Frédéric Chopin Nocturne, Opp. 9 Videos
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Maria Ivogün Meyerbeer Verdi Brunswick Massenet Lark Shakespeare Schubert Kreisler Eckert Arditi Chopin Tosti Odeon 1891 1917 1919 1923
Maria Ivogün II * 18. November 1891 Budapest Ihr edlen Herrn allhier Arie des Pagen Urban aus "Die Hugenotten" (Meyerbeer) Aufgenommen 1919 Odeon LXX 76997 (Matr. Nr. XXB 6384) 2. Version Teurer Name dessen Klang (ital. ges.) Arie der Gilda aus "Rigoletto" (Verdi) Aufgenommen 1923 Brunswick 50081 B Je marche sur tons les chemins Szene der Manon manon" (Massenet) Aufgenommen 1923 Brunswick 50081 A Charmant Oiseau Arie aus "Perle du Bresil" (David) Aufgenommen 1923 Brunswick 30101 A Lo, here the gentle lark (Bishop-Shakespeare) Aufgenommen 1923 Brunswick 10174 B Horch! Horch! die Lerch (Schubert-Shakespeare) Aufgenommen 1923 Brunswick 10119 A Die Post (Schubert-Müller) Aufgenommen 1923 Brunswick 10119 B G’schichten aus dem Wiener Wald, Walzer (Strauß) Aufgenommen 1923 Brunswick 30107 A An der schönen blauen Donau, Walzer (Strauß) Aufgenommen 1923, Brunswick 10174 A O schöner Mai, Walzer (strauß) Aufgenommen 1923 Brunswick 50050 B : (30105 B) Liebesfreud (Kreisler) Aufgenommen 1923 Brunswick 50050 A : (30105 A) Schweizer Echolied (Eckert) Aufgenommen 1923 Brunswick 30107 B II Bacio (Arditi) ital ges. Aufgenommen 1923 Brunswick 30101 B Vilanelle (del Acqua) franz. ges. Aufgenommen 1917 Odeon XX 76981 (Matr. Nr. XXB 6331) Nocturne (Chopin-Tosti) . Aufgenommen 1917 Odeon LXX 76975 (Matr, Nr. XXB 6332)
Chopin Eugene George Istomin Isaac Stern Leonard Rose Martinez Pablo Casals Jovanovich 1925 1955 1975 1980 2003
Columbia Masterworks ML 5054 Eugene George Istomin (November 26, 1925 – October 10, 2003) was an American pianist. He was famous for his work in a piano trio in which he collaborated with Isaac Stern and Leonard Rose. He married Marta Montañez Martinez (Marta Casals Istomin), the widow of Pablo Casals, on February 15, 1975. She is a former president of the Manhattan School of Music and former artistic director of the Kennedy Center for the Performing Arts in Washington, D.C. He moved to Washington in 1980. He was an avid reader and book collector and, eventually, attracted the interest of New York publishing magnate, William Jovanovich. In 1980, Istomin was hired by Harcourt Brace Jovanovich Publishers to advise the company in the publication of facsimile editions of original editions by Joseph Conrad and Thomas Hardy, among others. In the 1980s and 1990s, he toured 30 American cities—largely in the Midwest—in a twelve-ton truck with his own Steinway pianos and piano tuner. It was the expression of a lifelong conviction that classical music belonged to the ordinary American. In this same vein, he was an ardent fan of the Detroit Tigers baseball team. 유진 이스토민(Eugene Istomin, 1925년 11월 26일 ~ 2003년 10월 10일)은 뉴욕 시에서 태어난 미국의 러시아계 피아니스트이다. יוּגִ'ין ג'וֹרְג' איסְטוֹמִין (באנגלית: Eugene George Istomin; 26 בנובמבר 1925 - 10 באוקטובר 2003) היה פסנתרן אמריקאי שהתפרסם בעבודתו בשלישיית הפסנתר שנודעה בשם " שלישיית איסטומין-שטרן-רוז". ユージン・ジョージ・イストミン(Eugene George Istomin, 1925年11月26日 - 2003年10月10日)は20世紀を代表するアメリカ合衆国のピアニストである。 Юджин (Евгений) Георгиевич Истомин (р. 26 ноября 1925, Нью-Йорк — у. 10 октября 2003, Вашингтон) — американский пианист.
Vladimir Samoylovich Horowitz Chopin Bach Debussy Schumann Alexander Scriabin Sergei Rachmaninoff Tchaikovsky Thomas Beecham Liszt Toscanini Brahms Scarlatti Haydn Clementi Beethoven Samuel Barber Prokofiev Kabalevsky Schonberg Carnegie Hall 1757 1903 1915 1925 1928 1932 1933 1936 1940 1950 1953 1965 1985 1987 1989
LIKE and SUBSCRIBE for more videos ! (http•••) SUBSCRIBE to my PATREON ! → (http•••) Vladimir Horowiz : Carnegie Hall Rehearsal, 7 January 1965 (Bach, Chopin, Debussy, Schumann, Conversations etc...) Performer : Vladimir Horowitz, piano Date : 7 January 1965 Place : Carnegie Hall Program : Rehearsal 00:00 Horowitz improvising 03:24 Conversation and Horowitz testing the piano 05:24 Horowitz improvising II 10:31 Conversation I 11:28 Bach : Toccata Adagio and Fugue in C Major, BWV 564, I Preludio 17:57 II Intermezzo Adagio 22:15 III Fuga Moderamente scherzando un poco umoristico 27:19 Conversation II 28:15 Chopin - Polonaise Fantaisie in A Flat Major Op. 61 41:19 Conversation III 41:42 Debussy : Etudes Livre II No. 11 Pour les arpeges composés 45:45 Conversation IV 47:12 Schumann : Fantasie in C Major Op. 17 I Durchaus phantastisch und leidenschaftlich vorzutragen fragment 58:08 Conversation V 58:24 Chopin : Nocturne No. 15 in F Minor Op. 55 No. 1 BIOGRAPHY The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev. Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism. He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.” Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41. Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky. Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older. Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever. In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism. Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events. The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall. But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio. A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff. The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow. In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
Fryderyk Chopin Tomasz Ritter Ritter Pleyel Franz Schubert Beethoven Kawai 1727 1770 1796 1797 1810 1823 1828 1836 1840 1847 1849 2018
Wir sind es gewohnt, dass uns die Musik vergangener Epochen auf modernen Instrumenten präsentiert wird. Das 3. Chopin Festival nimmt Sie mit auf eine Klangreise in das 19. Jahrhundert - die Zeit Chopins, seiner Zeitgenossen und der berühmten Konzertsalons. Mehr Informationen unter www.chopin-festival.de »Mittagskonzert am Pleyel-Flügel« Tomasz Ritter Pleyel (1847) Werke von F. Schubert, L. van Beethoven, F. Chopin Unterstützen Sie die Chopin-Gesellschaft Hamburg & Sachsenwald e.V. mit Ihrer Spende unter (http•••) 2018 gewann der polnische Nachwuchspianist Tomasz Ritter im Alter von 23 Jahren in Warschau den ersten Internationalen Chopin-Wettbewerb auf historischen Klavieren. Mit vielen Preisen ausgezeichnet steht der Ausnahmemusiker mit Schwerpunkt auf historischen Tasteninstrumenten seitdem am Beginn einer großen internationalen Karriere und spielte bereits auf mehreren Kontinenten; von Kritikern und Publikum begeistert gefeiert. (http•••) Programm: Pleyel, Paris 1847 Ludwig van Beethoven (1770–1727) Sonata F-Dur op. 10 Nr. 2 (1796–98) Allegro | Allegretto | Presto Fryderyk Chopin (1810–1849) Nocturne Des-Dur op. 27 Nr. 2 (1836) Fryderyk Chopin (1810–1849) Ballade Nr. 3 As-Dur op.47 (1840/41) Franz Schubert (1797–1828) Sonata a-Moll Nr. 14 D 784 (1823) Allegro giusto | Allegro vivace | Andante Das 3. Chopin Festival Hamburg ist eine Veranstaltung der Chopin-Gesellschaft Hamburg & Sachsenwald e.V. Schirmherrschaft durch Prof. Andrzej Przyłębski, Botschafter der Republik Polen in Berlin. Ermöglicht wird das Livestream-Konzerterlebnis durch ORLEN Deutschland und ihre star-Tankstellen - offizieller Hauptsponsor und Auftankpartner, KAWAI Europa und der Hans Brökel Stiftung für Wissenschaft und Kultur. Wir danken außerdem der Hochschule für Musik und Theater Hamburg sowie dem Museum für Kunst und Gewerbe Hamburg.
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- The greatest works for soloist
- Essential works: romantic era
- Indexes (by alphabetical order): N...