Brian Tyler News
American composer, producer, conductor, and film producer
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- United States of America
- composer, musician, conductor, film score composer, film producer
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2024-03-28
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2024-03-28 04:00:00
EASTER PASSION MUSIC 2024 [24 CDs]
[…] Kirkby, Agnès Mellon - soprano,Charles Medlam - bass viol, Terence Charlston - organRecorded 2005Label: BIS CD-1575Download 1fichier gofile workuploadGeorg Philipp Telemann (1681-1767)Easter CantatasJohanna Winkel - soprano, Georg Poplutz - tenor,Margot Oitzinger - alto, Peter Kooij - bassKölner Akademie, Michael Alexander WillensRecorded November 2020Label: CPO 555 425-2Download 1fichier pixel workuploadJohann Sebastian Bach (1685-1750)St John Passion (BWV 245)Ch. Daniels (Evangelist) - tenor, Joshua Hopkins (Jesus) - bassShannon Mercer - soprano, Matthew White - alto, Jacques-Olivier Chartier - tenor, Tyler Duncan - bassCappella Romana, Portland Baroque Orchestra - Monica HuggettRecorded 2011Label: AVIE AV2236Download 1fichier gofile workuploadJohann Sebastian Bach (1685-1750)Passio secundum Johannem, BWV 245, Version II (1725)Kölner Kammerchor & soloïstsCollegium CartusianumPeter Neumann - directionRecorded October 1999Label: MDG 332 0983-2 (2CD)Download 1fichier pixel workuploadJohann Sebastian Bach (1685-1750)Markus-Passion BWV 247, fassung von 1744Gutenberg Kammerchor, various soloïstsNeumeyer ConsortFelix Koch - directionRecorded March 2017Label: Christophorus CHR 77423 (2CD)Download 1fichier pixel workuploadFrancesco Feo (1691-1761)Gennaro Manna (1715-1779), Gaetano Manna (1751-1804), Lux in […]
2024-03-18 03:33:52
Tyler Hay relates to John Field’s Nocturnes much as Claudio Arrau did to those of Chopin. In contrast to Benjamin Frith’s lightness and transparency or John O’ Conor’s charm and lyricism, Hay’s largeness of scale transports Field’s Nocturnes from the salon to the stage. To cite one example, Frith floats the C minor No. 2’s […]
2024-01-14 16:00:35
[…] outrage from the pillars of his community; but for the young man himself, and the postwar generation he represents, that hazily remembered pub crawl heralds a new sense of self-possession.Scored for chamber orchestra, the opera is nevertheless one of Britten’s most musically extravagant, brimming with pastiche and stylistic flourishes, and Eric Crozier’s libretto, which transports a Maupassant short story from Normandy to Suffolk, is a similarly dense, colourful affair. Giles Havergal’s production, revived by Elaine Tyler-Hall, wisely resists further embellishment. Staged in the round in the bijou Howard Assembly Room, with characteristically slick designs by Leslie Travers – plastic grass and fruit crates serving as parlour, shop, and street – it succeeds instead by drawing its audience irresistibly close, for an intimate view of village politics in all their cacophonous glory.
2024-01-13 17:21:00
Eavesdropping on their dramas: Opera North's 'in the round' production Britten's Albert Herring
Britten: Albert Herring - Claire Pascoe, Dafydd Jones - Opera North (Photo: Tom Arber) Britten: Albert Herring; Judith Howarth, Heather Shipp, Amy Freston, William Dazeley, Paul Nilon, Richard Mosley-Evans, Dominic Sedgwick, Dafydd Jones, Katie Bray, Claire Pascoe, Rosa Sparks Willow Bell, Oliver Mason, director: Giles Havergal/Elaine Tyler-Hall, conductor: Garry Walker; Opera North at the Howard Assembly RoomA wonderfully involving revival of Giles Havergal's intimate, in the round production of Britten's comedy brings out the work's humanityBritten's Albert Herring was written as a relatively portable chamber opera for the English Opera Group. Famously premiered at Glyndebourne in 1947, when John Christie evidently told people he didn't like it, the work has generally been performed in medium to large size theatres. When Giles Havergal directed the work for Opera North in 2013, it was performed not in the Grand Theatre, Leeds, but in the smaller Howard Assembly Room.The production returned to the Howard Assembly […]
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