Daichi Fujiki News
Japanese countertenor
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2024-04-25
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2017-04-12 17:00:55
How do you solve a problem like Medea?
[…] criminal past—the murder of his uncle Pelias—but it soon becomes clear that what he’s really after is the Golden Fleece. The prospect of the Fleece in his family leads him to defy the Oracle, whose messenger arrives with a “chorus” of mute soldiers resembling a frieze on a temple. This Herold, by the way, is another spectacular coloratura role, this time for countertenor, composed for Max Emmanuel Cencic but on this occasion performed by Daichi Fujiki, whose voice has the body and creamy quality of the modern operatic avatar of that species as well as dazzling note-spinning. Riemann thus joins the modern composers who have found this antique timbre useful and plausible for the latest music. Medea, blamed and excoriated by all, goes mad. Barainsky grovels in the sand and ransacks the stage, and her vocal lines become ever wilder—the relationship to Handel’s Dejanira and Mozart’s Elettra is clear, however […]
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