Ayako Takagi News
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2024-04-24
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2018-09-21 02:44:08
The opening-round candidates have been announced for the 2018 Fritz Kreisler International Violin Competition – to be held in Vienna, Austria from the 20th to 30th of September, 2018. The 2018 opening-round candidates are: Roman Reshetkin Arthur Rusanovsky Cristian Ruscior Yoanna Ruseva Antonia Schöner Haruna Shinoyama Takatoshi Sugiyama Paolo Tagliamento Ririko Takagi Avraham Tirfe Natsumi Tsuboi Janay […] The post appeared first on The World's Leading Classical Music News Source. Est 2009..
Norman Lebrecht - Slipped disc
2015-10-02 18:04:49
An all-black (but no Brits) in richest violin contest finals
The semi-final stage has been reached of the Joseph Joachim international contest in Hannover. There’s €140,000 in prize money to be won. It’s not quite the Rugby world cup, but… Here are the semi-finalists, announced today: – Christine Lim (USA/Korea) – Marina Grauman (Russia) – Amalia Hall (New Zealand) – Diana Tishchenko (Ukraine) – Sergei Dogadin (Russia) – Nancy Zhou (USA) – Benjamin Marquise Gilmore (The Netherlands/USA) – Ririko Takagi (Japan) – Shion Minami (Japan) – Ayana Tsuji (Japan) – Anna Malesza (Poland) – Richard Lin (Taiwan/USA)
The Boston Musical Intelligencer
2013-02-22 19:20:12
[…] executed and sounded “right” — from an orphaned clarinet mouthpiece to a detuned cello to other surprising sounds of indeterminate origin. While the success of these effects is a credit to Liang’s orchestrational wizardry, they would still sound ludicrous in the wrong hands. The Callithumpian players, under the baton of artistic director Stephen Drury, pulled it off with confidence and style. The second work was Diary II for solo piano by Chen. Performed by Yukiko Takagi, it sounded more like sketchbook explorations than a crafted piece for public performance (perhaps this is suggested by the title). The first movement Crossing was brittle with dense ascending and descending scales while the second movement, Floating Point, was also primarily made up of unusual scales, this time mostly just falling downward on the keyboard, eventually with some off-kilter rhythmic variation. There were some genuinely promising harmonic features here, but it felt like musical […]
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