Alessandro Orologio News
Italian composer and instrumentalist
- Italy
- composer
Last update
2024-04-21
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2017-07-01 01:00:00
I hope this July you will like to listen to some lively dances and some funny madrigals by a number of composers of the 16th century. Ten discs plus two with the sacred Palestrina and Gabrieli (the elder). Alessandro Orologio (c1555-1633) Primo Libro delle Canzonette a tre Voci, 1593 Intrade a Cinque Voci, 1597 Il Terzo Suono, Ensemble 1492, Dià-Pasòn Gian Paolo Fagotto Arts 47531-2 (1999) [flac, cue, log, scans] Andrea Gabrieli (1532/33-1586) Psalmi Davidici qui poenitentiales nunculpantur, 1583 Netherlands Chamber Choir instrumentalists from the Huelgas Ensemble Paul Van Nevel Globe GLO 5210 (2001) [flac, cue, log, scans] "Masters of the Italian Renaissance" [organ music] Marc'Antonio Cavazzoni, Jacopo Fogliano, Andrea Antico, Girolamo Cavazzoni, Giovanni de Macque, Antonio Valente, Claudio Veggio, Andrea Gabrieli, Giovanni Gabrieli, Claudio Merulo Andrea Marcon, Colombi organ in Valvasone (Italy), 1533 Divox CDX-70005 (2003) [flac, cue, log, […]
The Boston Musical Intelligencer
2012-04-16 17:22:37
[…] Janet Haas, both on treble viol, although Haas occasionally switched to tenor viol. Lewis, a co-founder of SoHip (Society for Historically Informed Performance) and current president of the Viola da Gamba Society-New England, offered a consistently exquisite tone matched by energetic articulation. Haas, often her antiphonal counterpart, matched Lewis in both musical expression and rhythmic accuracy, offering a sense of balance for the entire ensemble. Both performers offered stunning filigree in the Intradas of Alessandro Orologio (ca. 1550-1633). In the Fantasia Chromatica of Diomedes Cato (before 1570-1620), which Henriksen called a “chromatic snowstorm,” the imitative descending chromatic lines called upon lament rhetoric but were passionately meditative, with the lower viols leaning into the deeper sonorities. Alice Mroszczyk’s bass viol sound was also particularly present and full in the Canzon Decimanona of Gioseffo Guami (ca. 1540-1611). Mai-Lan Broekman, playing bass viol and violone, offered a consistently velvety sound, especially on the […]
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