Aurélio Magnani News
Italian composer
- clarinet
- Kingdom of Italy
- composer, music teacher, clarinetist
Last update
2024-03-28
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2021-01-18 18:32:19
Everybody is nothing until you love them
Truly, I think it would be almost impossible to overpraise Anna Magnani in a performance that’s absolutely riveting from start to finish
2020-08-06 23:44:00
[…] Jason Moran, Undine Smith Moore, Thomas “Blind Tom” Wiggins, and Emahoy Tsegué-Maryam Guèbrou. Aug. 14: Daniel Glover, works by Muzio Clementi, Carl Maria von Weber, and Thomas “Blind Tom” Wiggins. Aug. 21: Louise Costigan-Kerns, works by Debussy, Gershwin, and H. Leslie Adams. Aug. 28: Audrey Vardanega, works by Brahms, Chopin, and Mozart. Sept. 4: Jennifer Peringer, works by Chopin, Robert Schumann, J.S. Bach, Paula Dreyer, Chus Alonso, and Tania León. Sept. 11: Laura Magnani, excerpts from Samuel Coleridge-Taylor’s “Twenty-Four Negro Melodies,” Op. 59, along with works by Beethoven and Chopin. Sept. 18: Ian Scarfe, works by Chopin, Debussy, Florence Price, and William Grant Still. Sept. 25: Rachel Kim, Works by Beethoven, Barber, and Florence Price. PIANO WORKS Presented by Ross McKee Foundation When: 5 p.m. Fridays through Sept. 25, most concerts will remain available after the streaming […]
2016-05-10 10:11:37
Ronit Elkabetz and Shlomi Elkabetz attend the 2014 Variety Screening Series - 'Gett: The Trial Of Viviane Amsalem' Screening at ArcLight Hollywood on October 27, 2014 in Hollywood, California Ronit Elkabetz was an Israeli director, writer, and star who has been compared to Meryl Streep, Maria Callas, and Anna Magnani -- in terms of her versatility, beauty, and magnetism. She died at the age of 51 in Tel Aviv.
2015-08-15 21:30:41
New Met Productions of ‘Cavalleria Rusticana’ and ‘Pagliacci’ — Two Operas Joined at the Hip (Part Two): Fellini or Bust!
[…] da Rimini and Maddalena in Andrea Chénier, to Sieglinde in Die Walküre, along with recent forays as Katerina Ismailova in Shostakovich’s Lady Macbeth of Mtsensk and the notorious Anna Nicole Smith in the opera, Anna Nicole), has the refined, filigreed timbre essential for the lyric repertoire. But as far as verismo passion goes, her Santuzza remained as cool as cucumber. What’s needed is a singer of raw, overpowering earthiness — the operatic equivalent of Anna Magnani or Sophia Loren. In their heyday, Renata Tebaldi, Giulietta Simionato (a mezzo), and Maria Callas were naturals in this category. Although she never sang Santuzza or Nedda on the stage, Callas’ 1953 recording of Cavalleria (with erstwhile partner Giuseppe Di Stefano, and conductor Tullio Serafin presiding) illustrates her particular gifts. Her brief exchange with Mamma Lucia (Ebe Ticozzi), and especially that shattering cry of “Non posso entrar in casa vostra. Sono scomunicata!” (“I cannot […]
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