Pyotr Ilyich Tchaikovsky 6 Melodies, Opp. 38 Videos
Last update
2024-04-23
Refresh
Pyotr Ilyich Tchaikovsky Jan Mráček Fritz Kreisler Jiří Bělohlávek Czech Philharmonic Prague Radio Symphony Orchestra 2011 2021
Sólistou večera je Jan Mráček. Nejmladší laureát Mezinárodní hudební soutěže Pražského jara a vítěz prestižní Mezinárodní houslové soutěže Fritze Kreislera ve Vídni se stal na pozvání Jiřího Bělohlávka koncertním mistrem České filharmonie. V roce 2011 byl také vůbec nejmladším sólistou, který kdy vystoupil se Symfonickým orchestrem Českého rozhlasu. Od té doby s tělesem spolupracuje pravidelně, tentokrát společně provedou Koncert pro housle a orchestr D dur, virtuózní dílo plné krásných melodií, ruského klasika Petra Iljiče Čajkovského. Symfonický orchestr Českého rozhlasu - socr.rozhlas.cz Studio 1 Českého Rozhlasu, 22. 2. 2021 Robert Jindra – dirigent Jan Mráček – housle The evening's soloist is Jan Mráček. The youngest laureate of the Prague Spring International Music Competition and winner of the prestigious International Fritz Kreisler Competition in Vienna became the concertmaster of the Czech Philharmonic at the invitation of Jiří Bělohlávek. In 2011 he was also the youngest soloist to ever perform with the Prague Radio Symphony Orchestra. Since then he has worked with the orchestra. This time they will join forces to present the Concerto for Violin and Orchestra in D major, a virtuosic work full of gorgeous melodies by the Russian classic Pyotr Ilyich Tchaikovsky. Prague Radio Symphony Orchestra – prso.czechradio.eu Czech Radio's Studio 1, Prague – 22 February 2021 Robert Jindra – conductorJan Mráček – violin Created by Profishot
Pyotr Ilyich Tchaikovsky Igor Stravinsky 1888 1916
Pyotr Ilyich Tchaikovsky: "The Sleeping Beauty" Suite Op. 66a, TH 234 (with Score) Composed: 1888-89 Conductor: Andrew Mogrelia Orchestra: Philharmonia Cassovia 00:00 1. Introduction. La Fée des Lilas [Prologue, Introduction and No. 4] 05:37 2. Adagio. Pas d'acion [Act 1, No. 8a] 12:14 3. Pas de caractère [Act 3, No. 24] 14:34 4. Panorama [Act 2, No. 17] 19:16 5. Valse [Act 1, No. 6] Although this suite can take many forms according to the whims of the conductor, it almost always includes the following three pieces. Most famously, there's the waltz from Act 1. After an exciting, anticipatory introduction, the bright, gently swaying waltz itself begins in the strings, with a second, more staccato strain punctuated by brass chords. The principal melody reappears against chirping figures in the woodwinds, only to give way to a charming episode for flute and glockenspiel. The entire waltz, minus the introduction, is then repeated, and ends with a festive coda. The so-called Rose Adagio is also drawn from Act 1. It opens with brief woodwind commentary, then one of Tchaikovsky's typically effusive harp solos. The main theme, for the violins, is one of the composer's most effective "happy-but-yearning" melodies. The mood becomes more melancholy and uncertain, and melodic fragments become building blocks of intensity, ascending to an even more passionate statement of the melody. Delicate lyrical wisps wave through the woodwinds in a long transitional passage that leads to the most ardent treatment of the main theme yet, now with cymbal crashes and a brass peroration. The third critical excerpt from the ballet is the Act 3 pas de quatre, sometimes known by the name of its most impressive section, the Bluebird Pas de Deux. The whole episode sometimes circulates separately in a reorchestration by Igor Stravinsky. The original begins with the flute and clarinet echoing the phrases of a cheerful, ornithologically darting melody, although the other woodwinds and violins briefly intrude with more somber material. The birdsong returns, now with a little coda. The next section is a short but big, brassy waltz, followed by a swooping flute melody accompanied by the clarinet, which is soon taken up by the whole orchestra. The final section is a dizzy calliope-like theme for strings and woodwinds that builds intensity upon each brief repeat, culminating in a brilliant though not drawn-out conclusion.
Michael Tilson Thomas Joshua Bell Pyotr Ilyich Tchaikovsky Berlin Philharmonic Orchestra 2005
Provided to YouTube by Sony Classical Sérénade mélancolique, Op. 26, TH 56 · Michael Tilson Thomas · Joshua Bell · Berlin Philharmonic Orchestra · Pyotr Ilyich Tchaikovsky · Berliner Philharmoniker Tchaikovsky: Violin Concerto, Op. 35; Mélodie; Danse russe from Swan Lake, Op. 20 (Act III); Serenade melancolique (German Version) ℗ 2005 SONY BMG MUSIC ENTERTAINMENT Released on: 2005-04-25 Producer: Andrew Keener Auto-generated by YouTube.
Royal Philharmonic Orchestra Kazuhiro Koizumi Pyotr Ilyich Tchaikovsky 1993
Provided to YouTube by IIP-DDS Fantasy Overture 'Romeo & Juliet' · Royal Philharmonic Orchestra · Kazuhiro Koizumi Glorious Melodies of Tchaikovsky, Vol 1 ℗ Imp Released on: 1993-01-01 Artist: Kazuhiro Koizumi Composer: Pyotr Ilyich Tchaikovsky Artist: Royal Philharmonic Orchestra Auto-generated by YouTube.
or
- The greatest classical songs and lieder
- Essential works: romantic era
- Indexes (by alphabetical order): 6...