Albert Israel Elkus News
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2024-03-28
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2015-11-13 09:00:46
1951
[…] a difficult child to rear, with its roots in church preludes and secular overtures dating from 1900-02, followed by Ives’ substantial orchestrations during 1907-10, and some final touch-ups before that February performance in 1951. Leonard Bernstein, who was the conductor on that occasion, made many cuts and alterations that subsequently started to gain traction with other conductors. Consequently, the Charles Ives Society arranged for a critical edition of the score to be prepared by Jonathan Elkus and authorised a recording of it by Kenneth Schermerhorn and the Nashville Symphony. From that recording we can hear the bold conclusion to the work (and no, that’s not a fluff on the last chord). Over on Broadway, The King and I (8.120792 ) was premièring at the St James Theatre. It was the fifth collaboration on a musical between Richard Rodgers and Oscar Hammerstein II and featured Yul Brynner as the […]
2015-10-02 01:18:00
[…] 6, 3-5pm, Department of Music, 125 Morrison Hall, UC Berkeley Campus Bloch Lecture 5, “Continuing Thoughts on Music:” Kaija Saariaho in conversation with Jennifer Koh and UC Berkeley’s Matias Tarnopolsky Free and open to the public Wednesday, October 28, 8-9:30 p.m., Hertz Hall, UC Berkeley Campus, Free Bloch Lecture 3, Intuition, Collaboration, Discovery: Kaija Saariaho in conversation with, flutist, Camilla Hoitenga and UC Berkeley’s Matias Tarnopolsky Friday, October 30, 3-5pm, 125 Morrison Hall, Elkus Room, UC Berkeley campus, Free Bloch Lecture 4, “From the Avant-Garde through IRCAM, to the Present Moment:” Kaija Saariaho in conversation with composer Jean-Baptiste Barrière and UC Berkeley’s Adrian Freed, Edmund Campion, and Deirdre Loughridge, Friday, November 6, 3-5pm, Department of Music, 125 Morrison Hall, UC Berkeley Campus Bloch Lecture 5, “Continuing Thoughts on Music:” Kaija Saariaho in conversation with Jennifer Koh and UC Berkeley’s Matias Tarnopolsky Free and open to the […]
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