Maurice Ravel Danse guerrière, Op. 57a No. 3 Videos
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2024-04-23
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Swr Sinfonieorchester Baden Baden Freiburg Maurice Ravel Ernest Bour 2018
Provided to YouTube by NAXOS of America Daphnis et Chloé Suite No. 1, M. 57a "Fragments symphoniques": III. Danse guerrière · SWR Sinfonieorchester Baden-Baden und Freiburg Ravel: Orchestral Works ℗ 2018 SWR Classic Released on: 2018-05-11 Orchestra: SWR Sinfonieorchester Baden-Baden und Freiburg Conductor: Ernest Bour Composer: Maurice Ravel Auto-generated by YouTube.
Maurice Ravel Lionel Bringuier Tonhalle Orchester Zürich Sing Akademie 2016
Provided to YouTube by Universal Music Group Ravel: Daphnis et Chloé, Symphonie chorégraphique, M. 57 / Tableau II (Camp des pirates) - 8. Danse guerrière · Tonhalle-Orchester Zürich · Lionel Bringuier · Zürcher Sing-Akademie Ravel: Complete Orchestral Works ℗ 2016 Tonhalle-Orchester Zürich, under exclusive license to Deutsche Grammophon GmbH, Berlin Released on: 2016-04-08 Producer: Chris Hazell Studio Personnel, Recording Engineer: Simon Eadon Studio Personnel, Asst. Recording Engineer: Dave Rowell Composer: Maurice Ravel Auto-generated by YouTube.
Bernard Haitink Ravel Fleming 2016
Find out more about the Royal College of Music at (http•••) The RCM Symphony Orchestra and Chorus, conducted by Bernard Haitink, perform Ravel's evocative ballet score Daphnis et Chloe. Haitink visited the Royal College of Music, London, in November 2016, conducting two sell-out performances in the Amaryllis Fleming Concert Hall. Discover the Royal College of Music's exciting performances and events at (http•••) Part 1 Introduction et Danse religieuse 0:00 Danse générale 11:26 Danse grotesque de Dorcon 13:00 Danse légère et gracieuse de Daphnis 14:58 Danse de Lycéion 19:45 Danse lente et mystérieuse des Nymphes 24:54 Part 2 Introduction 28:18 Danse guerrière 30:50 Danse suppliante de Chloé 36:01 Part 3 Lever du jour 42:19 Pantomime (Les amours de Pan et Syrinx) 47:16 Danse générale (Bacchanale) 54:48
Joseph Maurice Ravel Charles Dutoit Hutchins Stravinsky Orchestre Symphonique Montréal 1875 1909 1912 1937 1980
- Composer: Joseph-Maurice Ravel (7 March 1875 / 28 December 1937) - Orchestra: Orchestre Symphonique de Montréal - Choir: Montreal Symphony Orchestra Chorus - Conductor: Charles Dutoit - Soloist: Timothy Hutchins (flute) - Year of recording: 1980 Daphnis et Chloé, ballet for orchestra, written in 1909-1912. Part I (Une prairie а la lisiére d'un bois sacré) 00:00 - 01. Introduction et Danse religieuse 10:20 - 02. Danse générale 11:51 - 03. Danse grotesque de Dorcon 13:46 - 04. Danse légère et gracieuse de Daphnis 18:11 - 05. Danse de Lycéion 23:10 - 06. Danse lente et mystérieuse des Nymphes (Nocturne) Part II (Camp des pirates) 29:08 - 07. Introduction 29:22 - 08. Danse guerrière 33:45 - 09. Danse suppliante de Chloé Part III (Paysage du première 1er tableau, а la fin de la nuit) 39:33 - 10. Lever du jour 45:06 - 11. Pantomime (Les amours de Pan et Syrinx) 52:39 - 12. Danse générale (Bacchanale) Many consider Daphnis et Chloé, a symphonie choréographique in three scenes, to be Maurice Ravel's greatest work. The label may not really be a fair one; there were so many different Maurice Ravels throughout his life, each with a different set of musical goals, each exploring different musical worlds, that it is not right to assign the label of life masterpiece to the top work of any one of those periods, over the top works of all the others, just because it happens to be longer, more ambitious, and easier to access. But Daphnis et Chloé is certainly one of the most colorfully, intricately, and in a very immediate, almost physical sense, beautifully scored works ever written; if one were to assign pre-eminent status to any of Ravel's works solely on the basis of orchestration, this ballet would, without a doubt, be the one selected for the honor. There may be no more skillfully orchestrated work in all the twentieth century repertoire (Stravinsky's work included) and whole shelves of orchestration textbooks could be eliminated without loss by simply replacing them with an astute examination of this score. Daphnis et Chloé was composed between 1909 and 1912, after a commission by Diaghilev and the Ballets Russes, and is a setting of a scenario adapted by Mikhail Fokine from the Greek work of the same name by Longus. It was premiered on 8 June 1912. The performance was not well prepared, and few people took note of Ravel's piece. Two orchestral suites derived from the score, however, did make a splash when Ravel brought them out just a short time after (especially the Suite No. 2, which is probably still Ravel's most often-played work). Ravel was always far more interested in reproducing traditional musical forms and structures than he was in achieving the kind of sonic soundscapes that get rather callously lumped together as impressionist music; Daphnis et Chloé is, section-by-section, built along firmly classical lines (Ravel was extremely proud of the fact). Even the famous sunrise music at the opening of the third scene, with its scintillating thirty-second notes strewn about the orchestra and bright chirrups from the flute and piccolo flute and ecstatic, rising melody, has nothing in it that might be called progressive or even especially innovative in a technical sense, though certainly nothing written before it sounds even remotely like it. This was the essence of Ravel's genius: the ability to take the old and make it somehow sound completely new and different. Whether Daphnis et Chloé is Ravel's greatest achievement may be an irrelevant question: from the very first call of the backstage choir, distant and brought forth from an ancient world of shepherds and nymphs, to the rhythmic revelry of the final dance, it is proof on paper of Ravel's astounding capacity to fuse diverse elements into an astonishing new whole.
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