Anton Wendler News
Austrian opera singer (1934-2017)
Commemorations 2024 (Birth: Anton Wendler)
- tenor
- Austria
- opera singer
Last update
2024-04-25
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Norman Lebrecht - Slipped disc
2017-06-21 16:00:10
Vienna mourns a staunch singer
Anton Wendler joined the Vienna State Opera in 1972 as a stage assistant, hoping for a singing break. He went on to perform 41 roles in 36 works on 561 nights. Dr Wendler died on June 15, aged 82.
2015-10-05 16:00:32
Head over heels
[…] 1,000 “listens”), and the opera with the most “listens” is Pelléas et Mélisande, also avec Keenlyside. Richard Strauss: Salome Wiener Staatsoper Peter Schneider, conductor 16 September 1991 Salome – Mara Zampieri Herodes – Horst Hiestermann Herodias – Leonie Rysanek Jochanaan – Monte Pederson Narraboth – Richard Brunner Page – Margareta Hintermeier Erster Jude – Ernst-Dieter Suttheimer Zweiter Jude – Peter Jelosits Dritter Jude – Anton Wendler Vierter Jude – Helmut Wildhaber Fünfter Jude – Rudolf Mazzola Erster Nazarener – Peter Wimberger Zweiter Nazarener – Claudio Otelli Erster Soldat – Alfred Sramek Zweiter Soldat – Roland Schubert Cappadocier – Peter Köves Sklave – Adolf Tomaschek
2014-04-30 17:24:36
On Music and Well-Being - or: The Garden of our Lord is Vast and Plentiful...
[…] of example, a piece (or genre) of music that one does not like – but that is highly appreciated by other people. It is a way of acknowledging that people have different tastes in just about anything – and that one “is fine” with that.* In that sense, it has some shared meaning with the English figure of speech “different strokes for different folks”. While I am writing these sentences, there´s a portrait of Michael Wendler on TV, a leading protagonist of German “Schlagermusik”, a particularly corny, banal, uniform, and (to my ears) horrible style of pop music that sells really well and is played at most parties at some point or the other. For the most part of my life, I have enjoyed music that is often considered to be at the opposite end of the musical spectrum: heavy metal . In this essay, I would like to muse […]
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