David Ashkenazi Podcasts
Russian musician
Commemorations 2025 (Birth: David Ashkenazi)
- piano
- classical music
- Russia, Soviet Union
- composer, concertmaster, pianist
Last update
2024-03-28
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In this episode, I discuss with solo violinist Arnaud Sussmann. He elaborates on the mindsets and strategies to adopt when working on sound quality, the importance of having a strong concept of phrasing and of bow distribution in musicality, the importance of creating fluency in his playing and how he achieves it, the importance of purpose in our practice, warming up during busy periods, the value of recording ourselves when we practice, and why he believes it’s important to work hard. Nous avons aussi une discussion en francais! Nous vous offrons un retour sur certains point abordés en anglais en ce qui a trait à la production du son et du phrasé, et une conversation sur l’importance de la curiosité dans la pratique et sur comment il aborde une œuvre nouvelle. MORE ABOUT ARNAUD SUSSMAN: Website: http://arnaudsussmann.com/ YouTube channel: https://www.youtube.com/user/violinice Facebook: https://www.facebook.com/arnaudsussmannviolin/ Instagram: https://www.instagram.com/arnaudsussmann/ Boris Garlitsky: http://www.talentmusicmasters.it/boris-garlitsky Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener. His clear tone [is] a thing of awe-inspiring beauty, his phrasing spellbinding.” A thrilling young musician capturing the attention of classical critics and audiences around the world, Arnaud Sussmann has appeared with the American Symphony Orchestra, Buffalo Philharmonic, New World Symphony, Pacific Symphony, Paris Chamber Orchestra, Jerusalem Symphony and the Vancouver Symphony Orchestra. Further solo appearances have included a tour of Israel and concerts at Lincoln Center’s Alice Tully Hall, Dresden Music Festival in Germany and at the Phillips Collection in Washington, D.C. Mr. Sussmann has been presented in recital in Omaha on the Tuesday Musical Club series, New Orleans by the Friends of Music, Tel Aviv at the Museum of Art and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Chamber Music Northwest and Moritzburg festivals and appears regularly at the Caramoor, Music@Menlo, La Jolla SummerFest, Seattle Chamber Music, Moab Music and Saratoga Springs Chamber Music festivals. Recent concerto appearances include performances with Maestro Valery Gergiev and the Mariinsky Orchestra at the White Nights Festival in St Petersburg, the Santa Rosa Symphony, the Albany Symphony, the Jacksonville Symphony and the Grand Rapids Symphony. This past season, chamber music performances included tours with the Chamber Music Society of Lincoln Center to Korea’s LG Arts Center, Shanghai’s Oriental Center and Hong Kong’s Music Academy. Arnaud Sussmann has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenazi, Wu Han, David Finckel, Jan Vogler and members of the Emerson String Quartet. He has worked with conductors such as Cristian Macelaru, Marcelo Lehninger, Rune Bergmann and Leon Botstein. A dedicated chamber musician, he has been a member of the Chamber Music Society of Lincoln Center since 2006 and has regularly appeared with them in New York and on tour, including a recent concert at London’s Wigmore Hall. A frequent recording artist, Arnaud Sussmann has released albums on Deutsche Grammophon’s DG Concert Series, Naxos, Albany Records and CMS Studio Recordings labels. His solo debut disc, featuring three Brahms Violin Sonatas with pianist Orion Weiss, was released in December 2014 on the Telos Music Label. He has been featured on multiple PBS’ Live from Lincoln Center broadcasts alongside Itzhak Perlman and the Perlman Music Program and with musicians of the Chamber Music Society of Lincoln Center. Born in Strasbourg, France and based now in New York City, Arnaud Sussmann trained at the Conservatoire de Paris and the Juilliard School with Boris Garlitsky and Itzhak Perlman. Winner of several international competitions, including the Andrea Postacchini of Italy and Vatelot/Rampal of France, he was named a Starling Fellow in 2006, an honor which allowed him to be Mr. Perlman’s teaching assistant for two years. Mr. Sussmann now teaches at Stony Brook University on Long Island and was recently named Co-Artistic Director of Music@Menlo’s International Music Program. If you enjoyed the show, please leave a review on iTunes! I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here! https://www.facebook.com/groups/mindoverfingertribe/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show’s musical theme! Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly! MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/
Classical Classroom, Episode 31: RERUN - The Music Of Hanukkah (Chanuka? Hanuka?) With Cantor Benjamin Matis
2015-12-14 21:45:57
Duration (h:m:s): 31:46
2013 was – I think we can all agree – a magical year. It was the year of the arthouse film Sharknado, the year of the Harlem Shake, and the year that Justin Bieber was separated from his pet monkey. But more important than any of those moments? Thanksgivukkah happened. Learn all about this phenomenon, about the history of Hanukkah, and about the music of the holiday in this Classical Classroom episode from the vault. Happy Thanksgivukkah everyone! That’s right: the Julian and the Hebrew calendars have aligned this year to create a day even more amazing than Hanukkah and more delicious than Thanksgiving. There won’t be another until the year 79811! To honor this rare occasion, Cantor Benjamin Matis of the Shelter Rock Jewish Center in Roslyn, New York in Long Island schools us on the history and music of Hanukkah. Audio production by Todd “Toddfurky” Hulslander with a side of help and gravy from Dacia Clay. Music in this episode includes: John Williams’ Star Wars (Main Theme) Ma’oz Tzur (Ashkenazi and Sephardic versions) George Frideric Handel’s Judas Maccabaeus (HWV 63) Richard Tucker singing “Sound an Alarm” (Judas Maccabaeus) David Paskin, The Ballad of Thanksgivukkah
Classical Classroom, Episode 31: The Music of Hanukkah (Chanuka? Hanuka?) with Cantor Benjamin Matis
2013-11-27 19:12:00
Duration (h:m:s): 30:53
Happy Thanksgivukkah everyone! That’s right: the Julian and the Hebrew calendars have aligned this year to create a day even more amazing than Hanukkah and more delicious than Thanksgiving. There won’t be another until the year 79811! To honor this rare occasion, Cantor Benjamin Matis of the Shelter Rock Jewish Centerin Roslyn, New York in Long Island schools us on the history and music of Hanukkah. Audio production by Todd “Toddfurky” Hulslander with a side of help and gravy from Dacia Clay. Music in this episode includes: John Williams’ Star Wars (Main Theme) Ma’oz Tzur (Ashkenazi and Sephardic versions) George Frideric Handel’s Judas Maccabaeus (HWV 63) Richard Tucker singing “Sound an Alarm” (Judas Maccabaeus) David Paskin, The Ballad of Thanksgivukkah Aaaand, of course, this gem: https://youtu.be/KX5Z-HpHH9g
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