Dora de Phillippe News
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2024-03-24
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2021-04-16 01:55:54
We’re coming to you from The Violin Channel Stages, in New York City, with violinist Philippe Quint and pianist Jun Cho. A multi-Grammy Award nominee, American violinist Phillippe Quint performs regularly with major orchestras worldwide, including the London Philharmonic, Los Angeles Philharmonic, Chicago Symphony. He plays on the 1708 "Ruby" Antonio Stradivari on a generous loan to him […] The post appeared first on The World's Leading Classical Music News Source. Est 2009..
2020-06-30 23:00:00
Romantic Chamber Music Schoeck - Onslow - Chausson - Bartolucci - Enescu
[…] SpohrGrand NonettoBohuslav MartinuNonettoEnsemble Wien BerlinDG 1989Giuseppe Verdi String Quartet Antonin Dvorak String Quartet No. 10 Christian Tetzlaff violin Florian Donderer violin Hartmut Rohde viola Maximilian Hornung cello Cavi Music 2007 Gabriel FauréThe Piano QuartetsIsaac Stern violin Jaime Laredo viola Yo-Yo Ma cello Emanuel Ax piano Sony 1990 Edvard Grieg The Three Violin Sonatas Federico Guglielmo violin Jolanda Violante piano Decca 2008 Ernest Chausson Piano Trio Poeme Andante et Allegro Phillippe Graffin violin Pascal Devoyon piano Charles Neidich clarinet Chilingirian SQ Hyperion 1998 Ferdinand RiesViolin Sonatas op 8 Nos. 1 and 2Violin Sonata op. 19Eric Grossmann violinSusan Kagan pianoNaxos 2015 Bonus discs:Felix MendelssohnString OctetPiano SextetPrazak SQKocian SQJaromir Klepac pianoJiri Hudec double bassPraga 2005 Franz Schubert String Quintet Octet Yehudi Menuhin - Robert Masters violin Barry Tuckwell horn Gervase de Peyer clarinet Archie Camden bassoon Walter Gerhardt - Cecil Aronowitz - […]
2019-06-15 08:53:25
A sense of architecture: Philippe Herreweghe and Collegium Vocale Gent in Bach's Mass in B minor
Collegium Vocale Gent (Photo Michiel Hendrickx) Bach Mass in B minor; Collegium Vocale Gent, Phillippe Herreweghe; Barbican Reviewed by Robert Hugill on 14 June 2019 Star rating: 4.5 (★★★★½) A powerful sense of architecture and a finely unified feel for the detail of the phrasing in this performance of Bach's late masterworkBach's Mass in B minor and The Art of Fugue are both great late works which seem to have been created for their own sake rather than to fulfil a particular musical function. Whereas with Bach's Passions we have a relatively clear idea of works' function, with the two late masterpieces this is far less clear. With the Mass in B minor musicologists still disagree for what occasion, if any, Bach created the work, particularly as at well over 90 minutes running time it is surely too big for a religious occasion. Without a clear function […]
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