Adolf Schultze News
composer
- Germany
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2024-03-24
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The Boston Musical Intelligencer
2024-02-08 18:08:24
Dance Music of the Germania Musical Society
[…] of the previous winter, the orchestra went on a four weeks’ trip to the Southern States with Parodi, Amalia Patti, and Strakosch. Following this engagement was one with Jenny Lind, for whom they played in nearly thirty concerts, and when these were concluded, the repaired to Newport for the third summer. At the close of the subscription concerts in Baltimore, Mr. Lenschow, the original director of the orchestra, had tended his resignation, and Mr. Wilhelm Schultze, the leader of the violins, was chosen conductor ad interim. This arrangement continued with excellent results until the beginning of their Newport season, when the talents of Cark Germann — then in New York — becoming known to the members, he was elected to and accepted this important position. During the season at Newport it was resolved to spend the following winter in Boston. While this resolution was pending, there was much difficulty in […]
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Royal Opera House
2015-04-24 18:40:14
Creator and Destroyer: Chaos vs control in Szymanowski’s Król Roger
Friedrich Nietzsche by Gustav Schultze, 1882. Image courtesy WikiCommons Karol Szymanowski ’s journeys to the Mediterranean before World War I wrought a cataclysmic change in both his artistic and his emotional life. After the German influences of his early, European period, Szymanowski was suddenly liberated by the light, life and freedom of Sicily and North Africa. He felt as if he had finally found a world where both he and his music belonged. In the long isolation thereafter on his Ukrainian estate, forced on him by war and revolution, his memories and fantasies of this lost world drew from him the great music of his middle period, including his masterpiece, the opera Król Roger . And this last work turns on the exact emotional axis which divided the composer himself, the tension between intellect and instinct, control and chaos, mind and body – the age-old opposition of Apollo and Dionysus. […]
2014-04-13 11:56:00
This Week in Toronto (Apr. 14 - 20)
This Week in Toronto (Apr. 14 - 20) My concert picks this week - Joseph So Pianist Helene Grimaud (Photo: Robert Schultze/Mat Hennek/DG) Toronto Symphony Orchestra The charismatic French pianist Helene Grimaud makes a welcomed return to Toronto, as soloist in the Brahms Piano Concerto No. 1. Also on the program are two works to do with Easter - Rimsky-Korsakov's Russian Easter Festival Overture, and Messiaen's L'Ascension. Andrey Boreyko returns to the TSO to conduct. Performances on April 17 and 19 8 pm at Roy Thomson Hall. http://tso.ca/en-ca/Home.aspx Director Peter Sellars Canadian Opera Company's Hercules continues this week. I saw this show twice - the dress rehearsal and opening night, and I must say Peter Sellars' re-imagining of this baroque piece works well. It is one of the most successful examples of Regieoper attempts undertaken by the COC. The five principals […]
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