Céline Frisch News
French harpsichordist
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2024-03-29
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2023-10-31 13:00:11
Das Rheingold
Alain Altinonglu conducts Gábor Bretz, Marie-Nicole Lemieux, Anett Frisch, Scott Hendricks, and Nicky Spence live from Brussels.
2020-05-13 23:00:00
Mozart - Six Sonatas for Flute, Harpsichord & Cello (Baumont, Frisch, Ladrette)
2019-12-04 11:30:36
[…] With two harpists sharing the accompaniments the aesthetic is sparse, suggesting an intimate domestic setting. The overall effect is aurally cleansing, and the recorded sound is outstanding. Nuit de NoëlSofi Jennin, Maîtrise de Radio France, Les Musiciens de Saint-Julien, Le Poème Harmonique (early music ensemble), Isabelle Druet, Claire Lefilliâtre, Bruno Bonhoure, La Camera della Lacrime, Ensemble Clément Janequin (early music ensemble), Yves Castagnet, Henri Chalet, Maîtrise Notre-Dame de Paris, Amandine Beyer (violin), Céline Frisch (early keyboard instruments), Pablo Valetti, Café Zimmermann (early music ensemble), Bruno Cocset (cello), Ensemble Pygmalion (early music ensemble), Gli Incogniti (early music ensemble), Sophie Watillon, Thomas Dunford (lute), Lucile Boulanger, Jean Rondeau (early keyboard instruments), Ensemble 415 (chamber ensemble), Le Concert Spirituel (early music ensemble), Zefira Valova, Alexis Kossenko, Les Ambassadeurs (early music ensemble), Vox Luminis, François Lazarevitch, Vincent Dumestre, Dominique Visse, Lionel Meunier, Raphaël Pichon, Chiara Banchini, Herve NiquetAlpha ALPHA571 There’s a delicious tang […]
2019-11-12 12:16:00
King Arthur, Staatsoper Unter den Linden, 8 November 2019
[…] than the particular. Occasional flashes of something wittier, more substantive, for instance a character musing on how the drama might have developed, had postdramatic theatre been yet invented, offered tantalising possibilities. Greater focus would have been no bad thing. There was much to admire in the singing – in particular – but also the acting, overdone though some of the latter may have been. All singers covered numerous roles to excellent effect: Anett Frisch’s stylish and intelligently dramatic soprano, Benno Schachter’s hauntingly beautiful countertenor, and Neal Davies’s performance in the celebrated ‘Frost Scene’ – how manifestly superior it is to its likely model in Lully! – were the pick of the bunch for me, but there were no weak links. The Staatsoper chorus, as ever, proved on fine form. Some, I suppose, might have preferred a smaller body of singers; for me, however, it proved rather a wonderful […]
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