Carl Amand Mangold News
German composer and conductor
- Germany
- composer, conductor
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2024-04-25
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Norman Lebrecht - Slipped disc
2017-12-17 13:11:13
Major conducting competition is all-male, again
It’s the finals of the Cadaques competition in Barcelona. The quarter-finalists are: Dominic Grier (UK) Kaapo Ijas (Finland) Felix Mildenberger (Germany) Wilson Ng (China) Jaume-Blai Santonja Espinós (Spain) Sergey Simakov (Russia) Nuno Coelho (Portugal) The jury: Gianandrea Noseda (chair; 1994 winner); Annette Mangold (artistic planner, Berlin Philharmonic), Nicholas Kenyon (MD, Barbican Centre), Lutz Köhler, Jaime Martín (conductors), Jun-ichi Nihei (Japan Arts Corporation), and the Cadaqués […]
2017-10-14 20:47:58
New publications of interest. Bethany Beardslee and Minna Proctor, I Sang the Unsingable: My Life in Twentieth-Century Music (Boydell and Brewer) Celia Applegate, The Necessity of Music: Variations on a German Theme (University of Toronto Press) Ijoma Mangold, Das deutsche...
2017-04-14 01:00:00
[…] 65'33 Parnassi musici (on period instruments): Margaret MacDuffie, Violin [all tracks but 8, 9] Matthias Fischer, Violin [all tracks but 7] Sergio Azzolini, Bassoon [tracks 7-9, 11, 13, 16, 17] Stephan Schrader, Violoncello [tracks 1-7, 10, 12, 14, 15] Diego Cantalupi, Theorbo [tracks 1-7, 9, 11-16] Martin Lutz, Organ [all tracks but 9] Recording: Sendesaal des SWR-Studios Karlsruhe, February 3-6, 2003 Recording Supervisor + Digital Editing: Bernhard Mangold-Märkel Executive Producers: Burkhard Schmilgun / Wolfgang Scherer (P) 2004 Co-Production: cpo / Südwestrundfunk cpo 777 030-2 TRACKLIST Giovanni Battista Vitali 1632-1692 Varie Sonate alla Francese e all'Italiana a 6 Op.XI, 1684 Sonata in B flat 1 I. Capriccio Primo: Vivace […]
2014-07-23 18:00:00
CEME Creative Composition Workshop
CEME Creative Composition Workshop Rachel Mangold is a teaching artist and Double Bassist at OrchKids. Last Monday she led a Creative Composition workshop as a part of our CEME conference which I had the pleasure of attending. Following the workshop, I asked Rachel a few questions regarding the workshop. Firstly, when did you first experience a class of this nature and what was it like for you? I first experienced this unique way of working through Creative Connections, a project run by Jill Collier, involving a variety of groups including Peabody students and OrchKids. I was a senior at Peabody at the time, and until that year my focus had been on a traditional orchestral track. During the project, I had the opportunity to use some very different aspects of my musicianship – playing by ear, improvising/composing bass lines on the spot – and was constantly overwhelmed, but in a good […]
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