Adalbert Spiller News
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Faces of classical music
2018-12-19 18:07:00
Ludwig van Beethoven: Trio in E flat major – Andreas Ottensamer, Sol Gabetta, Dejan Lazić (HD 1080p)
[…] and Russian ancestry. Her brother Andrés is also a musician, a baroque violinist.Gabetta began to learn violin at the age of three, and cello at age four. She continued to study both instruments until age eight, and then switched her focus exclusively to the cello. She won her first competition at the age of 10, soon followed by the Natalia Gutman Award. Her teachers include Christine Waleska, Leo Viola, Ivan Monighetti, Piero Farulli and Ljerko Spiller.Gabetta won the Crédit Suisse Young Artist Award in 2004. In 2006, she founded her own festival, the Festival Solsberg. Her debut with the Berlin Philharmonic and Sir Simon Rattle was at the Baden-Baden Easter Festival in 2014. Her debut with the Staatskapelle Berlin occurred in December 2014. She was Artist in Residence at the Schleswig-Holstein Musik Festival in summer 2014, and also held artistic residencies at the Philharmonie and Konzerthaus Berlin. She was awarded […]
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Faces of classical music
2018-11-20 07:36:00
Johannes Brahms: Clarinet Trio in A minor – Andreas Ottensamer, Sol Gabetta, Dejan Lazić (HD 1080p)
[…] and Russian ancestry. Her brother Andrés is also a musician, a baroque violinist.Gabetta began to learn violin at the age of three, and cello at age four. She continued to study both instruments until age eight, and then switched her focus exclusively to the cello. She won her first competition at the age of 10, soon followed by the Natalia Gutman Award. Her teachers include Christine Waleska, Leo Viola, Ivan Monighetti, Piero Farulli and Ljerko Spiller.Gabetta won the Crédit Suisse Young Artist Award in 2004. In 2006, she founded her own festival, the Festival Solsberg. Her debut with the Berlin Philharmonic and Sir Simon Rattle was at the Baden-Baden Easter Festival in 2014. Her debut with the Staatskapelle Berlin occurred in December 2014. She was Artist in Residence at the Schleswig-Holstein Musik Festival in summer 2014, and also held artistic residencies at the Philharmonie and Konzerthaus Berlin. She was awarded […]
2017-03-11 14:47:57
11th March 1867 – Theatre Imperial de l’Opera, France Don Carlo started out life as a five-act opera that ran for approximately four hours. Based on Don Carlos, Infant von Spanien by Friedrich Spiller, this lengthy piece saw Verdi put the music to a French libretto by Camille du Lode and Joseph Mery. After the opera had been written, it was found to still be too long during the rehearsal period. Since the audience would need to leave before midnight, further cuts were made during this time in order to make sure that the opera finished before this deadline. http://www.italymagazine.com/featured-story/homage-verdi-don-carlo 11th March 1851, La Fenice Opera House, Italy One of the most acclaimed Verdi operas, Rigoletto at one point, was very much a case of “touch and go”. The three-act opera, based on Victor Hugo’s play “Le roi s’amuse”, came under close scrutiny […]
2016-08-03 22:36:00
[…] twice at the Blue Whale, July 27 and 29; I went to the first date; it was a success with the packed audience. Agudín got a notable performannce out of a concentrated National Symphony, with close respect for every indication in the score; his temperament is contained and I missed the whitehot intensity of Munch, but it was clean and precise. Not only some soloists were fine (the oboist Andrés Spiller) but, e.g., it was a pleasure to hear the first violins play with such unanimity in perfect tune. The Coro Polifónico Nacional was this time prepared by an Argentine who lives in France, Ariel Alonso; he distributed the choirs at the back of the orchestra and at the laterals, and a small group was with […]
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