Boris Deyneka News
Soviet singer and opera singer (1902-1986)
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2024-03-29
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2023-10-30 17:47:00
Neuburger/Boulez Ensemble/Roth - Debussy and Manoury, 29 October 2023
Pierre Boulez Saal Debussy: Sonata for flute, viola, and harp Manoury: Passacaille pour Tokyo Debussy: Sonata for cello and piano Manoury: Grammaires du sonore Jean-Frédéric Neuburger (piano)Boulez EnsembleFrançois-Xavier Roth (conductor)Images: Jakob TillmannIntelligent and revealing programming is always a joy. François-Xavier Roth ranks highly among those conductors regularly offering it. When married to equally intelligent and revealing performances it becomes all the more a joy, such as in this concert from the Boulez Ensemble, founded by Daniel Barenboim to include members of the Staatskapelle Berlin and the West-Eastern Divan Orchestra. Two ensemble pieces by Philippe Manoury were prefaced by two late Debussy sonatas, the formal implications of which were highly suggestive and felt to be such for the Manoury works. First, we heard Debussy’s Sonata for flute, viola, and harp, an extraordinary work I do not think I have ever heard live before. The combination may be unusual, but surely is […]
2020-09-04 11:48:00
Pierre Boulez SaalSchubert: String Quartet in C minor, D 703, ‘Quartettsatz’Mozart: Clarinet Quintet in A major, KV 581 Berg: Four Pieces for clarinet and piano, op.5 Widmann: Labyrinth IV, for soprano and ensemble Sarah Aristidou (soprano) Jörg Widmann (clarinet) Staatskapelle Berlin String Quartet (Wolfram Brandl, Krzysztof Specjal (violins), Yulia Deyneka (viola), Claudius Popp (cello)) Boulez Ensemble Daniel Barenboim (piano, conductor)The new season at the Pierre Boulez Saal could hardly have opened in more promising fashion, whether strictly musical or in the hope imparted for the year to come. I was there at its predecessor’s premature close in March; so too was Daniel Barenboim, completing just in time his series of the Beethoven violin sonatas with Pinchas Zukerman. Here we heard Barenboim as pianist and conductor, but as part of a greater ensemble, of which Jörg Widmann was at least as prominent a member. The first piece featured neither Barenboim […]
2020-03-01 13:35:00
Pierre Boulez SaalBoulez: Sonatine for flute and piano Messagesquisse for solo cello and six cellos, arr. for violas by Christophe Desjardins Éclat/Multiples Silvia Careddu (flute) Denis Kozhukhin (piano) Yulia Deyneka (viola) Boulez Ensemble François-Xavier Roth (conductor) An excellent afternoon concert of works by Pierre Boulez opened with what may well be the best – certainly among the best – performance, live or recorded, of the flute and piano Sonatine I have heard, from Silvia Careddu and Denis Kozhukhin. Self-trans-form-ation, free yet determined, proved the ultimate answer to questions of form and per-form-ance alike. From the opening piano bars, harmonically a characteristic mix of Debussy and Schoenberg, yet never quite to be pinned down to them, through waves of sound, rising and vanishing into nothingness, and frenetic treading over hot toccata-coals, to a theatre of cruelty suggestive of highly irregular clockwork – until one listened […]
2020-03-01 13:35:00
Careddu/Kozhukhin/Deyneka/Boulez Ensemble/Roth - Boulez, 29 February 2020
Images: Peter Adamik Pierre Boulez SaalBoulez: Sonatine for flute and piano Messagesquisse for solo cello and six cellos, arr. for violas by Christophe Desjardins Éclat/Multiples Silvia Careddu (flute) Denis Kozhukhin (piano) Yulia Deyneka (viola) Boulez Ensemble François-Xavier Roth (conductor) An excellent afternoon concert of works by Pierre Boulez opened with what may well be the best – certainly among the best – performance, live or recorded, of the flute and piano Sonatine I have heard, from Silvia Careddu and Denis Kozhukhin. Self-trans-form-ation, free yet determined, proved the ultimate answer to questions of form and per-form-ance alike. From the opening piano bars, harmonically a characteristic mix of Debussy and Schoenberg, yet never quite to be pinned down to them, through waves of sound, rising and vanishing into nothingness, and frenetic treading over hot toccata-coals, to a theatre of cruelty suggestive of […]
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