Alicia Adélaide Needham News
Irish composer
Commemorations 2024 (Birth: Alicia Adélaide Needham) 2025 (Death: Alicia Adélaide Needham)
- Republic of Ireland, United Kingdom of Great Britain and Ireland, Irish Free State
- composer, songwriter, suffragette
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2024-03-28
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ArtsJournal: music
2019-08-27 12:32:09
Should The Curator Of An Art Exhibition Get A Mention In A Review?
Guardian arts editor Alex Needham started a Twitter tempest with this: “Dear curators, in the same way that I don’t get a byline when I commission and edit a piece, chances are you won’t get mentioned in the Guardian when we cover one of your shows. That’s just how it is.” Naomi Rea explains why […]
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Faces of classical music
2018-02-01 11:18:00
Joseph Haydn: Cello Concerto No.2 in D major – Alice Yoo, New York Classical Players, Dongmin Kim (4K Ultra High Definition)
[…] Harrell, André Watts, Garrick Ohlsson, and Lang Lang.A keen advocate of contemporary music, Mr. Kim has premiered over 50 compositions. He has led various contemporary ensembles in performances, readings and recording of new compositions, a highlight of which was the first performance of P.Q. Phan's opera, Lorenzo de Medici in 2007. Mr. Kim has also collaborated with leading composers such as George Crumb, Harrison Birtwistle, David Dzubay, Don Freund, Edward Smaldone, Wei-Chieh Lin and Clint Needham.Mr. Kim is also a noted violist, having held principal positions at the Pacific Music Festival Orchestra under baton of Michael Tilson-Thomas, Seoul's Yonsei Symphony Orchestra and the Indiana University Symphony Orchestra. He was the first violist to win First Prize in the Yonsei Symphony Orchestra Concerto Competition, which resulted in a solo appearance with the orchestra. As a recitalist and chamber musician, Mr. Kim has performed throughout the United States as well as in […]
2016-07-08 22:34:24
[…] it and take their time playing karaoke against it; to their credit, they don’t, as it winds down to an acerbic, purposeful spaciousness. Uh oh, then they’re off again! It has the same kind of high-voltage playfulness as Todd Reynold s’ recent work. The album’s masterful centerpiece, Hannah Lash ‘s achingly plaintive nocturne Adjoining, sets Anderegg’s emotively resonant, subtly vibrato-laden lines soaring over piano that blends Chopin prelude angst with more austerely starlit tonalities. Clint Needham ‘s Kerouac-inspired diptych, On the Road builds quickly from a purposeful stroll to a jauntily skipping interlude that stops short of blithe; then the two voices reconfigure, pensively, down to still, mysterious ambience. The conclusion scampers and bustles with uneasy anticipation up to a surprise ending. Ted Hearne ‘s Nobody’s, for violin and percussion, starkly blends hints of Appalachian stepdancing music and insistent minimalism with challenging leaps to comet-trail harmonic cadenzas. Reinaldo Moya ‘s […]
The Boston Musical Intelligencer
2016-05-11 02:55:48
Bach Power to the Pub People
[…] fair demand to make? In all the dances except the minuets, the rubato obscured the rhythmic structure. Jean-Guihen Queyras (one of Pincombe’s teachers) plays the third suite at lightning speed (to my ears); still, each movement dances. Could Pincombe retain the character and the rhythm of the dance yet achieve similar ends on a Baroque cello? The curious can hear another “Music in Familiar Spaces” on Thursday, May 19th at 7:30pm in First Baptist Church Needham, featuring early shape-note tradition in America. And there (only onsite, not online) they can purchase a flash drive encased in bamboo, branded with Pincombe’s mark, containing his 2008 recordings of all six Bach suites performed on a modern instrument, but with historic inflection. Cashman Kerr Prince, trained in Classics and Comparative Literature, is now a Visiting Scholar in the Department of Classical Studies at Wellesley College. He is also a cellist of some accomplishment, […]
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