Alessandro Besozzi News
Italian composer
- oboe
- Italy
- composer, oboist
Last update
2024-04-23
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2017-07-28 01:00:00
[…] "Le souffle de Zephire" Joseph Bodin de Boismortier (1689-1755) Sonatas for woodwinds Op. 37 No. 2, 3, 5; Op. 50 No. 4, 5 Michel Blavet (1678-1742) Flute Sonata Op. 3 No. 2 Robert de Visée (c1655-1732/33) Prelude and Chaconne Tritono Ensemble (Francesco Padovani flute, Paolo Tognon bassoon, Roberto Loreggian organ, Pietro Prosser theorbo) Velut Luna 2003 [flac, cue, log, scans] Luigi Merci (c1695-c1750) Six Sonatas for bassoon and continuo Op. 3 Girolamo Besozzi (1713-1786) Sonata for bassoon and continuo in B-flat major Paolo Tognon bassoon Pietro Bosna cello, Paola Frezzato bassoon, Pietro Prosser theorbo and guitar, Roberto Loreggian harpsichord Tactus (2000). Reissue [flac, cue, log, scans] Henry Purcell (1659-1695) "A Collection of Ayres. Theatre music for woodwinds" Suites from Dioclesian, Abdelazer, The Gordian Knut Untied, The Married Beau, The Double Dealer La Bande des Hautbois du Roi Paolo Tognon Nuova Era […]
2016-05-29 00:16:00
[…] the big feast with clowns and a man on stilts evokes Carnival but we are in Christmas!c) Unnecessary innovations such as a second presence of the owner Benoît in the caper of the bohemians just before the tragic entry of Musetta (Act IV). There was a curious description of stage and costume design in the hand programme: Pontiggia did the "costumes adaptation" and María José Besozzi the "stage design adaptation", implying that both were based on pre-existing materials at the Argentino. Costumes: well-chosen from the Argentino´s splendid array. Stage designs: completely apposite to the necessities of each act: the two-level garret (Acts I and III), the square with Momus in the background, the Barrière (also two-level). Good lighting from Gabriel Lorenti. A point worth stressing is the amplitude of the Argentino´s stage, even wider […]
2015-03-23 01:00:00
The SGORBY Rips - #1
A few precious offerings from my friend and MIMIC contributor Sgorby, here mainly devoted to some great Italian Baroque composers... Domenico Scarlatti Sonatas Ottavio Dantone, Harpsichord Emilia Fadini, Harpsichord & Fortepiano Mauro Squillante, Mandoline Raffaele Venna, Harpsichord Maria Cecilia Farina, Organ Amadeus AMS 102-03 (2007) Alessandro Besozzi 6 Trios for Flute, Violin and Cello Claudio Ferrarini, Flute Lavard Skou Larsen, Violin Detlef Mielke, Cello Stradivarius 33317 (1993) Giovanni Benedetto Platti Chamber Music with Wind Instruments Ensemble Il Dardo Mario Del Grosso Stradivarius 33463 (1998) Giuseppe Sarti 6 Sonatas for Flauto traversiero Claudio Ferrarini, Flute Sokol Koka, Cello Christine Meyr, Harpsichord Stradivarius 33368 (1994) Giuseppe Sarti 4 Sonatas for Flauto traversiero Claudio Ferrarini, Flute Christine Meyr, Harpsichord Stradivarius 33368 (1994) Italian Concerto (Music by Antonio Vivaldi, Johann Sebastian Bach, George Frideric Handel, Turlough O'Carolan) The Harp Consort Andrew Lawrence-King DHM 05472 77366 (1996) […]
2012-11-21 20:49:00
[…] shouldn´t insist with the same title only six years later, I came out of the theatre quite contented, for the music was admirably sung and played, and the production by Mercedes Marmorek was much better attuned to the 1820´s Russian ambience. Small mistakes apart (no writing desk nor inkwell in Tatiana´s Letter Scene, a rather botched duel), the acting was sincere and accurate, the country scene was nice (stylized trees in the pleasant María José Besozzi stage design), the ball was agreeable (with correct choreography danced by two couples) and the costumes by Lucía Marmorek aesthetic and according to the period. Good lighting too (Alejandro Le Roux). Javier Logioia Orbe handled the small orchestra quite well and there were beautiful flute and oboe solos. The Chorus under Juan Casasbellas was convincing. The […]
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