Pérotin Alleluia Videos
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2024-04-19
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Notre Dame Paris Ensemble Organum Pérotin Léonin Fons
Gothic polyphony ☧ Performed by Ensemble Organum, directed by Marcel Pérès ↓↓↓ 1 - Conduït : "Beata viscera Marie Virginis" (Pérotin) 00:00:00 2 - Conduït : "Deus misertus hominis" (Pérotin) 00:09:23 3 - Introït : "Salve sancta parens" (plain-chant) 00:13:34 4 - Kyrie (plain-chant) 00:18:04 5 - Graduel : "Benedicta et venerabilis" (Léonin) 00:23:57 6 - Alleluïa : "Nativitas gloriose virginis Marie" (Léonin) 00:38:38 7 - Offertoire : "Diffusa est gratia in labiis tuis" (plain-chant) 00:50:58 8 - Préface (plain-chant) 00:53:35 9 - Sanctus : "Sanctorum exultatio" 00:56:34 10 - Agnus Dei : "Fons indeficiens pietatis" 01:02:42 11 - Communion : "Beata viscera Marie virginis" (plain-chant) 01:07:58 12 - Benedicamus Domino (Léonin) 01:10:50
Perotin Magister Léonin Mayer Hilliard Ensemble 1200
Pérotin (fl. c. 1200), also called Perotin the Great, was a European composer, believed to be French, who lived around the end of the twelfth and beginning of the 13th century. He was the most famous member of the Notre Dame school of polyphony. He was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous English student at Notre Dame known as Anonymous IV, who wrote about him and his predecessor Léonin. Anonymous IV called him "Perotin Magister", which means "Pérotin the master or expert." The name Pérotin is itself derived from "Perotinus," the Latin diminutive of Petrus, the Latin version of the French name Pierre./ "Alleluia nativitas" Choral Alleluya V. Nativitas gloriose virginis is a three-part organum, which is attributed to the medieval French composer Perotinus (fl c.1200), who is also known as Pérotin. Written for three male voices, it contains many common aspects of organa composition, including particularly the frequent and interweaving juxtaposition of intervalic consonance with extreme discord. Following the tradition of tropes and sequences in the 10th and 11th centuries, organa were composed for feast days. They were used in both the Offices (small services held throughout the day) and the Ordinary of the Mass (The part of the mass that could use changeable texts). Alleluya Nativitas forms the Alleluia from the Mass of the Nativity of the Blessed Virgin Mary, which is celebrated on September 8. As such, it consists of an the sung word "Alleluia" followed by three verses (the first line of which is "Nativitas gloriose virginis") ~ All Music Guide Performed : The Hilliard Ensemble/ Images : - A page from Pérotins Alleluia nativitas - Magnificent monumental 19th century German stained Glass Windows By Mayer of Munich.
Magister Leoninus Liber Pérotin David Hertzberg Pro Musica Antiqua Cathédrale Notre Dame Paris 1150 1201 1210 1906 1951 1973
Safford Cape +••.••(...)) leads the Pro Musica Antiqua in this 1951 recording of selections from the very rare LP shown above, issued on the EMS label (EMS 201), entitled "Music of the 12th and 13th Centuries." The disc was Volume 1 of the EMS Anthology of Middle Age and Renaissance Music. More from this LP here: (http•••) You can read about the EMS label here: (http•••) Anon: In Saeculum Artifex Leoninus: Deum Time (Organum Duplum) Anon: Alleluia Psallat Haec Familia Alfonso The Wise: Benyto Foi Léonin (лат. Leoninus, Leonius, Leo, 1150-е — 1201) — первый значимый композитор, писавший для полифонического органа. Скорее всего был французом, жил и работал в Париже, в кафедральном соборе Нотр-Дам. Леонин, магистр Леонинус (Magister Leoninus) — полулегендарный французский композитор 2-й половины XII века. Представитель певческой школы собора Нотр-Дам. По свидетельству музыкального теоретика XIII века Анонима IV, Леонин был «лучшим органистом» (то есть сочинителем органумов) своего времени, составителем Большой книги органума (Magnus liber organi), включающей различные песнопения годового церковного обихода, — важнейшего нотного памятника той эпохи (сохранилась более поздняя копия «Книги», датируемая XIII веком). В произведениях Леонина формируются принципы модальной ритмики. Léonin war Wegbereiter der Mehrstimmigkeit. Seine zweistimmige Musik hat als Grundlage eine gedehnte liturgische Melodie, dazu kamen freikomponierte Oberstimmen in bewegter Rhythmik. Vor allem sein Werk Magnus liber organi (Großes Buch der Organa) ist ein Meilenstein der frühen mehrstimmigen Musik. Enthalten sind vor allem (zweistimmige) Organumsätze und Quartorgana für die Messe und das Offizium. Léonin wurde von Zeitgenossen auch ehrenvoll „Optimus Organista" genannt. Léonin war zusammen mit seinem Nachfolger Pérotin der wichtigste Komponist der Notre-Dame-Schule. Genau wie in der Architektur versuchte Léonin seine musikalischen Werke komplexer zu gestalten. Die Musik klang durch die Weiterentwicklung des Parallelorganums zum schweifendem Organum nun flexibler und differenzierter. Léonin (en latin Leoninus, né vers 1150 - mort vers 1210) est un maître de musique de la cathédrale Notre-Dame de Paris et de l'« école de Notre-Dame » à laquelle il suit un certain maître Albert dont on ne connaît que le nom, et précède Pérotin. Probablement français, établi à Paris, il est chanoine de Notre-Dame de Paris en 1192. La seule source d'information sur Léonin est l'auteur anonyme anglais connu comme Anonyme IV, élève de l'école, dont le traité de théorie mentionne Léonin comme un des principaux pionniers de la polyphonie de l'organum. Léonin est l'auteur du Magnus Liber Organi, le grand livre de l'organum, destiné à l'usage liturgique, et plus tard repris et amélioré par Pérotin, toujours selon l'Anonyme. On pense aujourd'hui que c'est en étudiant le traité de métrique poétique latine d'Augustin, De musica que Léonin établit ses six modes rythmiques qui doivent être appliqués à la musique sous forme de brèves et de longues. "David Hertzberg"
Pérotin (fl. c. 1200): Alleluia Nativitas (organum triplum, three voices). Pérotin was a European composer, believed to be French, of the medieval period. He was one of the earliest composers of polyphonic music, a pioneer of the 3- and 4- voice organum styles. This is one of Pérotin's most famous compositions, and one of only a handful of medieval music known today that we can attribute to a certain composer. The Alleluia Nativitas is still performed and recorded frequently in the present day. In this synthesized rendition, A4 is pitched at 428Hz. Each instrument corresponds to a color in the scrolling display (Red: sax; Green: horn(1); Blue: horn(2)). Red is panned to the right; blue is panned to the left; the drone is centered. Our Matlab synthesizer interpreted the RGB image on screen and generated this excerpt of organum by Pérotin.
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