Armand Emmanuel Trial News
French composer (1771-1803)
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2024-04-24
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2024-04-02 16:24:00
St Matthew Passion, Deutsche Oper, 29 March 2024
Evangelist – Kieran Carrel Jesus – Padraic Rowan Bass – Joel Allison Tenor, False Witness – Kangyoon Shine Lee Petrus, High Priest, Pontifex II – Youngkwang Oh Pilatus, Judas, Pontifex I – Artur Garbas Soprano, First Maid – Siobhan Stagg Alto, False Witness, Second Maid – Annika Schlicht Girl – Zoé Höchse Friend – Selina Nüsse Director – Benedikt von PeterRevival directors – Eva-Maria Abelein, Matteo Marziano GrazianoSet designs – Natascha von SteigerCostumes – Lene SchwindVideo – Bert ZanderLighting – Roland EdrichDramaturgy – Dorothea HartmannChildren’s and Youth Choirs of the Deutsche Oper (director: Christian Lindhorst)Youth Choir of the Staatsoper Unter den LindenChildren’s Choir of the Aalto-Theatre, Essen (director: Patrik Jaskolka)Chorus of the Deutsche Oper (director: Jeremy Bines)Orchestra of the Deutsche OperAlessandro De Marchi (conductor)Images: Marcus Lieberenz Had someone told me I should be attending performances of the two Bach Passions on consecutive evenings, Maundy Thursday and Good Friday, in Leipzig […]
2024-01-31 16:31:00
Salzburg Mozartwoche (6) - Peretyatko/Danish CO/Fischer: Mozart and Salieri, 30 January 2024
Grosser Saal Mozart: Lucio Silla, KV 135: Overture; Don Giovanni, KV 527: ‘Crudele! Ah no, mio bene!’ – ‘Non mi dir, bell’idol mio’ Salieri: Sinfonia, ‘La Veneziana’ Mozart: Concert aria, ‘Ch’io mi scordi di te?’ – ‘Non temer, amato bene’, KV 505; Idomeneo, KV 366: ‘Oh smanie! Oh furie!’ – ‘D’Oreste, d’Alace’; Symphony no.36 in C major, KV 425, ‘Linz’ Olga Peretyatko (soprano)Danish Chamber Orchestra, Ádám Fischer (conductor)Images: Wolfang Lienbacher Ádám Fischer is a fine if sometimes eccentric Mozartian. His concert performance of Il re pastore with the Mozarteum Orchestra at last year’s Salzburg Festival was for me a highlight, and his work wit the Danish Chamber Orchestra has gained many plaudits. Understandably, if this concert, my final engagement at this year’s Mozartwoche, is anything to go by. Moreover, it confirmed the sensational qualities of soprano Olga Peretyatko, whom I had admired in Idomeneo at the Staatsoper Unter den Linden last […]
2023-12-15 18:14:58
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2023-12-04 14:03:00
Die Meistersinger von Nürnberg, Deutsche Oper, 3 December 2023
[…] Götz Friedrich’s Wagner productions to be replaced here in Charlottenburg. I saw it in 2010 and recognise both loss and gain in its replacement. As the work reminds us, though, nothing is for ever and certainly not in art. There was enough here, not least in fine sung performances, to remind me of my love for Die Meistersinger – I shall admit to having shed the odd tear, in the Quintet and in both the Trial Song and Prize Song – and quite how much I have missed it. Work, production, and performances invited us to reflect that we never simply return; nor can or should we ever shed our past. The myth of a Year Zero is as unwelcome as it is chimerical.
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