Antonín Dvořák Podcasts
Czech composer
10
Commemorations 2024 (Death: Antonín Dvořák)
- pipe organ, piano, violin, viola
- classical music, opera
- Kingdom of Bohemia, Cisleithania
- classical composer, organist, professor, conductor, musicologist, violinist, violist, composer, teacher, pianist, music teacher
streaming
Last update
2024-03-26
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I'm offering a FREE Five Day Challenge starting March 25. Seeking Work-Life Balance, for the WORKING, LIVING Musician. We'll meet on zoom (or you'll enjoy the replay) every day to look at how you could intentionally rebalance your pillars of MONEY, TIME, and JOY and thrive in your creative career! Register here Today you'll hear my interview with Brendan Slocumb, whose life was changed by the books he wrote during the pandemic! I read the Violin Conspiracy a year or so ago, on the recommendation of a non-musical friend. When your thriller, based in the world of classical music, is picked up and enjoyed by people outside of our insular little world, and when it has something really important to say about money and family and race and music and about the world we live in now - that is something we should all be paying attention to! Brendan Nicholaus Slocumb was raised in Fayetteville, North Carolina. He is a graduate of the University of North Carolina at Greensboro with a degree in music education, concentrations on Violin and Viola. For the past two decades, he has been a public and private school music educator from kindergarten through twelfth grade, teaching general music, orchestra and guitar ensembles. His students were often chosen for district and regional orchestras. In 2005, Brendan was named Teacher of the Year for Robert E. Lee High School; he has been named to Who’s Who of American teachers, and is a Nobel Teacher of distinction. Brendan also serves as an educational consultant for the Kennedy Center in Washington, D.C. Music has always played a major part of Brendan’s life. He believes that it’s a life-saving force, and a gift we should always offer our children. When he was nine, he started playing violin through a public school music program. Friends he grew up with are today sitting in jail; when they were out running the streets, he was in rehearsals. When they were breaking into people’s houses, he was practicing Dvorak and Mozart. His violin opened the door to opportunity, and he ran through it. Since then, Brendan has performed with the Washington Metropolitan Symphony, the McLean Symphony, the Prince George's Philharmonic, and the Alexandria Symphony. He has served as the concertmaster for the NOVA-Annandale Symphony Orchestra and regularly performs chamber music with members of the Alexandria Chamber Music Society. He maintains a private music studio teaching lessons to students on violin, guitar and piano. Brendan believes that everyone can learn to appreciate and love music, and that it can be a new way of communicating, building bonds, and connecting with people who may look, sound, or speak differently. In 2022, Brendan published his first novel, THE VIOLIN CONSPIRACY (Anchor Books), a GMA Book Club Pick, the riveting story of a young Black musician who discovers that his old family fiddle is actually a priceless Stradivarius: when it’s stolen on the eve of the world’s most prestigious classical music competition, he risks everything to get it back. In 2023, Brendan published his second novel, SYMPHONY OF SECRETS (Anchor Books), about a music historian who discovers that the world's greatest composer may have stolen the music from a neurodivergent Black woman – and the powers-that-be will do anything to silence the historian. Brendan is now at work on his third novel, to be published in early 2025. You can find Brendan at his website, or follow him on Instagram @brendanslocumb Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!
2024-02-20 05:00:00
Duration (h:m:s): 1:33:39
We'll enjoy his Symphony No. 9 "From the New World" at the end, but first we look at his influential and controversial time in the United States, itself a journey that began decades prior. Join us to learn how he was discovered, his musical styles, and some pretty funny stories!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.
Sticky Notes: The Classical Music Podcast
When you think of the genre of the concerto, you might be thinking of something like this: virtuoso fireworks, perhaps over romantic gestures designed simply to show the soloist off, and a rather pedestrian orchestral part, giving the soloist all of the spotlight while the conductor and orchestra are mere accompanists. Of course, this is a huge generalization and it isn’t true about many concertos. But of all of the concertos that I conduct regularly, and hear regularly, there is one that always stands out as the exception to the rule: Dvorak’s Cello Concerto. The Dvorak deserves every bit of popularity it has received over the years. In fact, you could argue that it is THE perfect concerto. It's enjoyable to play, perfectly written for the cello, enjoyable to listen to, and enjoyable to accompany for the orchestra. It has everything, which makes it all the more shocking to think that before Dvorak wrote the piece, he didn’t even think of the cello as a suitable instrument for a solo piece! But once convinced of the cello’s viability as a solo instrument, Dvorak gave everything to to the piece. We’ll talk all about the sometimes tragic history behind the writing of the concerto, the specific difficulties it places on the cellist, the conductor, and the orchestra, and of course, go through the piece in detail, pointing out all the different facets that result in the Dvorak being perhaps the greatest of all concertos. Join us! Cellist: Miklos Perenyi
Scotland-based American conductor Kellen Gray is Assistant Conductor of the English National Opera and Assistant Conductor of the Royal Scottish National Orchestra. He's attuned to the orchestral repertory, including Bela Bartok, Antonin Dvorak, Aaron Copland, and Ralph Vaughan Williams. He's also passionate about championing African-diasporic composers, and has two critically acclaimed albums - African-American Voices 1 and 2 - with the Royal Scottish National Orchestra. Suzanne spoke with Kellen Gray about his introduction to music growing up in South Carolina, and how it continues to impact his work as a conductor.
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- timeline: Composers (Europe). Conductors (Europe). Performers (Europe).
- Indexes (by alphabetical order): D...