Haruyuki Suzuki : Lap Behind (a commissioned work) *** W.A.Mozart : Fantasy cmoll Kv.396 played as fragment ,without the completion by Stadler J.Xenakis : Herma T.Takemitsu : Rain tree sketch R.Schumann : Gesänge der Frühe op.133 T.Takemitsu : Rain tree sketch Ⅱ -In Memoriam Olivier Messiaen- / encore : 1mov.from 「Gesänge der Frühe」 with Holderlin’s poem (sing with the piano)
Suzuki Stadler Olivier Messiaen 1960 2018
瀬川裕美子segaway-projectピアノリサイタルvol.6 《ドゥルカマラ島~時間の泡は如何に?d→d~》 2018年1月21日(日) @トッパンホール Yumiko Segawa---Piano Recital vol.6 Jan. 21.2018 @ Toppan Hall (Tokyo) / all program--- J.S.Bach : 「Die Kunst der Fuge」BWV1080 ~Contrapunctus Ⅰ. P.Boulez : Troisième Sonate ~Trope~ O.Messiaen : 《Quatre études de rythme》~Île de feu Ⅰ,Ⅱ P.Boulez: Troisième Sonate ~Constellation-Miroir~ Haruyuki Suzuki : Lap Behind (a commissioned work) *** W.A.Mozart : Fantasy cmoll Kv.396 played as fragment ,without the completion by Stadler J.Xenakis : Herma T.Takemitsu : Rain tree sketch R.Schumann : Gesänge der Frühe op.133 T.Takemitsu : Rain tree sketch Ⅱ -In Memoriam Olivier Messiaen- / encore : 1mov.from 「Gesänge der Frühe」 with Holderlin’s poem (sing with the piano)
Dionisio Aguado Fernando Sor Ernesto Köhler Köhler Wilhelm Popp Popp Adolf Terschak Claude Debussy Leopold Godowsky Chopin Heitor Villa Lobos Sergei Rachmaninoff Alexander Scriabin Olivier Messiaen John Cage Freeman György Ligeti Kaikhosru Shapurji Sorabji Liszt William Bolcom 1784 1815 1824 1894 1911 1914 1915 1917 1929 1940 1949 1974 1977 1978 1985 1988 1989 1995
The Dionisio Aguado Etude In A Minor is the perfect piece to practice your muting techniques on classical guitar. The trick is to do this whilst playing the chords in a legato way and not make it too staccato. In the video, you'll notice I'm using the inside of my thumb area i.e. the 'fleshy' part of the thumb area. The Dionisio Aguado Etude in A Minor is the perfect piece to practice your muting techniques on classical guitar. The trick is to do this whilst playing the chords in a legato way and not make it too staccato. In the video, you'll notice I'm using the inside of my thumb area i.e. the 'fleshy' part of the thumb area. What is an Etude? According to Wikipedia… “An étude (/ˈeɪtjuːd/; French: [eˈtyd], meaning 'study') is an instrumental musical composition, usually short, of considerable difficulty, and designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano…/ Many people don't understand the correct way to get a clear 'Bell-Like' sound on fingerstyle/classical guitar and end up sounding like a scratched vinyl record. Or worse, like someone is strangling the neighbor's cat! DON'T be one of these people! Get the new F*R*E*E* training from LearnClassicalGuitar... 'The Easy 3-Step Plan to Getting a Great Sound on Classical Guitar' (http•••)/ The 19th century also saw a number of étude and study collections for instruments other than the piano. Guitarist composer Fernando Sor published his 12 Studies, op. 6 for guitar in London as early as 1815. These works all conform to the standard definition of 19th-century étude in that they are short compositions, each exploiting a single facet of technique. Collections of studies for flute were published during the second half of the 19th century by Ernesto Köhler, Wilhelm Popp and Adolf Terschak… The early 20th century saw the publication of a number of important collections of études. Claude Debussy's Études for piano (1915) conform to the "one facet of technique per piece" rule, but exhibit unorthodox structures with many sharp contrasts, and many concentrate on sonorities and timbres peculiar to the piano, rather than technical points. Leopold Godowsky's 53 Studies on the Chopin Études (1894–1914) are built on Chopin's études: Godowsky's additions and changes elevated Chopin's music to new, hitherto unknown levels of difficulty. Other important études of this period include Heitor Villa-Lobos' virtuoso 12 Études for guitar (1929) and pieces by Russian composers: Sergei Rachmaninoff's Études-Tableaux +••.••(...)) and several collections by Alexander Scriabin (all for piano)… By mid-century the old étude tradition was largely abandoned. Olivier Messiaen's Quatre études de rythme ("Four studies in rhythm", 1949–50) were not didactic compositions, but experiments with scales of durations, as well as with dynamics, figurations, coloration, and pitches. John Cage's études—Études Australes (1974–75) for piano, Études Boreales (1978) for cello and/or piano and Freeman Études (1977–80, 1989–90) for violin—are indeterminate pieces based on star charts, and some of the most difficult works in the repertory. The three books of Études by György Ligeti +••.••(...)–94, 1995) are perhaps closest to the old tradition in that they too concentrate each on a particular technique. Kaikhosru Shapurji Sorabji's Études transcendantes +••.••(...)–44), which take Godowsky and Liszt as their starting point, frequently focus on particular technical elements, as well as various rhythmical difficulties. William Bolcom was awarded the Pulitzer Prize for his Twelve New Etudes for Piano in 1988”… Born in 1784 into a religious family, Dionisio Aguado showed an early aptitude for music and guitar. True to his modest nature, it took him forty years of playing the instrument to become "famous". This was when he went to live in Paris in 1824. Dionisio Aguado had inherited his father's estate some years earlier and had spent the majority of his time there mastering the guitar and music. This stood him in good stead for the rest of his life as he was both a master player and a very talented composer. This is despite the fact that he is mainly remembered today for his "Method" book.
Nicht mehr?
Jeden Tag sucht soclassiq nach neuen Artikeln, Videos, Konzerten und so weiter über klassische Musik und Oper, ihre Künstler, Veranstaltungsorte, Orchester....
Quatre Études de rythme ? Wir haben noch nicht viele Inhalte zu diesem Thema gesammelt, aber wir suchen weiter.
oder
- Die größten Werke für Solisten
- Wesentliche Arbeiten: moderne & zeitgenössische Ära
- Indizes (in alphabetischer Reihenfolge): Q...