Zoltán Kodály Sonate für Violoncello und Klavier, Op. 4 Videos
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2024-03-23
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Zoltán Kodály Franz Liszt Hans Koessler Tales Béla Bartók Widor Claude Debussy Andrássy Kodály Franz Liszt Academy Music 1900 1905 1906 1907 1909 1910 1914 1915 1917 1923
Zoltan Kodaly, Born in Kecskemét, Kodály's father was a stationmaster and keen amateur musician, and Kodály learned to play the violin as a child. He also sang in a cathedral choir and wrote music, despite having little formal musical education. In 1900, Kodály entered the University of Budapest to study modern languages, and began to study music at the Franz Liszt Academy of Music in Budapest, where Hans Koessler taught him composition. One of the first people to undertake the serious study of folk tales, Kodály became one of the most significant early figures in the field of ethnomusicology. In 1905 he visited remote villages to collect songs recording them on phonograph cylinders. In 1906 he wrote the thesis on Hungarian folk song ("Strophic Construction in Hungarian Folksong"). Around this time Kodály met fellow composer Béla Bartók, whom he took under his wing and introduced to some of the methods involved in folk song collecting. The two became lifelong friends and champions of each other's music. After gaining his PhD in philosophy and linguistics, Kodály went to Paris where he studied with Charles Widor. There he discovered and absorbed various influences, notably the music of Claude Debussy. In 1907 he moved back to Budapest and gained a professorship at the Academy of Music there. He continued his folk music-collecting expeditions through World War I without interruption. Commemorative plaque in Andrássy Avenue, BudapestKodály had composed throughout this time, producing two String quartets (op.2, 1909 and op.10, 1917 respectively), Sonata for cello and piano (op.4, 1910) and Sonata for cello solo (Op. 8, 1915), and his Duo for violin and cello (op.7, 1914). All these works show a great originality of form and content, a very interesting blend of highly sophisticated mastery in the Western-European style of music, including classical, late-romantic, impressionistic and modernist tradition and at the other hand profound knowledge and respect for the folk music on Hungary, Slovakia, Bulgaria, Albania and other Eastern-European countries. Due to the outbreak of the First World War and subsequent major geopolitical changes in the region and partly because of the personal shyness Kodály had no major public success until 1923 when his Psalmus Hungaricus premiered at a concert to celebrate the fiftieth anniversary of the union of Buda and Pest (Bartók's Dance Suite premiered on the same occasion.) Following this success, Kodály travelled throughout Europe to conduct his music.
Chopin Rachmaninoff Grieg Gabriel Fauré Debussy Ravel Ennio Morricone Tchaikovsky Hwang Paul Hindemith Massenet Satie Astor Piazzolla Kodály Puccini Rimsky Korsakov Robert Schumann Reinhold Glière Shostakovich Bruch Schubert Popper György Ligeti
힌데미트 첼로소나타 No.3 Op.25 황주혜 첼로 Zenith-juhye Hwang Cello Paul Hindemith Sonata for Solo Cello, Op.25, No.3 1. Lebhaft, sehr markiert II. Mäßig schnell, Gemächlich III. Langsam IV. Lebhafte Viertel V. Mäßig schnell この世の全て,そしてただ一人でも欠かさず一緒に一つで感動するその日になるまで Until the day when everyone in the world was touched Please like and subscribe 좋아요와 구독은 감상자 자신과 아티스트의 성장에 큰 힘이 됩니다. 많이 많이 공유 부탁 드립니다. 감동은 공유 할 수록 커집니다 이 세상 모든 것 그리고 단 한사람도 빠짐 없이 다 함께 하나로 감동되는 그 날이 될 때까지 Zenith-juhye Hwang Cello 以下韓国チェリスト Zenith-juhye 이하 황주혜 첼로 차이코프스키 사계 중 10월 '가을의 노래' 첼로 Tchaikovsky October from The Seasons (http•••) TBN 경남 FM99.5 라이브 실황연주 Cinema Paradiso - Love Theme 0:01 사랑하기 때문에 유재하 7:01 (http•••) 플레잉 러브 엔니오 모리꼬네 Playing Love Ennio Morricone Cello (http•••) 모리스 라벨 죽은 왕녀를 위한 파반느 M. Ravel, Pavane pour une infante défunte (http•••) 드뷔시 달빛 첼로 Debussy Claire de lune Cello (http•••) Amor Dei 하나님 사랑 날 위하여 (http•••) 카사도 무반주 첼로 모음곡 1악장 G. Cassado Suite for Cello Solo 1st mov (http•••) 쇼팽 야상곡 2번 Chopin : Nocturne No.2 Op.9-2 (http•••) 드뷔시 아마빛 머리의 소녀 Debussy - La Filetaux Cheveux de Lin, (http•••) 바흐 무반주 첼로 소나타 1번 전주곡 그리그 솔베이지의 노래 노회찬을 다시 만나다 노회찬 2주기 추모문화제 연주 (http•••) 자클린의 눈물 오펜바흐 Les Larmes de Jacqueline (Jacqueline's Tears) Op.76 No.2/ (http•••) Love Story Cello Rachmaninoff Piano Concerto No.2 2nd mov 러브스토리 주제곡 첼로 라흐마니노프 피아노 협주곡 2번 2악장 첼로 (http•••) 라흐마니노프 피아노 협주곡 2번 2악장 Rachmaninoff Piano Concerto No. 2 2nd mov (http•••) 그리그 페르귄트 조곡 중 솔베이지의 노래 Grieg: Peer Gynt, Op. 23 / Act 3 - Solveig's Song (http•••) Intermezzo from Cavalleria Rusticana, 간주곡 까발레리아 루스티카나 (http•••) 포레 시실리안느 첼로 Gabriel Fauré - Sicilienne, for cello & piano, Op.78 (http•••) 포레 파반느 Gabriel Fauré - Pavane Op.5 cello (http•••) 타이스의 명상곡 Massenet Meditation from Thais (http•••) Amazing Grace 나 같은 죄인 살리신 (http•••) 에릭 사티 짐노페디 1번 Satie, Gymnopédies for Piano, No.1 (http•••) 오블리비언 피아졸라 Astor Piazzolla - Oblivion Cello (http•••) Jochebed's Song 요게벳의 노래 (http•••) Longing For Geumgang Mountain 그리운 금강산 - 한상억 작사 이수인 작곡 (http•••) 라흐마니노프 첼로 소나타 3악장 Rachmaninoff - Sonata for cello and piano in G minor op.19 3rd Mov (http•••) 코다이 무반주 첼로 소나타 Kodály: Sonata for Solo Cello, Op.8 - 1st Mov (http•••) 리게티 첼로 소나타 GYÖRGY LIGETI 1 Dialogo, Adagio, rubato, cantabile - Sonata for solo cello (http•••) 리게티 첼로 소나타 2악장 황주혜 첼로 GYÖRGY LIGETI - Sonata for Cello solo 2nd Mov (http•••) 프랑크 생명의 양식 Panis Angelicus Franck (http•••) Tchaikovsky 안단테 칸타빌레 Andante Cantabile for Cello and Piano (http•••) 쇼팽 녹턴 (야상곡) 제20번 Chopin Nocturne No.20 in C-Sharp Minor (http•••) Popper Elfentanz (Dance of the Elves for cello & piano, Op.39 Dance of the Elves Zenith-juhye Cello 포퍼 요정의 춤 Op.39 (http•••) G 선상의 아리아 , Can't Help Falling in love, 플레잉 러브 TBN 창원 FM99.5 라이브 실황 황주혜 첼로 구보라 피아노 (http•••) 쇼팽 첼로 소나타 G단조 Op.65 Chopin Cello Sonata gminor Op.65 (http•••) 슈베르트 아르페지오네 소나타 2악장 Schubert: Arpeggione Sonata 2nd Mov (http•••) 막스 브루흐 콜 니드라이, Op.47 M. Bruch Kol Nidrei, Op.47 (http•••) 쇼팽 첼로 소나타 g단조 Op.65 황주혜 첼로 진혜민 피아노 Chopin Cello Sonata gminor Op.65 ショパンチェロソナタ (http•••) 쇼스타코비치 첼로 협주곡 1번 Op.107 1악장 알레그레토 Shostakovich Cello Concerto No.1 op. 107 1st mov Allegretto (http•••) 주기도문 황주혜 첼로 진혜민 피아노 The Lord's Prayer Zenith-juhye Cello Hye-min Jin Piano 主の祈り (http•••) Chopin Cello Sonata g minor Op 65 3rd Mov 쇼팽 첼로 소나타 3악장 (http•••) 푸치니 투란도트 "Nessun dorma" from Turandot Cello (http•••) 글리에르 첼로와 피아노를 위한 발라드 Reinhold Glière: Ballade for Cello & Piano Zenith-juhye Cello Hye-min Jin Piano (http•••) 슈만 피아노와 첼로를 위한 환상적 소곡집 Schumann R.Fantasiestüke for Cello and Piano,Op.73 (http•••) 왕벌의 비행 첼로 무반주 림스키 코르사코프 Rimsky Korsakov Flight of the Bumble Bee (http•••) 카사도 무반주 첼로 모음곡 3악장 Cassado Suite for Cello Solo 3rd mov (http•••) 카사도 무반주 첼로 모음곡 1악장 Cassado Suite for Cello Solo 1st mov (http•••) 푸치니 오 나의 사랑하는 아버지 Puccini O Mio Babbino Caro Cello (http•••) 슈만 아름다운 5월에 시인의 사랑 제1곡 황주혜 첼로 김주은 피아노 Robert Schumann - Dichterliebe, Op. 48: Im wunderschönen Monat Mai cello (http•••)
Arranged from the Sonata for Cello and Piano by Warren Cohen, who is conducting the MusicaNova Orchestra with cellist Peter Eom, on October 23rd 2011 at the Scottsdale Center for the Performing Arts. An introduction to the work is on a separate video, which gives some history of the work. The cello part in this work differs significantly from the Cello Sonata. In order to make the work a Concerto, some of the piano filigree has been rewritten to be playable on the cello. The idea was to create a work that was about as difficult for the cellist as the Rachmaninoff Piano Concertos are for the pianist. Peter Eom said that is is very hard, and somewhat awkward, but that "it hurts less than the Kodaly Sonata, and is not quite as hard as that". A number of the big moments have the cello part transfered to the orchestra, with the cello part marked "ad lib", as the soloist will not be heard. Peter Eom plays in all these parts, and I imagine most other cellists would choose to do so as well. The idea throughout was that the cello line would always be audible, even if the cellist was not the one playing it! Peter Eom is the Principal Cello for the Phoenix Youth Symphony and a recent winner of the Alexander and Buono International String Competition. He is sixteen years old. Cellists, conductors and orchestras interested in the music can contact Warren Cohen at •••@•••. Score and parts are available.
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