Wolfgang Amadeus Mozart Sinfonie Nr. 31 in D-Dur, „Paris“ Videos
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2024-04-18
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Vladimir Kastorsky Tchaikovsky Melnikov Gabel Glinka Mussorgsky Dargomyzhsky Delibes Rimsky Korsakov Schubert Borodin Beethoven Schumann Mariinsky Theatre Bolshoi Theatre Scala Private Opera 1870 1892 1893 1894 1898 1907 1908 1909 1918 1923 1930 1948
Владимир Касторский. Aриозо Кочубея "Мазепа" ,П.И. Чайковский. Vladimir Kastorsky. Kotchubey's Ariozo from the opers "Mazepa" by P.I.Tchaikovsky. Vladimir Kastorsky (1870, Yaroslavl region -1948, Leningrad)- the Russian operatic and chamber singer (bass). As a child he sang in a church choir. Then he studied with his cousin A. Kastorsky and took some lessons from an Italian singer A. Cotonou. In 1892 he moved to St. Petersburg where he learned his vocal art at the "Free choir class," the charity project of Melnikov. In 1893 he entered the St. Petersburg Conservatory, the course of C. Gabel, who a year later expelled the student for "voiceless and incompetence". Later C. Gabel admitted his error. In 1894 he made his debut in opera in Pskov. Vladimir surved for the operatic stage about 45 years, his repertoire included 35 roles. In 1898—1918 and 1923—1930 he was a soloist of Mariinsky Theatre, and in 1918—1923 of Bolshoi Theatre, performing Ruslan and Susanin ("Ruslan and Ludmila" and " Life for the Tsar" by M.Glinka), Pimen ("Boris Godunov" by Mussorgsky), Gremin and Kotchubey ("Eugene Onegin" and "Mazepa" by Tchaikovsky),Miller ("Rusalka" by Dargomyzhsky), Count Almaviva and Leporello ("The Marriage of Figaro" and "Don Giovanni" by Mozart), Vladimir Galitsky ("Prince Igor" by Borodin),Nilakanta ("Lakme" by Delibes). Vladimir Kastorsky was extremely successful in R.Wagner's operas: Wotan ("The Ring of the Nibelung") and Wolfram ("Tannhauser"), among others. In 1907 he organized a vocal quartet to promote Russian folk songs and toured with it in Russia and Europe. In 1907-1908 he participated in Sergei Diaghilev's Russian Seasons. The singer was the first performer of parties in Paris: Ruslan ("Ruslan and Ludmila" by Glinka, 1907), Pimen ("Boris Godunov" by Mussorgsky, 1908), Prince Yuri Tokmakov ("The Maid of Pskov" and Rimsky-Korsakov, 1909). He also was heard at La Scala (1908), as well as in in Prague, Berlin, Rome, Munich, London, Harbin, Japan, Moscow (Theater Aquarium, Zimin's private Opera), Kiev, Odessa,Tiflis, and many other cities. He taught at Mariinsky Theatre, Leningrad's Art Studio and at the Saint Petersburg Conservatory. Until the end of life he performed as a chamber singer, performing Glinka, Dargomyzhsky, Mozart, Schubert, Borodin, Mussorgsky, Rimsky-Korsakov, Tchaikovsky, Beethoven and Schumann.
Malin Hartelius Margarethe Bence William Christie Vienna State Opera 1768 1966 1989 1991 1992 1997 2006
THE SONGBIRD: Born in 1966 in Malmo, Malin Hartelius studied music in Vienna with soprano Margarethe Bence. In 1989, she became a member of the Vienna State Opera Studio, appearing as Celia (Lucio Silla) and Papagena. in 1991 she became a member of the Zürich Opera and sang Pamina, Adele, Blonde, and Ännchen. Her Salzburg debut in 1992 was Barbarina; she returned in 1997 as Blonde. In Paris, Hartelius sang "Les Indes galantes" with William Christie, and Servilia and Adele. She was Konstanze in Zurich, Zerlina at Glyndebourne, and Susanna at the Aix-en-Provence Festival. Further engagements in leading high soprano roles in prestigious venues in Europe have followed. THE MUSIC: "La finta semplice" K. 51 (46a) is an opera buffa composed in 1768 by a 12-year-old Mozart while he and his father Leopold were spending the year in Vienna. Due to court intrigues it was not performed there, but premiered in Salzburg the following year. After that, it was over 200 years until another staged performance, in Salzburg in 2006. The leading soprano role of Rosina has the exquisite aria, "Amoretti, che ascosi qui siete," that was described by one music critic (rightly, I’d argue) as having a "nobility of utterance" and "achieving the expressive intensity of the later Mozart." Which is certainly the case in this stunning floated rendition by Hartelius.
Nicolas Cavallier Dubost Montana 2014 2019
Nicolas Cavallier, baryton-basse Antoine Palloc, piano Yann Dubost, contrebasse L’INSTANT LYRIQUE Eléphant Paname, Paris octobre 2019 Plus d'information: (http•••)stantlyrique. Twitter : (http•••) Facebook : (http•••) Instagram : (http•••) Créé en 2014, L'INSTANT LYRIQUE offre à son public l'opportunité de voir des stars de renommée mondiale en récital dans des lieux intimistes. Du coeur de Paris à la Chapelle Saint-Christophe de Crans-Montana, en Suisse, L'INSTANT LYRIQUE propose une expérience unique à son public. Suivez sa programmation et abonnez-vous, à ses réseaux (Facebook, Instagram ..) et à sa chaîne YouTube ! Activez les alertes pour être certains de ne manquer aucun extrait de nos récitals, des nos interviews exclusives et des nos retransmissions en direct ! Created in 2014, L'INSTANT LYRIQUE offers its audience the opportunity to see world renowned stars in recital in intimate venues. From the heart of Paris to the Chapelle Saint-Christophe in Crans-Montana, Switzerland, L'INSTANT LYRIQUE offers a unique experience to its live and virtual audience. Be sure to subscribe and activate alerts to be sure not to miss extracts from our recitals, exclusive interviews and live streamed complete concerts. #opera #musiqueclassique #paris
Hilde Gueden Lorin Maazel Wolfgang Amadeus Mozart Ponte 1784 1786 1964
Lorin Maazel, Orchestre National de l'ORTF (Recorded 17th November, 1964, Studio 104, Maison de la Radio, Paris) Hilde Gueden sings the Countess's cavatina from the second act of The Marriage of Figaro. / Gueden was a famous interpreter of all three major soprano roles in The Marriage of Figaro (Cherubino, Susanna, and the Countess). In this televised concert she also sang the following arias: "Voi che sapete" (Cherubino): (http•••) "Giunse alfin il momento"..."Deh vieni, non tardar" (Susanna): (http•••) "E Susanna non vien"..."Dove sono" (Countess) (http•••) / The Marriage of Figaro (Italian: Le nozze di Figaro), is an opera buffa in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1st May, 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, "The Mad Day, or The Marriage of Figaro".
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