Pérotin Nativitas Videos
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2024-03-29
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Notre Dame Paris Ensemble Organum Pérotin Léonin Fons
Gothic polyphony ☧ Performed by Ensemble Organum, directed by Marcel Pérès ↓↓↓ 1 - Conduït : "Beata viscera Marie Virginis" (Pérotin) 00:00:00 2 - Conduït : "Deus misertus hominis" (Pérotin) 00:09:23 3 - Introït : "Salve sancta parens" (plain-chant) 00:13:34 4 - Kyrie (plain-chant) 00:18:04 5 - Graduel : "Benedicta et venerabilis" (Léonin) 00:23:57 6 - Alleluïa : "Nativitas gloriose virginis Marie" (Léonin) 00:38:38 7 - Offertoire : "Diffusa est gratia in labiis tuis" (plain-chant) 00:50:58 8 - Préface (plain-chant) 00:53:35 9 - Sanctus : "Sanctorum exultatio" 00:56:34 10 - Agnus Dei : "Fons indeficiens pietatis" 01:02:42 11 - Communion : "Beata viscera Marie virginis" (plain-chant) 01:07:58 12 - Benedicamus Domino (Léonin) 01:10:50
Perotin Magister Léonin Mayer Hilliard Ensemble 1200
Pérotin (fl. c. 1200), also called Perotin the Great, was a European composer, believed to be French, who lived around the end of the twelfth and beginning of the 13th century. He was the most famous member of the Notre Dame school of polyphony. He was one of very few composers of his day whose name has been preserved, and can be reliably attached to individual compositions; this is due to the testimony of an anonymous English student at Notre Dame known as Anonymous IV, who wrote about him and his predecessor Léonin. Anonymous IV called him "Perotin Magister", which means "Pérotin the master or expert." The name Pérotin is itself derived from "Perotinus," the Latin diminutive of Petrus, the Latin version of the French name Pierre./ "Alleluia nativitas" Choral Alleluya V. Nativitas gloriose virginis is a three-part organum, which is attributed to the medieval French composer Perotinus (fl c.1200), who is also known as Pérotin. Written for three male voices, it contains many common aspects of organa composition, including particularly the frequent and interweaving juxtaposition of intervalic consonance with extreme discord. Following the tradition of tropes and sequences in the 10th and 11th centuries, organa were composed for feast days. They were used in both the Offices (small services held throughout the day) and the Ordinary of the Mass (The part of the mass that could use changeable texts). Alleluya Nativitas forms the Alleluia from the Mass of the Nativity of the Blessed Virgin Mary, which is celebrated on September 8. As such, it consists of an the sung word "Alleluia" followed by three verses (the first line of which is "Nativitas gloriose virginis") ~ All Music Guide Performed : The Hilliard Ensemble/ Images : - A page from Pérotins Alleluia nativitas - Magnificent monumental 19th century German stained Glass Windows By Mayer of Munich.
Deller Philippe Chancelier Vaillant Solage Matheus Perusio Guillaume Machaut Grimace Deller Consort Conductus 1200 1300 1400
THE DELLER CONSORT Music of the french and italian renaissance CD 1: Sacred and Secular Music of Medieval France the complete Vanguard recordings 01 - Anon. c.1200- Pater noster commiserans (Conductus) 02 - Anon. c.1200 (now attr. to Philippe le Chancelier)- Dic Christi vernal (Condu... 03 - Anon. c.1200- Alleluja Christus resurgens with clausula, 'Mors' (Hallelujah f... 04 - Perotin- Alleluja Nativitas (Hallelujah for the Feast of the Birth of Mary, c... 05 - anon. c.1280- Hoquetus 'in seculum' 06 - anon. c.1280- Amor potest conqueri 07 - anon. c.1300- In seculum d'Amiens longum 08 - anon. 13c.- El mois de mai 09 - anon. 14c- La Manfredina 10 - Jehan Vaillant- Par maintes foys 11 - Solage- Pluseurs gens voy 12 - Matheus de Perusio- Ne me chant 13 - Guillaume de Machaut- S'il estoit 14 - Guillaume de Machaut- Comment qu'a moy 15 - Matheus de Perusio- Andray soulet 16 - anon. c.1400- Or sus vous dormez trop 17 - Solage- Helas je voy 18 - Magister Grimace- Alarme, alarme
Pérotin (fl. c. 1200): Alleluia Nativitas (organum triplum, three voices). Pérotin was a European composer, believed to be French, of the medieval period. He was one of the earliest composers of polyphonic music, a pioneer of the 3- and 4- voice organum styles. This is one of Pérotin's most famous compositions, and one of only a handful of medieval music known today that we can attribute to a certain composer. The Alleluia Nativitas is still performed and recorded frequently in the present day. In this synthesized rendition, A4 is pitched at 428Hz. Each instrument corresponds to a color in the scrolling display (Red: sax; Green: horn(1); Blue: horn(2)). Red is panned to the right; blue is panned to the left; the drone is centered. Our Matlab synthesizer interpreted the RGB image on screen and generated this excerpt of organum by Pérotin.