Auguste Marquerie News
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2024-03-29
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2020-02-19 17:00:00
Die Entführung aus dem Serail, Deutsche Oper, 18 February 2020
DIE ENTFÜHRUNG AUS DEM SERAIL, Regie: Rodrigo Garcia, Premiere 17. Juni 2016 Deutsche Oper Berlin, copyright:Thomas Aurin Konstanze – Flurina StuckiBlonde – Gloria RehmBelmonte – Matthew NewlinPedrillo – Ya-Chung HuangOsmin – Patrick GuettiBassa Selim – Annabelle Mandeng Chorus of the Deutsche Oper, Berlin (chorus director: Jeremy Bines) Orchestra of the Deutsche Oper, BerlinNicholas Milton (conductor) Rodrigo García (director, set designs)Ramón Diago (set designs, video)Hussein Chalayan (costumes)Carlos Marquerie (lighting)Teresa Reiber (Spielleitung)Jörg Königsdorf, Anne Oppermann (dramaturgy) Though recollection has proved more diverting than direct theatrical experience, I doubt I shall forget Rodrigo García’s Entführung aus dem Serail in a hurry. Of the five productions I have seen live, three (Elijah Moshinsky, David McVicar, and John Copley) fall into the category of trivial, unreflective Orientalism; one into that of recreative genius (Stefan Herheim) such as will appear only rarely in one’s life; and one now into […]
2020-02-19 17:00:00
Die Entführung aus dem Serail, Deutsche Oper, 18 February 2020
DIE ENTFÜHRUNG AUS DEM SERAIL, Regie: Rodrigo Garcia, Premiere 17. Juni 2016 Deutsche Oper Berlin, copyright:Thomas Aurin Konstanze – Flurina StuckiBlonde – Gloria RehmBelmonte – Matthew NewlinPedrillo – Ya-Chung HuangOsmin – Patrick GuettiBassa Selim – Annabelle Mandeng Chorus of the Deutsche Oper, Berlin (chorus director: Jeremy Bines) Orchestra of the Deutsche Oper, BerlinNicholas Milton (conductor) Rodrigo García (director, set designs)Ramón Diago (set designs, video)Hussein Chalayan (costumes)Carlos Marquerie (lighting)Teresa Reiber (Spielleitung)Jörg Königsdorf, Anne Oppermann (dramaturgy) Though recollection has proved more diverting than direct theatrical experience, I doubt I shall forget Rodrigo García’s Entführung aus dem Serail in a hurry. Of the five productions I have seen live, three (Elijah Moshinsky, David McVicar, and John Copley) fall into the category of trivial, unreflective Orientalism; one into that of recreative genius (Stefan Herheim) such as will appear only rarely in one’s life; and one now into […]
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