Christophe Rousset News
French harpsichordist and conductor
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- conductor, choir director, harpsichordist, musician
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2024-04-24
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2024-04-01 08:07:00
Moving intimacy and sense of communication: Bach's St Matthew Passion from the Academy of Ancient Music, music director Laurence Cummings and just eight singers
[…] Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewQuite an achievement: North London Chorus' ambition rewarded in a performance of Smyth's The Prison that intrigued & engaged - concert reviewFrom Early Music to contemporary: the Royal Festival Hall organ is 70 and organist James McVinnie is celebrating - interviewAlmost an expressionist nightmare: Janáček's Jenůfa at ENO with Jennifer Davis in the title role - opera reviewLittle short of a revelation: Michael Spyres, Les Talens Lyriques & Christophe Rousset explore Wagner's influences with In the Shadows - record reviewHome
2024-03-31 09:20:00
To boldly go: Daniel Pioro and the Marian Consort in music for violin and voices by Tom Coult, Nick Martin and Bach
[…] Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewQuite an achievement: North London Chorus' ambition rewarded in a performance of Smyth's The Prison that intrigued & engaged - concert reviewFrom Early Music to contemporary: the Royal Festival Hall organ is 70 and organist James McVinnie is celebrating - interviewAlmost an expressionist nightmare: Janáček's Jenůfa at ENO with Jennifer Davis in the title role - opera reviewLittle short of a revelation: Michael Spyres, Les Talens Lyriques & Christophe Rousset explore Wagner's influences with In the Shadows - record reviewUpheaval: cellist Janne Fredens & pianist Søren Rastogi in music by four women composers from the years 1911 to 1918 - record reviewHome
2024-03-30 09:28:00
Song belongs to us all and should be available to all: artistic director, Joseph Middleton on Leeds Lieder's boldest and most colourful festival yet
[…] Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewQuite an achievement: North London Chorus' ambition rewarded in a performance of Smyth's The Prison that intrigued & engaged - concert reviewFrom Early Music to contemporary: the Royal Festival Hall organ is 70 and organist James McVinnie is celebrating - interviewAlmost an expressionist nightmare: Janáček's Jenůfa at ENO with Jennifer Davis in the title role - opera reviewLittle short of a revelation: Michael Spyres, Les Talens Lyriques & Christophe Rousset explore Wagner's influences with In the Shadows - record reviewUpheaval: cellist Janne Fredens & pianist Søren Rastogi in music by four women composers from the years 1911 to 1918 - record reviewSomething astonishing: Olivia Fuchs' new production of Britten's Death in Venice for Welsh National Opera involved a collaboration with circus arts, NoFit State - opera reviewHome
2024-03-28 07:26:00
Without a shadow of doubt, a brilliant programme all round: Sibelius, Prokofiev & Saariaho in Berlin with Jan Lisiecki, Deutsches Symphonie-Orchester Berlin & Tarmo Peltokoski
[…] Jeffreys - interviewTwo hundred years of music for the horn: Ben Goldscheider in Beethoven, Bowen, Widmann and Watkins - concert reviewQuite an achievement: North London Chorus' ambition rewarded in a performance of Smyth's The Prison that intrigued & engaged - concert reviewFrom Early Music to contemporary: the Royal Festival Hall organ is 70 and organist James McVinnie is celebrating - interviewAlmost an expressionist nightmare: Janáček's Jenůfa at ENO with Jennifer Davis in the title role - opera reviewLittle short of a revelation: Michael Spyres, Les Talens Lyriques & Christophe Rousset explore Wagner's influences with In the Shadows - record reviewUpheaval: cellist Janne Fredens & pianist Søren Rastogi in music by four women composers from the years 1911 to 1918 - record reviewSomething astonishing: Olivia Fuchs' new production of Britten's Death in Venice for Welsh National Opera involved a collaboration with circus arts, NoFit State - opera reviewHome
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