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2024-04-23
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2021-01-14 15:00:23
The Lady Eve
For nearly 70 years, New York City was the world capital of concert opera thanks first to the American Opera Society, then to Eve Queler’s Opera Orchestra of New York.
2020-09-11 16:42:27
La Dame Blanche
Renée Fleming takes on the title role of Boieldieu’s La Dame Blanche with Opera Orchestra of New York at Carnegie Hall.
2019-06-18 03:26:00
Janacek - Jenufa
Leo Janacek (1858 - 1928) Gabriela Benackova- Leonie Rysanek Wieslaw Ochman - Peter Kazaras Opera Orchestra of New York dir: Eve Queler Bis ( 1988/89) 449/450 2 CD Stereo DDD (excellent sound) Recorded live at the Carnegie Hall, March 30, 1988 [flac & cue, cover, inlays, booklet & disc scans] I can fully understand the reactions described below regarding the effect that Rysanek had on the audience. I was lucky to see her once in my life as Klitemnestra for Hildegard Behrens' Elektra and I will never forget her. The combination of her huge voice with her magnetic scenic presence provoked a visceral reaction of the public where she appeared. I had the same reaction, it was like a catharsis and I was hoarse from yelling brava! like a man possessed. Reviews "I was lucky enough to be inside […]
2018-10-20 23:00:00
Verdi - Aroldo - Caballé
Giuseppe Verdi AROLDO (1857)Monserrat Caballé,Gianfranco CeccheleJuan Pons, Louis LebherzOratorio Society of New YorkWestchester Choral SocietyOpera Orchestra of New Yorkdir : Eve QuelerCBS 79328 stereo LPs (UK pressing), [P] 1980Recorded live at Carnegie Hall, 8 April 1979Currently out-of-print in all formats Available in two formats:[1] High resolution FLAC files (96 kHz, 24 bit) - one for each act + libretto[2] FLAC image files and cuesheets to create two CDs (44.1 kHz, 16 bit) + librettoFor details about ripping procedure, please see below. Aroldo is an opera in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on and adapted from their earlier 1850 collaboration, Stiffelio. The first performance was given in the Teatro Nuovo Comunale in Rimini on 16 August 1857. Stiffelio had provoked the censorship board because of “the immoral and rough” storylines of a Protestant minister deceived by his wife and also because making the characters […]
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