Antonio Maria Mazzoni News
composer (1717-1785)
Commemorations 2025 (Death: Antonio Maria Mazzoni)
- opera
- Italy
- composer, singer
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2024-04-25
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2021-02-17 00:00:00
Grand Piano 5
[…] Gottlob Türk Six Keyboard Sonatas for Connoisseurs (1789) Michael Tsalka clavichord, fortepiano and grand piano Johann Baptist Vanhal Three Capriccios op. 31 Three Capriccios op. 36 Michael Tsalka piano YamahaEdvard Grieg Piano Concerto in A minor HelgeEvju Piano Concerto in B minor after Grieg´s sketches Song - Poem Carl Pettersson Prague SO Kerry Stratton Ivo Macek Piano Sonata Sonatina Theme and Variations Prelude and Toccata Sonata for Violin and Piano Goran Filipec piano Silvia Mazzoni violin Arno Babadjanian Polyphonic Sonata Six Pictures Poem Capriccio Melody and HumoresqueHayk Melikyan digital download, covers and booklets
2016-01-23 03:30:00
Opera Favourites #3 - Il Cigno di Busseto
[…] Antonietta Stella, Ettore Bastianini, Fiorenza Cossotto, Ivo Vinco, Franco Ricciardi Coro e Orchestra del Teatro alla Scala Tullio Serafin DGG 453 118-2 (1962) - Courtesy of Cecco Giuseppe Verdi La traviata Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Stefania Malagù, Helena Jungwirth, Walter Gullino, Giovanni Foiani Chor und Orchester der Bayerischen Staatsoper Carlos Kleiber DGG 415 132-2 (1977) - Courtesy of Cecco Giuseppe Verdi La traviata Alfredo Kraus, Kiri Te Kanawa, Dmitri Hvorostovsky, Silvia Mazzoni, Olga Borodina, Barry Banks, Donato Di Stefano Orchestra e Coro del Maggio Musicale Fiorentino Zubin Mehta Philips 438 238-2 (1992) - Courtesy of Cecco Giuseppe Verdi La traviata Alfredo Kraus, Renata Scotto, Renato Bruson, Sarah Walker, Cynthia Buchan, Henry Newman, Roderick Kennedy Ambrosian Opera Chorus & Philharmonia Orchestra Riccardo Muti EMI 7 47059 8 (1980) - Courtesy of Cecco Giuseppe Verdi La traviata Carlo Bergonzi, Montserrat Caballé, Sherrill Milnes, Dorothy Krebill, Nancy […]
2012-12-04 18:25:46
The Beatrice generation
[…] character you are portraying. Always have a reason!” With this in mind most of my vocal variations tend to gravitate towards featuring my extended range which is typical in the “baritenori” repertoire that I specialize in. I have made up all of my own ornamentation for certain roles and worked with great experts such as Will Crutchfield and Philip Gossett on other pieces. The most fun I had with variations was in a baroque opera, Mazzoni’s Antigono which I performed in Lisbon. I had the pleasure of working with Enrico Onofri, who is a skilled violinist and a baroque expert, and he wrote variations for me that extended from D2 up to F5. pb: What are your thoughts on the rather controversial question of listening to other singers’ recordings when you are preparing any role? MS: I absolutely listen to other singers in fact I am adamant and almost obsessed […]
2012-06-05 19:52:34
Citius, Altius, Fortius
[…] flutes and horns much more prominent than before. An argument used to justify the Met’s recent misbegotten oddity The Enchanted Island was that pasticcios were common in the 18th century, and so they were. But as far as I know, they never drew from music from several languages and traditions (as EI did) nor did they combine music written over a long time span. For example, Vivaldi created Rosmira in 1738 and included Handel, Pergolesi, Mazzoni, Hasse and other composers active at roughly the same time. Although the differences in the musical language from the 1730s to the 1780s might not be as pronounced as in some other eras, can one imagine a work incorporating pieces from the 1870s to the 1920s? However, I suspect many enjoying L’Olimpiade may be less alarmed by the occasionally jarring juxtapositions than those of us who more regularly listen to large swathes of 18th […]
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