Orlando di Lasso Quam pulchra es Videos
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2024-04-17
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Stile Antico Antico Nicolas Gombert Orlande Lassus Sebastián Vivanco Praetorius Campi Giovanni Pierluigi Palestrina Tomás Luis Victoria Robert White Francisco Guerrero Cipriano Rore Rodrigo Ceballos Hieronymus Praetorius John Dowland Wigmore Hall 1495 1510 1515 1525 1528 1530 1538 1548 1551 1555 1560 1563 1565 1574 1581 1594 1599 1611 1622 1626 1629
Arise, My Love: Sensuous Renaissance settings of the Song of Songs The erotic poetry of the biblical Song of Solomon consistently inspired the masters of the Renaissance to some of their most ardent music. Love, desire and seduction are here explored in a rich selection of motets by composers from the Low Countries to the Mediterranean, tracing an expressive arch from the heat and intensity of Gombert and Lassus to the vivacious, polychoral conclusion in the works of Vivanco and Praetorius. PROGRAMME Jacobus Clemens non Papa (c.1510-1555) Ego flos campi Orlande de Lassus (c.1530-1594) Veni dilecte mi Osculetur me Nicolas Gombert (c.1495-1560) Quam pulchra es Anon Sicut lilium inter spinas Giovanni Pierluigi da Palestrina (c.1525-1594) Osculetur me Tomás Luis de Victoria +••.••(...)) Vadam et circuibo INTERVAL Giovanni Pierluigi da Palestrina Nigra sum Robert White (c.1538-1574) Tota pulchra es Francisco Guerrero +••.••(...)) Surge propera Cipriano de Rore (c.1515-1565) Descendi in hortum meum Sebastián de Vivanco (c.1551-1622) Veni, dilecte mi Rodrigo de Ceballos (c.1525-1581) Hortus conclusus Hieronymus Praetorius +••.••(...)) Tota pulchra es ENCORE John Dowland +••.••(...)) Now, O now I needs must partJacobus Clemens non Papa (c.1510-1555) Ego flos campi Orlande de Lassus (c.1530-1594) Veni dilecte mi Osculetur me Nicolas Gombert (c.1495-1560) Quam pulchra es Anon Sicut lilium inter spinas Giovanni Pierluigi da Palestrina (c.1525-1594) Osculetur me Tomás Luis de Victoria +••.••(...)) Vadam et circuibo INTERVAL Giovanni Pierluigi da Palestrina Nigra sum Robert White (c.1538-1574) Tota pulchra es Francisco Guerrero +••.••(...)) Surge propera Cipriano de Rore (c.1515-1565) Descendi in hortum meum Sebastián de Vivanco (c.1551-1622) Veni, dilecte mi Rodrigo de Ceballos (c.1525-1581) Hortus conclusus Hieronymus Praetorius +••.••(...)) Tota pulchra es ENCORE John Dowland +••.••(...)) Now, O now I needs must part Wigmore Hall is pleased to offer these live streams free of charge, thanks to generous support from our audience. If you would like to help continue making this possible, please consider donating to our Audience Fund: (http•••)
Elway Bevin Adrian Willaert Thomas Weelkes Orlando Gibbons Thomas Lupo John Wilbye Thomas Campian John Bennett Bennett Anthony Holborne William White Robert Johnson John Bedyngham Daniel Bacheler Thomas Ford Thomas Ravenscroft Giles Farnaby Robert White Richard Allison Thomas Tallis John Dunstable John Johnson Peter Phillips Orlando Lasso William Cornish Cornish Robyn Francis Pilkington William Brade Thomas Bateson Blackburn 1390 1400 1453 1460 1465 1490 1505 1523 1532 1538 1545 1554 1560 1562 1563 1567 1570 1571 1572 1574 1575 1580 1582 1583 1585 1594 1600 1610 1614 1619 1620 1623 1625 1627 1628 1629 1630 1634 1635 1638 1639 1640 1648
Renaissance music is music written in Europe during the Renaissance. Consensus among music historians with notable dissent has been to start the era around 1400, with the end of the medieval era, and to close it around 1600, with the beginning of the Baroque period, therefore commencing the musical Renaissance about a hundred years after the beginning of the Renaissance as understood in other disciplines. 【Tunes】 ■Elway Bevin +••.••(...).Browning ■Adrian Willaert +••.••(...).Ricercare (3:02~) 3.Mirabile Mysterium (4:53~) 4.Vecchie Letrose (7:32~) 5.Ricercare 1 (9:09~) 6.Virgo Gloriosa (12:24~) ■Thomas Weelkes +••.••(...).Four hands, two necks, one wreathing (14:41~) 8.The Nightengale (15:37~) 9.Shoot False Love I Care Not (17:10~) 10.Though My Carriage be But Careless (19:06~) 11.Tan Ta Ra Cries Mars (20:04~) 12.Lord when I think (21:15~) 13.All at once we met fair ladies (22:28~) 14.We sing at pleasure (23:57~) 15.In pride of may (26:00~) ■Orlando Gibbons +••.••(...).The Silver Swan (27:44~) 17.Fantasia (29:53~) ■Thomas Lupo +••.••(...).Pavanne in 3 Parts (31:49~) 19.Fantasia+••.••(...):20~) 20.Fantasia+••.••(...):39~) 21.Fantasia+••.••(...):57~) ■John Wilbye +••.••(...).Fly not so fast my dear (42:34~) 23.As Matchless Beauty (44:54~) 24.All Pleasure is of this Condition (47:41~) 25.Alas what hope of speeding (50:39~) 26.Sweet was the song the virgin sang (52:20~) ■Thomas Campian +••.••(...).Never Weather Beaten Saile (53:26~) ■John Bennett +••.••(...).Weep O Mine Eyes (54:35~) 29.My Mistress is as Fine as Faire (56:01~) ■Anthony Holborne +••.••(...).The Nite Watch (56:34~) 31.Funeral (57:50~) 32.The Faerie Round (1:00:14~) 33.As It Fell on a Holie Eve (1:01:25~) 34.Heigh Ho Holiday (1:02:29~) 35.Infernum(1:03:32~) 36.Spero (1:05:53~) ■William White +••.••(...).Pavane (1:08:15~) ■Robert Johnson +••.••(...).Where the Bee Sucks (1:10:52~) 39.Full Fathom Five (1:11:33~) ■ John Bedyngham (died circa 1460) 40.So ys emprentid (1:13:25~) ■Daniel Bacheler +••.••(...).Lady Walsinghams Conceite (1:14:33~) 42.Almaine (1:17:41~) ■Thomas Ford +••.••(...).Mr. Southcoate's Pavin (1:20:50~) 44.Galliard (1:24:20~) 45.Monsieur Lullere His Choice (1:26:28~) ■Thomas Ravenscroft +••.••(...).Three Country Rounds (1:28:34~) ■Giles Farnaby +••.••(...).Loth to Depart (1:31:38~) ■Robert White +••.••(...).Precamur sancte Domine (1:34:25~) ■Richard Allison (~1560 - 1610 49.De la Tromba Pavin (1:37:18~) ■Richard Deering +••.••(...).Pavan (1:39:20~) ■Thomas Tallis +••.••(...).If Ye Love Me (1:42:02~) ■John Dunstable +••.••(...).Quam pulchra es (1:42:51~) 53.Sancta Maria (1:44:43~) ■John Johnson +••.••(...).The Flatt Pavin (1:46:32~) ■Peter Phillips +••.••(...).Trio (1:47:45~) ■Orlando Lasso +••.••(...).Mon couer recommendezvous (1:50:24~) ■William Cornish +••.••(...).A Robyn (1:52:48~) ■Francis Pilkington +••.••(...).The messenger of the delightful spring (1:54:06~) ■William Brade +••.••(...).Galliard (1:56:14~) ■Thomas Bateson +••.••(...).The nightengale (1:57:49~) / Performed by Jon Sayles. (http•••) Championing our British Farmers & Countryside. Supporter of our Police, Armed Forces and Royal Family. I follow Politics and Current Affairs, with a particular interest in British Social, Economic, & Military History. For my sins a Blackburn Rovers and Lancs CCC supporter. Twitter: @OxfordTory Facebook: (http•••) All Rights Reserved
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