Sergei Wassiljewitsch Rachmaninow Trio élégiaque No. 1 Videos
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2024-04-17
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Bedford Rachmaninoff Debussy Olsen 2019
Bedford Trio performed live at the Thursday Noon Series on October 10th, 2019. Bedford Trio is very grateful to continue the Irene R. Miller Piano Trio Residency at University of Toronto. Please check out the second half of our programme--the refreshing and imaginative Debussy Piano Trio: (http•••) Thank you for watching! Alessia Disimino, Violin Andrew Ascenzo, Cello Jialiang Zhu, Piano Peter Olsen, Audio Yang Sui, Video
#KBS클래식(Classic) #Rachmaninoff #라흐마니노프 [어텀 실내악 페스티벌 : 헌정@KBS중계석] #라흐마니노프 / 피아노 3중주 제1번 g단조 ‘비가’ #S. Rachmaninoff / Trio Élégiaque No.1 in g minor for Piano, Violin and Cello #바이올린(Violin) / 김영욱(Young-Uk Kim) #첼로(Cello) / 강승민(Seungmin Kang) #피아노(Piano) / 김태형(Tae-Hyung Kim) #장소 / 예술의전당 IBK챔버홀 #연주일자 / 2021년 10월 30일 #방영일 / 2021년 12월 22일 [KBS클래식 더보기] 바로가기 : (http•••)
Trio Ceresio Sergei Rachmaninoff 2015
Provided to YouTube by Believe SAS Trio élégiaque No. 1 in G Minor, Op. Posth. · Trio Ceresio Romantic Russian Piano Trio ℗ Doron Music, Switzerland Released on: 2015-01-01 Composer: Sergei Rachmaninoff Auto-generated by YouTube.
Sergej Rachmaninoff Vladimir Orlov Orlov Kreyn Anatoliy Brandukov Tchaikovsky Nikolai Rubinstein Rubinstein 1874 1892 1893 1947
Anna Trukhina, violin Vladimir Orlov, cello Veronika Salikhova, piano Trio élégiaque No. 1 in G minor is a composition for piano, violin and cello by Sergei Rachmaninoff. The trio was written on January 18–21, 1892 in Moscow, when the composer was 18 years old. The work was first performed on January 30 of the same year with the composer at the piano, David Kreyn at the violin and Anatoliy Brandukov at the cello. It waited until 1947 for the first edition to appear, and the trio has no designated opus number. Rachmaninoff wrote a second Elegiac piano trio in 1893 after the death of Tchaikovsky. This work is cast in only one movement, in contrast to most piano trios, which have three or four. This movement is in the classical form of a sonata, but the exposition is built on twelve episodes that are symmetrically represented in the recapitulation. The elegiac theme is presented in the first part Lento lugubre by the piano. In the following parts, the elegy is presented by the cello and violin, while the spirit is constantly evolving (più vivo - con anima - appassionato - tempo rubato - risoluto). The theme is ultimately recast as a funeral march. Despite his youth, Rachmaninoff shows in the virtuoso piano part his ability to cover a wide spectrum of sound colors. This trio has a distinctive connection to Tchaikovsky's Trio in A minor, both in the unusual, expanded first movement, and in the funeral march as a conclusion. The suggestion often heard - that the first trio is an early elegy for Tchaikovsky - is doubtful: in 1892 the elder composer was in good health, and there was no premonition of the sudden illness that would kill him nearly two years later. Rather, the key to the connection with Tchaikovsky of this first trio is its repetitive opening theme, a four-note rising motif, that dominates the 15-minute work. Played backwards it has the same rhythm opening descending motif of Tchaikovsky's first piano concerto (written 1874-75), although now minor in the trio's version, and the allusion would have been apparent to listeners and teachers at the university, as would the closing funeral march imitative of Tchaikovsky's elegy to Nikolai Rubinstein. Rachmaninoff wrote this first trio while still a student and may well have intended it as an homage to his elder friend and mentor. The second trio, written two years later, was the true "elegiac" work mourning Tchaikovsky's death. (http•••)
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