New Zealand-based chamber music ensemble
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Australasian Piano Trios (Ogen, Benaud and New Zealand Trios)
Ahi 01 - 03 John Psathas: Island Songs, for piano trio (1996) [13'02]04 Martin Lodge: Summer Music (2001) [7'04]05 - 08 Gareth Farr: Ahi 'Fire' (2003) [15'15]09 - 14 David Griffiths: Six Watercolours for baritone & piano trio^ (1994) [17'16]15 Michael Williams: Behind the Parapet, for piano trio & electronics# (2005) [10'40]16 - 18 John Psathas: Island Songs, for clarinet, cello and piano (1995)* [12'45]Peter Scholes- clarinet*; David Griffiths- baritone^; Michael Williams- electronics#; The Ogen Trio [Katherine Austin-piano, Dimitri Atanassov- violin, James Tennant-cello]Atoll ACD108 [recording date unknown; CD issued in 2008][digital download; cover and inlay scans - no booklet]Recording venue: The Academy of Performing Arts, University of Waikato, Hamilton, NZ Recording engineer: Paul McGlashan; Producer: Wayne LairdThe Ogen Trio now forms part of New Zealand Chamber Soloists. All of the above works (apart from the first version of Three Island Songs) were written for, and premiered by, The Ogen Trio.World Premieres01 […]
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Faces of classical music
2019-07-14 13:25:00
The best new classical albums: July 2019
[…] University of Waikato, in Hamilton NZ, Katherine Austin was the winner of the inaugural New Zealand Young Musician of the Year competition and the NZ National Piano Award, both in 1982. Her principal mentors included Janetta McStay, Bryan Sayer and Irina Zaritskaya. She has performed as soloist in NZ with all the major orchestras including the NZSO and Auckland Philharmonia, and performs regularly in Europe, Australasia, China and the Americas as the pianist of the New Zealand Chamber Soloists and the Tennant-Austin Duo. Between 2008 and 2016 Katherine and Santiago have performed in over 100 concerts together.Shostakovich composed the Sonata Op.40 in 1934, a few months after the original version of his controversial Lady Macbeth of Mtsensk was produced in Leningrad. Stung by the cruel official disapproval of his "decadent" opera, Shostakovich practically abandoned stage and film composition, devoting himself to instrumental music. On Christmas day of that year he […]
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