Arthur Shepherd Videos
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2024-03-26
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Marga Richter Walter Trampler Ching Bentley Shepherd 1926 1962 1978 2018
Darkening of the Light for solo viola (1978) by Marga Richter (b. 1926) I Lento doloroso II del movimento precedente III Allegro risoluto IV Adagio V Allegramente VI Allegro con passione VII Allegro fervente VIII Allegro con fuoco IX Lento cantando 'Darkening of the Light', written in 1962 for renowned violist Walter Trampler, is a work with nine short interconnected movements. Each segment, from I-VIII, has its own character, from yearning to turmoil, even rage. Then, in movement IX, (a resolution of movement IV), comes quiet acceptance and peace. Six of the movements follow one another without a perceptible pause, making the work, in essence, one entity. The light has sunk into the earth: The image of Darkening of the Light. Wounding of the Bright. The Light is veiled, yet still shines. I Ching 36 Karen Bentley Pollick, viola New York Women Composers at the Chapel February 1, 2018 Chapel Performance Space at Good Shepherd Chapel Seattle, Washington (http•••) (http•••) Daniel Husser, Videographer
Percy Grainger Shore Shepherd Handel Mock Richard Hickox Bbc Philharmonic Orchestra 1919
Selection of orchestral works by Percy Grainger. 01. Youthful Suite - Northern March 00:00 02. Youthful Suite - Rustic March 06:40 03. Youthful Suite - Norse March 10:18 04. Youthful Suite - Eastern Intermezzo 19:19 05. Youthful Suite - English Waltz 21:13 06. Molly On The Shore 25:45 07. Irish Tune From Country Derry 29:58 08. Shepherd's Hey! 33:42 09. Country Gardens 35:43 10. Early One Morning 38:05 11. Handel In The Strand 41:40 12. Mock Morris 45:42 13. Dreamery 49:05 14. The Warriors 55:46 Richard Hickox BBC Philharmonic Orchestra
Shepherd Schroeder Wand Montgomery Thomas Koschat Alfie Boe Renée Fleming Bryn Terfel Stokes Mormon Tabernacle Choir Musikverein Bozar Carnegie Hall Lincoln Center Disney Hall 1771 1845 1854 1914
The Tabernacle Choir at Temple Square Sing, The Lord Is My Shepherd - Psalm 23 Lyrics. Instrumental flute, harp, oboe music solos by Jeannine Goeckeritz, Tamara Oswald, and Bonnie Schroeder. Arranged and conducted by Mack Wilberg. April Annual General Conference. The Tabernacle Choir at Temple Square, formerly known as the Mormon Tabernacle Choir. (http•••) (http•••) (http•••) Song Lyrics to The Lord is My Shepherd Classic Epic Hymn 1. The Lord is my Shepherd; no want shall I know. I feed in green pastures; safe-folded I rest. He leadeth my soul where the still waters flow, Restores me when wand’ring, redeems when oppressed, Restores me when wand’ring, redeems when oppressed. 2. Thru the valley and shadow of death though I stray, Since thou art my Guardian, no evil I fear. Thy rod shall defend me, thy staff be my stay. No harm can befall with my Comforter near. No harm can befall with my Comforter near. 3. In the midst of affliction my table is spread. With blessings unmeasured my cup runneth o’er. With perfume and oil thou anointest my head. Oh, what shall I ask of thy providence more? Oh, what shall I ask of thy providence more? Text: James Montgomery, 1771–1854; based on Psalm 23 Music: Thomas Koschat, 1845–1914 Jeannine Goeckeritz and Tamara Oswald are principal flute and principal harp with the Orchestra at Temple Square where they perform, record and tour with the Tabernacle Choir at Temple Square (formerly the Mormon Tabernacle Choir). They have performed at venues such as Berlin Philharmonie, Musikverein, Bozar Centre For Fine Arts, Carnegie Hall, Lincoln Center, Ravinia, Disney Hall, Wolftrap, Chautauqua, Red Rocks, and the historic Salt Lake Tabernacle. Performances include the weekly international broadcast of Music and the Spoken Word and the annual PBS Christmas Specials of the Tabernacle Choir and Orchestra at Temple Square with featured headline artists such as Alfie Boe, Natalie Cole, Sissel, The King's Singers, Renée Fleming, Bryn Terfel, Frederica Von Stada, Brian Stokes Mitchell, Kristin Chenoweth and Sesame Street Muppets. To learn more about Jeannine Goeckeritz and her music go to: ► Website: (http•••) ► iTunes: (http•••) ► Amazon: (http•••) ► Facebook: (http•••) #comedreamwithme
Adam Hunchback Coussemaker Shepherd Fétis Julien Tiersot Hale Rondeau Opéra Comique 1240 1896
Adam de la Halle, (1240–1287), also known as Adam le Bossu (Adam the Hunchback), was a French trouvère, poet and musician. Adam's literary and musical works include chansons and jeux-partis (poetic debates) in the style of the trouvères; polyphonic rondel and motets in the style of early liturgical polyphony; and a musical play, Jeu de Robin et Marion (c. 1282–83), which is considered the earliest surviving secular French play with music. He was a member of the Confrérie des jongleurs et bourgeois d'Arras. A, "le Bossu d'Arras" and "Adam d'Arras", suggest that he came from Arras, France. The sobriquet "the Hunchback" was probably a family name; Adam himself points out that he was not one. His father, Henri de la Halle, was a well-known Citizen of Arras, and Adam studied grammar, theology, and music at the Cistercian abbey of Vaucelles, near Cambrai. Father and son had their share in the civil discords in Arras, and for a short time had been destined for the church, but renounced this intention, and married a certain Marie, who features in many of his songs, rondeaux, motets and jeux-partis. Afterwards he joined the household of Robert II, Count of Artois; and then was attached to Charles of Anjou, brother of Louis IX, whose fortunes he followed in Egypt, Syria, Palestine, and Italy. At the court of Charles, after Charles became king of Naples,Adam wrote his Jeu de Robin et Marion, the most famous of his works. Adam's shorter pieces are accompanied by music, of which a transcript in modern notation, with the original score, is given in Coussemaker's edition. His Jeu de Robin et Marion is cited as the earliest French play with music on a secular subject. The pastoral, which tells how Marion resisted the knight, and remained faithful to Robert the shepherd, is based on an old chanson, Robin m'aime, Robin m'a. It consists of dialogue varied by refrains already current in popular song. The melodies to which these are set have the character of folk music, and are more spontaneous and melodious than the more elaborate music of his songs and motets. Fétis considered Le Jeu de Robin et Marion and Le Jeu de la feuillée forerunners of the comic opera. An adaptation of Le Jeu Robin et Marion, by Julien Tiersot, was played at Arras by a company from the Paris Opéra-Comique on the occasion of a festival in 1896 in honour of Adam de le Hale. His other play, Le jeu Adan or Le jeu de la Feuillee (ca. 1262), is a satirical drama in which he introduces himself, his father and the citizens of Arras with their peculiarities. His works include a congé, or satirical farewell to the city of Arras, and an unfinished chanson de geste in honour of Charles of Anjou, Le roi de Secile, begun in 1282; another short piece, Le jeu du pelerin, is sometimes attributed to him. His known works include thirty-six chansons (literally, "songs"), forty-six rondets de carole, eighteen jeux-partis, fourteen rondeaux, five motets, one rondeau-virelai, one ballette, one dit d'amour, and one congé. Please subscribe: Por favor, subscreva: (http•••)
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