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2024-03-27
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2022-02-10 08:29:11
[…] Marc Antoine Millon, Dorothea Hofmann, Roger Steptoe, Gualtiero Dazzi, Frédéric Bousquet, Jean-Michel Hasler, Karol Beffa, Camille Pépin, Kaija Saariaho, Thomas Keck, Sofia Gubaidulina and Raphaël Imbert. For the second concert in the series, on 10 March 2022, the French ensemble L'hostel dieu transports us to 17th century London. With mezzo-soprano Axelle Verner they perform music by Purcell, Playford, Lanier, Eccles, and Locke. Then on 14 April, Ensemble Diabolus in Musica conducted by Nicolas Sansarlat and Ensemble Alla Francesca conducted by Brigitte Lesne, join forces to transport us to 12th century Paris with Notre-Dame, the voice of cathedrals, mixing plainchant, music from the 12th century Notre Dame school with other music from the period. Further ahead, there is a tribute to Marcel Proust on the centenary of his death, a concert that mixes French contemporary and 20th century music with traditional music from the British Isles, and a song recital from soprano Marie-Laure Garnier […]
2014-08-18 14:38:00
Listening to music, and I mean listening hard, alters the music
The guy who writes the music-themed blog On An Overgrown Path is a bit of an obsessive, but I like that. The entry for 14 August happily happens to chime with a number of my own obsessions. Listening to music, and I mean listening hard, alters the music, and preparing to listen makes it twice as strange. And wonderful.That post by Brian Connor on his blog From a far place appealed to me, because not only does it sum up nicely what I have been saying On An Overgrown Path over the last ten years, but it also hints at the huge untapped potential of the lost art of listening. My own recent listening - and I mean listening hard - has included Bridgettine Chant from Vox Silentii. Birgitta Birgersdotter (1303-1373) of Sweden was a visionary and founder of the Bridgettine monastic order of contemplative nuns: she was canonized in […]
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EarlyMusicNews.org
2012-04-01 02:00:00
(FR) Ensemble Alla Francesca
Internationally recognized for the quality of its performances and the originality of its projects, Alla Francesca figures among groups who strive to discover and interpret repertoire in the best of conditions. The interpretation, both lively and poetic, is the result of a long process of maturation, research and exchange, a music test of performance practice, with a real sense of collaboration and contact with the public.
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