Bruno Wandelt News
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2024-03-29
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2022-02-27 05:00:00
Johann Michael Bach (1845) Classical Era Cantata by JS Bach's Grandson Friedens-Cantata Das Volk, so im Finstern Wandelt Herr, wie sind deine Werke so groß und viel Mache dich auf, werde licht Wie lieblich sind auf den Bergen die Füße der Boten Hermann Max, Das Kleine Konzert (Period Instruments) Classic Produktion Osnabrück CPO 999 671-2 (2000) [Flac & Scans]
2018-11-11 21:40:00
Germans and Britons - Leipzig honours the End of the First World War
What real heroes did when it rained in the Somme (For my piece on Vladimir Jurowski's inspired Eternal Flame concert for ASrmistice day, please read here) From Leipzig Peterskirche, the Gedenkkonzert 100 Jahre Ende ertsen Weltkreig ( Memorial Concert marking 100 years after the End of the First World War) - Max Reger, Rudi Stephan, Walter aunfels, Gustav Holst, Ernest Farrar and Samuel Barber. Alexander Shelley conducts the MDR-Rundfunkchor und MDR-Sinfonieorchester, broadcast via BR Klassik. It's worth watching as well as listening, as the Peterskirche was bombed during the Second World War, remaining a ruin for many years. Appropriately the concert began with Max Reger's Totenfeier, a section from his incomplete Lateinisches Requiem Op. 145a. The word "Requiem" repeats, weaving through the orchestration like an unbreakable thread, epressing the idea of a funeral procession Rudi Stephan's Musik für Orkester in einem Satz (1910) followed. Stephan was killed in […]
2012-01-15 00:15:00
Gardiner BACH Cantatas Vol. 23
Volume 22 of this series contained cantatas for Easter Sunday and the succeeding two days, performed at the church in Eisenach where Bach was baptised and sang as a boy chorister. For the following Sunday, Sir John Eliot Gardiner and his Cantata Pilgrims travelled some thirty miles to Arnstadt, where Bach served as organist between 1703 and 1707. Though cantata BWV 150 is not an Easter cantata - indeed, it’s for an unspecified occasion - its inclusion in the Arnstadt programme was appropriate since it’s now widely believed that this was Bach’s first cantata, composed around 1707/8 and, as such, probably written for this very church. The piece is rooted firmly in the seventeenth-century German cantata tradition and, unsurprisingly, one feels that the young Bach has yet fully to find his voice in this medium. Nonetheless it’s technically very […]
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